Dirk Delabastita
Datos Biográficos
| ID | 3475453 |
|---|---|
| NOMBRE | Dirk Delabastita |
| NOMBRES | Dirk |
| APELLIDO | Delabastita |
| FIRMA | DELABASTITA D |
| AFILIACIONES | KU Leuven |
| ORCID | 0000-0002-7801-6307 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 4 |
| OBRAS COMO AUTOR | 5 |
| OBRAS COMO EDITOR | 2 |
| PRIMER AÑO DE PUBLICACIÓN | 1983 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 1 |
Romeo and Juliet in European culture
With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare’s Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this reception process in the broadest sense by considering not only critical-scholarly responses but also translations, adaptations, performances and various material and digital interventions which have…
He shall signify from time to time’. Romeo and Juliet in modern English
Building on the growing interest among Translation Studies scholars in ‘intralingual translation’ and hoping to contribute to it by some data-driven descriptive work, this paper sets out to investigate the specific case of rewritings of Shakespeare in modern English. Examples will be taken from Romeo and Juliet (c. 1595), a play for which more than a dozen such versions have been found. These are born from a perceived need to bridge the comprehen…
Cross-language comedy in Shakespeare
This paper presents a typology and brief overview of the humorous scenes in Shakespeare’s plays which derive their comic energy from bilingual and / or translation-based situations. To begin with, four different subtypes of the polyglot pun are distinguished. Two of those turn out to be productive in Shakespeare’s works. The paper then considers the standard expectations associated with the ‘‘normal’’ script of interlingual translation and indica…
European Shakespeares. Translating Shakespeare in the Romantic Age
Where, when, and why did European Romantics take to Shakespeare? How about Shakespeare's reception in enduring Neoclassical or in popular traditions? And above all: which Shakespeare did these various groups promote? This collection of essays leaves behind the time-honoured commonplaces about Shakespearean translation (the 'translatability' of Shakespeare's forms and meanings, the issue of 'loss' and 'gain' in translation, the distinction between…
European Shakespeares
Translation and mass-communication
Tout bien considéré, on ne peut que s'étonner de la disproportion entre l'importance évidente du phénomène de la traduction dans les mass-media audio-visuels (importance qui peut être définie en termes à la fois quantitatifs et qualitatifs) d'une part, et l'attention minimale que la science de la traduction y a accordée d'autre part. Bien qu'il y ait bon nombre de publications à ce sujet, la majorité d'entre elles sont d'orientation purement tech…
Descriptive translation analysis
Cross-language comedy in Shakespeare
This paper presents a typology and brief overview of the humorous scenes in Shakespeare’s plays which derive their comic energy from bilingual and / or translation-based situations. To begin with, four different subtypes of the polyglot pun are distinguished. Two of those turn out to be productive in Shakespeare’s works. The paper then considers the standard expectations associated with the ‘‘normal’’ script of interlingual translation and indica…
He shall signify from time to time’. Romeo and Juliet in modern English
Building on the growing interest among Translation Studies scholars in ‘intralingual translation’ and hoping to contribute to it by some data-driven descriptive work, this paper sets out to investigate the specific case of rewritings of Shakespeare in modern English. Examples will be taken from Romeo and Juliet (c. 1595), a play for which more than a dozen such versions have been found. These are born from a perceived need to bridge the comprehen…
Descriptive translation analysis
Translation and mass-communication
Tout bien considéré, on ne peut que s'étonner de la disproportion entre l'importance évidente du phénomène de la traduction dans les mass-media audio-visuels (importance qui peut être définie en termes à la fois quantitatifs et qualitatifs) d'une part, et l'attention minimale que la science de la traduction y a accordée d'autre part. Bien qu'il y ait bon nombre de publications à ce sujet, la majorité d'entre elles sont d'orientation purement tech…
European Shakespeares. Translating Shakespeare in the Romantic Age
Where, when, and why did European Romantics take to Shakespeare? How about Shakespeare's reception in enduring Neoclassical or in popular traditions? And above all: which Shakespeare did these various groups promote? This collection of essays leaves behind the time-honoured commonplaces about Shakespearean translation (the 'translatability' of Shakespeare's forms and meanings, the issue of 'loss' and 'gain' in translation, the distinction between…
European Shakespeares
Cross-language comedy in Shakespeare
This paper presents a typology and brief overview of the humorous scenes in Shakespeare’s plays which derive their comic energy from bilingual and / or translation-based situations. To begin with, four different subtypes of the polyglot pun are distinguished. Two of those turn out to be productive in Shakespeare’s works. The paper then considers the standard expectations associated with the ‘‘normal’’ script of interlingual translation and indica…
He shall signify from time to time’. Romeo and Juliet in modern English
Building on the growing interest among Translation Studies scholars in ‘intralingual translation’ and hoping to contribute to it by some data-driven descriptive work, this paper sets out to investigate the specific case of rewritings of Shakespeare in modern English. Examples will be taken from Romeo and Juliet (c. 1595), a play for which more than a dozen such versions have been found. These are born from a perceived need to bridge the comprehen…
Romeo and Juliet in European culture
With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare’s Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this reception process in the broadest sense by considering not only critical-scholarly responses but also translations, adaptations, performances and various material and digital interventions which have…
Art (4 obras) · History (4 obras) · Literature (4 obras) · Philosophy (4 obras) · Linguistics (3 obras) · Philosophy (3 obras) · Sociology (3 obras) · Translation Studies and Practices (3 obras) · 1564-1616 (2 obras) · Artificial Intelligence (2 obras)