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Çharles N Bernstein

Datos Biográficos

ID3470929
NOMBREÇharles N Bernstein
NOMBRESÇharles N
APELLIDOBernstein
FIRMABERNSTEIN Ç N
AFILIACIONESUniversity of Manitoba
ORCID0000-0001-8041-3574
VERIFICADOSí
TOTAL DE OBRAS41
TOTAL DE CITAS5
TOTAL COMO AUTOR41
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1981
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • Pre-Owned Poems

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2025

  • Sex differences evident in elevated anxiety symptoms in multiple sclerosis, inflammatory bowel disease, and rheumatoid arthritis

    Open Access•Jerlin Joyees, Ruth Ann Marrie et al.•ARTICLE•Frontiers in Psychiatry•2023

    We found evidence for sex differences in the factors associated with experiencing elevated anxiety symptoms in those with an IMID. These findings could be helpful to sensitize clinicians to monitor for comorbid anxiety symptoms in males with an IMID

  • NoOnesRose

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2023•Referencias: 1

    Pierre Joris discusses his literary journey from Luxembourg to Bard College to Algeria to Paris and London and finally New York. Joris focuses on his translation of Paul Celan, his engagement with the poetry of the Maghreb (culminating in his coediting of The University of California Book of North African Literature, volume 4 of Poems for the Millennium), and the importance of French poet Edmond Jabès. He goes on to address his choice to write in…

  • Infrathin

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Common Knowledge•2023

    Almost imperceptible differences in the similar (and similarities in difference) are what Perloff in her new book calls the “infrathin.” She gives a paradigmatic example from Wallace Stevens: an unseen “cat running over the snow almost inaudibly.” Or take Duchamp's readymade snow shovel, titled “In Advance of a Broken Arm,” which Perloff mentions in this new book: the shovel anticipates the snow and the broken arm; this is infrathin as metonymy o…

  • Childhood Maltreatment and Psychiatric Comorbidity in Immune-Mediated Inflammatory Disorders

    Open Access•Anthony Wan, Çharles N Bernstein et al.•ARTICLE•Psychosomatic Medicine•2022

    OBJECTIVE: To determine whether childhood maltreatment is associated with immune-mediated inflammatory disorders (IMIDs; multiple sclerosis [MS], inflammatory bowel disease [IBD], and rheumatoid arthritis [RA]). We further aimed to determine the relationship between maltreatment and psychiatric comorbidity in IMIDs and whether these relationships differed across IMID. METHODS: Six hundred eighty-one participants (MS, 232; IBD, 216; RA, 130; healt…

  • Cento

    Charles Bernstein, Çharles N Bernstein et al.•ARTICLE•boundary 2•2021

    A roundup of Charles Bernstein's interviews outside the US: (1) “Interview with Romina Freschi” (Argentina, 2005), previously published only in Spanish; (2) “Frequently Unasked Questions,” with Versatorium (Austria, 2011), previously published only in German in Der Standard; (3) “Interview with Philip Davenport” (England, 2012), focusing on the marginalization of radical formal poetry in the US versus the UK; (4) “Interview with Maurizio Medo” (P…

  • Gertrude and Ludwig's Bogus Adventure

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2021

    As Billy goes higher all the balloonsGet marooned on the other side of theLunar landscape. The module's broke—It seems like for an eternity, but who'sCounting—and Sally's joined the MooniesSo we don't see so much of her anyhow.Notorious novelty—I'd settle for a goodCup of Chase & Sand-borne—though whenThe strings are broken on the guitarYou can always use it as a coffee table.Vienna was cold at that time of year.The sachertorte tasted sweet but t…

  • Interview with Alí Calderón

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2021

    In 2018, Mexican poet Alí Calderón interviewed Charles Bernstein for his influential web magazine Círculo de poesía. The interview is published here in English for the first time. Bernstein addresses the poetics of “hybridity” and the possibilities for poetic disruption. The discussion ends with Bernstein's then new poem, written for John Ashbery on the day he died

  • Interview with Natalia Fedorova

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2021

    St. Petersburg new media artist, writer, literary scholar, and translator (PhD in literary theory from Herzen State University) Natalia Fedorova published this interview with Bernstein in Russian in Translit (Moscow), a key journal of innovative poetics, in 2013. Bernstein discusses his connection to Russian poets, starting with Arkadii Dragomoshchenko. He also addresses the way the Cold War torqued the reception of Russian modernist poetry, usin…

  • Your Brain on Poetry

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2021

    The prehistory of Bernstein's cofounding the Poetics Program at SUNY–Buffalo, his first permanent academic job, in his late thirties. Discusses his initial teaching jobs, at the University of California at San Diego and Princeton, and first course offerings at UCSD, Princeton, and Buffalo

  • Covidity

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2021•Citada por: 1

    Previous articleNext article FreeCovidityCharles BernsteinCharles Bernstein Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore24 April 2020The covid gonna get meIf not now, it willThe covid gonna kill meFind me where I liveBuried under coversSheltered in the hallTrading goodbyes to all my friendsThrough god…

  • The Body of the Poem

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2018

  • The Brink of Continuity (on Ashbery)

    Open Access•Charles Bernstein, Çharles N Bernstein•ARTICLE•Postmodern Culture•2017

    The Brink of Continuity (on Ashbery) Charles Bernstein (bio) On September 5, 2017, a few days after John Ashbery died, Le Monde published an obituary for him by Olivier Brossard: “Pour le poète américain, l’écriture était ouverture, fuite ou fugue, le refus d’une identité ou d’un poème qui soient clos ou définis à jamais”: For this American poet, writing was an opening, flight or fugue, the refusal of an identity for a poem that is closed or defi…

  • Relative importance measures for reprioritization response shift

    Open Access•Lisa M Lix, Tolulope T Sajobi et al.•ARTICLE•Quality of Life Research•2012

  • Measures of relative importance for health-related quality of life

    Open Access•Tolulope T Sajobi, Lisa M Lix et al.•ARTICLE•Quality of Life Research•2011

  • Charles Bernstein Replies

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2009

  • Recantorium (a Bachelor Machine, after Duchamp after Kafka)

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2009•Citada por: 1

  • A Conversation with Geoffrey O'Brien

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2001

    Research Article| May 01 2001 A Conversation with Geoffrey O'Brien Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2001) 28 (2): 1–8. https://doi.org/10.1215/01903659-28-2-1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Charles B…

  • Close Listening

    Tyler Hoffman, Charles Bernstein et al.•ARTICLE•South Atlantic Review•2000

  • Interrogations from Shadowtime

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2000

    Research Article| May 01 2000 11 Interrogations from Shadowtime Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2000) 27 (2): 73–81. https://doi.org/10.1215/01903659-27-2-73 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Charles B…

  • Poetics of the Americas

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Modernism/modernity•1996

    Modernism/modernity - Volume 3, Number 3, September 1996

  • An Autobiographical Interview with Charles Bernstein

    Loss Pequeño Glazier, Charles Bernstein et al.•ARTICLE•boundary 2•1996

  • The Emotional Truth

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1996

  • On Poetry, Language, and Teaching

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1996

    CB: Thanks for inviting me to Pittsburgh. I was pleased to be asked here by all three of the sections that make up your department, as I understand it-composition, literature and literary theory, and creative writing. I like to imagine what I do as a synthesis of these factions, though I suppose it's all shamelessly scrambled together in my practice, and no doubt I'm excessively edgy about what goes for standards in anything like a proper or disc…

  • The Throat

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1996

Siguiente
  • Optimism and Critical Excess (Process)

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•1990•Citada por: 3

  • Covidity

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2021•Citada por: 1

    Previous articleNext article FreeCovidityCharles BernsteinCharles Bernstein Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore24 April 2020The covid gonna get meIf not now, it willThe covid gonna kill meFind me where I liveBuried under coversSheltered in the hallTrading goodbyes to all my friendsThrough god…

  • Recantorium (a Bachelor Machine, after Duchamp after Kafka)

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2009•Citada por: 1

  • Reading Cavell Reading Wittgenstein

    Charles Bernstein, Çharles N Bernstein et al.•ARTICLE•boundary 2•1981

  • Saltmines Regained

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1985

  • Rowing with One Oar

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1985

  • On Equal Terms

    Charles Vandersee, Hank Lazer et al.•ARTICLE•South Atlantic Review•1986

  • Living Tissue/Dead Ideas

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Social Text•1986

    Think of dead ideas as deposited in language and writing, as the compost heap in which present language and writing grows. Suppose dead ideas as comprising an historical unconscious lived out as perception, as smell and taste, as speech. Imagine consciousness resounding with an inexhaustible repository of ideas, as a cave to be mined. And consider poetry as that mining, so the incorporation of dead ideas (call them prior texts) into a work is not…

  • Content's Dreams

    Mac Wellman, Charles Bernstein et al.•ARTICLE•Performing Arts Journal•1988

  • Optimism and Critical Excess (Process)

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•1990•Citada por: 3

  • The Second War and Postmodern Memory

    Open Access•Charles Bernstein, Çharles N Bernstein•ARTICLE•Postmodern Culture•1991

    Postmodern Culture - Volume 1, Number 2, January 1991

  • A Conversation with Richard Foreman

    Charles Bernstein, Çharles N Bernstein et al.•ARTICLE•TDR/The Drama Review•1992

    BERNSTEIN: Let me start by asking something about the formatting of your plays in your first two published books: Plays and Manifestoes [1976] and Reverberation Machine [I985]. The very first plays that you produced are presented with a great deal of extratextual material. For one thing, as is the convention, you assign every line to a speaker (which seems a better word for your practice than to speak of characters). But you also provide-in itali…

  • A Poetics

    Alan Golding, Charles Bernstein et al.•ARTICLE•American Literature•1993

  • Three Poems

    Open Access•Charles Bernstein, Çharles N Bernstein•ARTICLE•Postmodern Culture•1994

    Postmodern Culture - Volume 5, Number 1, September 1994

  • How Poetry Survives

    Charles Bernstein, Çharles N Bernstein•ARTICLE•The Baffler•1994

  • The ache of the archivist

    Open Access•Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Quarterly•1995

  • Techniques of the observed

    Open Access•Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Quarterly•1995

  • Poetics of the Americas

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Modernism/modernity•1996

    Modernism/modernity - Volume 3, Number 3, September 1996

  • An Autobiographical Interview with Charles Bernstein

    Loss Pequeño Glazier, Charles Bernstein et al.•ARTICLE•boundary 2•1996

  • The Emotional Truth

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1996

  • On Poetry, Language, and Teaching

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1996

    CB: Thanks for inviting me to Pittsburgh. I was pleased to be asked here by all three of the sections that make up your department, as I understand it-composition, literature and literary theory, and creative writing. I like to imagine what I do as a synthesis of these factions, though I suppose it's all shamelessly scrambled together in my practice, and no doubt I'm excessively edgy about what goes for standards in anything like a proper or disc…

  • The Throat

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•1996

  • Windows 95

    Loss Pequeño Glazier, Charles Bernstein et al.•ARTICLE•boundary 2•1996

  • Salute

    Mallarme Mallarme, Charles Bernstein et al.•ARTICLE•boundary 2•1996

  • Close Listening

    Tyler Hoffman, Charles Bernstein et al.•ARTICLE•South Atlantic Review•2000

  • Interrogations from Shadowtime

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2000

    Research Article| May 01 2000 11 Interrogations from Shadowtime Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2000) 27 (2): 73–81. https://doi.org/10.1215/01903659-27-2-73 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Charles B…

  • A Conversation with Geoffrey O'Brien

    Charles Bernstein, Çharles N Bernstein•ARTICLE•boundary 2•2001

    Research Article| May 01 2001 A Conversation with Geoffrey O'Brien Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2001) 28 (2): 1–8. https://doi.org/10.1215/01903659-28-2-1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Charles B…

  • Charles Bernstein Replies

    Charles Bernstein, Çharles N Bernstein•ARTICLE•Critical Inquiry•2009

Art (27 obras) · Literature (23 obras) · Poetry (21 obras) · History (16 obras) · Art history (14 obras) · Philosophy (13 obras) · Computer Science (11 obras) · History (11 obras) · Poetry Analysis and Criticism (9 obras) · Poetics (8 obras)

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