Nicola Maria Dusi
Datos Biográficos
| ID | 3483912 |
|---|---|
| NOMBRE | Nicola Maria Dusi |
| NOMBRES | Nicola Maria |
| APELLIDO | Dusi |
| FIRMA | DUSI N M |
| AFILIACIONES | University of Modena and Reggio Emilia |
| ORCID | 0000-0001-9547-0184 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 11 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Ekphrasis, intersemiotic translation, and transmediality in The Name of the Rose: From novel to film, graphic novel, and TV series
This article investigates a textual mechanism in Umberto Eco’s 1980 novel The Name of the Rose linked to ekphrasis, in order to highlight how literary writing produces various visual, auditory, and kinesthetic effects that mimic a cinematic effect. In my hypothesis, these effects, linked to the poetic nature and iconicity (Greimas, Algirdas J. 1984. Sémiotique figurative et sémiotique plastique [Figurative semiotics and plastic semiotics]. Actes …
Experimentación y análisis de la contemporaniedad del arte en el Laboratorio de Semiótica y socionatropología de las Artes (Labsemna)
Doctor en Semiótica, Universidad de Bolonia. Docente e investigador de Lenguajes Intermediales, Universidad de Módena (Reggio Emilia). Se ocupa de teoría del cine, serialidad, medios digitales, fotografía y problemas de intertraducción entre medios y artes visuales. Ha publicado, entre otros: El cine como traducción: literatura, cine, pintura (2003), Del cine a los medios digitales. Lógicas de lo sensible (2014), Transposiciones e intermedialidad…
Cinema and intermediality: Enhancing the spectator
By: Nicola Dusi ARTICLE INFO: Volume: 09 Issue: 02:Winter 2023 ISSN: 2459-2943 DOI: 10.18680/hss.2023.0027 Pages: 227-234 Lic.: CC BY-NC-ND 4.0 Loukia Kostopoulou, 2023 Intermediality in European Avant-Garde Cinema Routledge, 2023, 132 pages. Hardback £130. eBook £29.24. ISBN 9781032424897 Download full text: PDF
Capire le serie tv. Generi, stili, pratiche
lavorare nel campo della serialit, e infine un oggetto di culto da parte di fasce sempre pi estese di spettatori : ecco qualche motivo per la proliferazione di nuove serie, delle pi diversi tipologie, non solo negli Stati Uniti ma in tutto il mondo
Danser parmi les œuvres d’art: Deux créations site-specific d’Hofesh Schechter et de Saburo Teshigawara
Nous examinerons deux créations site-specific récentes : Coda de Hofesh Schechter et Pointed Peak de Saburo Teshigawara. La description de l’expérience de ces performances en tant que spectateurs « ethnographes » nous conduira à convoquer des théories sémiotiques de la corporéité, de la médialité « sensible » et de la traduction intersémiotique, ainsi que la socio-sémiotique du risque et des interactions.La traductibilité inter-sensorielle et int…
The Name of the Rose: Novel, Film, TV Series between Intermediality and Transmediality
We will consider the diverse strategies of adaptation employed in the case of Umberto Eco’s celebrated novel The Name of the Rose (1980) by examining the intricate passage from Eco’s novel to Jean Jacques Annaud’s film (The Name of the Rose, 1986) and the new Italian TV series (The Name of the Rose, 2019 – on air). We will look for some translational ‘continuities,’ trying a comparative semiotic analysis of some novel sequences and the film and t…
Intersemiotic translation: Theories, problems, analysis
This paper draws on Jakobson's tripartite division of the notion of translation, and Eco's discussion of the terms in his book on translation,Mouse or Rat? Translation as Negotiation(2003b). It focuses specifically on the issue of intersemiotic translation, questioning and showing what it means to "translate" from one "language" to another, such as from the novel to the medium of film, and to what extent the term translation is used metaphoricall…
Don Quixote , intermediality and remix: Translational shifts in the semiotics of culture
In Yuri Lotman’s terms intertextual relationships as active dialogues among texts and cultures should be the starting point for an analysis of the concepts of intermediality, cross-mediality and transmediality. This article considers adaptations and remakes as intermedial processes and remix practices as transmedial ones. The article demonstrates how the processes of transposition, remake and remix may sometimes be only partial, or in other insta…
Intersemiotic translation: Theories, problems, analysis
This paper draws on Jakobson's tripartite division of the notion of translation, and Eco's discussion of the terms in his book on translation,Mouse or Rat? Translation as Negotiation(2003b). It focuses specifically on the issue of intersemiotic translation, questioning and showing what it means to "translate" from one "language" to another, such as from the novel to the medium of film, and to what extent the term translation is used metaphoricall…
Don Quixote , intermediality and remix: Translational shifts in the semiotics of culture
In Yuri Lotman’s terms intertextual relationships as active dialogues among texts and cultures should be the starting point for an analysis of the concepts of intermediality, cross-mediality and transmediality. This article considers adaptations and remakes as intermedial processes and remix practices as transmedial ones. The article demonstrates how the processes of transposition, remake and remix may sometimes be only partial, or in other insta…
Intersemiotic translation: Theories, problems, analysis
This paper draws on Jakobson's tripartite division of the notion of translation, and Eco's discussion of the terms in his book on translation,Mouse or Rat? Translation as Negotiation(2003b). It focuses specifically on the issue of intersemiotic translation, questioning and showing what it means to "translate" from one "language" to another, such as from the novel to the medium of film, and to what extent the term translation is used metaphoricall…
Danser parmi les œuvres d’art: Deux créations site-specific d’Hofesh Schechter et de Saburo Teshigawara
Nous examinerons deux créations site-specific récentes : Coda de Hofesh Schechter et Pointed Peak de Saburo Teshigawara. La description de l’expérience de ces performances en tant que spectateurs « ethnographes » nous conduira à convoquer des théories sémiotiques de la corporéité, de la médialité « sensible » et de la traduction intersémiotique, ainsi que la socio-sémiotique du risque et des interactions.La traductibilité inter-sensorielle et int…
The Name of the Rose: Novel, Film, TV Series between Intermediality and Transmediality
We will consider the diverse strategies of adaptation employed in the case of Umberto Eco’s celebrated novel The Name of the Rose (1980) by examining the intricate passage from Eco’s novel to Jean Jacques Annaud’s film (The Name of the Rose, 1986) and the new Italian TV series (The Name of the Rose, 2019 – on air). We will look for some translational ‘continuities,’ trying a comparative semiotic analysis of some novel sequences and the film and t…
Capire le serie tv. Generi, stili, pratiche
lavorare nel campo della serialit, e infine un oggetto di culto da parte di fasce sempre pi estese di spettatori : ecco qualche motivo per la proliferazione di nuove serie, delle pi diversi tipologie, non solo negli Stati Uniti ma in tutto il mondo
Experimentación y análisis de la contemporaniedad del arte en el Laboratorio de Semiótica y socionatropología de las Artes (Labsemna)
Doctor en Semiótica, Universidad de Bolonia. Docente e investigador de Lenguajes Intermediales, Universidad de Módena (Reggio Emilia). Se ocupa de teoría del cine, serialidad, medios digitales, fotografía y problemas de intertraducción entre medios y artes visuales. Ha publicado, entre otros: El cine como traducción: literatura, cine, pintura (2003), Del cine a los medios digitales. Lógicas de lo sensible (2014), Transposiciones e intermedialidad…
Cinema and intermediality: Enhancing the spectator
By: Nicola Dusi ARTICLE INFO: Volume: 09 Issue: 02:Winter 2023 ISSN: 2459-2943 DOI: 10.18680/hss.2023.0027 Pages: 227-234 Lic.: CC BY-NC-ND 4.0 Loukia Kostopoulou, 2023 Intermediality in European Avant-Garde Cinema Routledge, 2023, 132 pages. Hardback £130. eBook £29.24. ISBN 9781032424897 Download full text: PDF
Ekphrasis, intersemiotic translation, and transmediality in The Name of the Rose: From novel to film, graphic novel, and TV series
This article investigates a textual mechanism in Umberto Eco’s 1980 novel The Name of the Rose linked to ekphrasis, in order to highlight how literary writing produces various visual, auditory, and kinesthetic effects that mimic a cinematic effect. In my hypothesis, these effects, linked to the poetic nature and iconicity (Greimas, Algirdas J. 1984. Sémiotique figurative et sémiotique plastique [Figurative semiotics and plastic semiotics]. Actes …
Art (5 obras) · Narrative (3 obras) · Semiotics (3 obras) · Semiotics and Representation Studies (3 obras) · Visual arts (3 obras) · Aesthetics (2 obras) · Humanities (2 obras) · Italian Literature and Culture (2 obras) · Literature (2 obras) · Movie theater (2 obras)