Paola Merli
Datos Biográficos
| ID | 3492192 |
|---|---|
| NOMBRE | Paola Merli |
| NOMBRES | Paola |
| APELLIDO | Merli |
| FIRMA | MERLI P |
| AFILIACIONES | University of Nottingham |
| VERIFICADO | No |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 40 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 2 |
La Scala in the Aftermath of the Liberation, 25 April 1945 to 22 June 1946
More than seventy years after the end of the Fascist regime in Italy, our knowledge of how music institutions dealt with their Fascist past is still limited. Despite some early attempts to publish accounts of the transformations generated by Mussolini's regime in musical production and life,1 from 1946 on this uncomfortable topic was set aside. In the mid-1960s, Marxist critics began to publish on music and Fascism, but in the polarized political…
Creating the cultures of the future
In this article, I argue that Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which have so far been largely overlooked by scholars, provide further analytical insights to those offered by his more general concepts. Together they enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. On the …
Creating the cultures of the future
In this article, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but als…
Creating the cultures of the future
Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical …
Antonio Gramsci, Prison notebooks
Evaluating the social impact of participation in arts activities
(2002). Evaluating the social impact of participation in arts activities. International Journal of Cultural Policy: Vol. 8, No. 1, pp. 107-118
Evaluating the social impact of participation in arts activities
(2002). Evaluating the social impact of participation in arts activities. International Journal of Cultural Policy: Vol. 8, No. 1, pp. 107-118
Antonio Gramsci, Prison notebooks
Creating the cultures of the future
Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical …
Evaluating the social impact of participation in arts activities
(2002). Evaluating the social impact of participation in arts activities. International Journal of Cultural Policy: Vol. 8, No. 1, pp. 107-118
Antonio Gramsci, Prison notebooks
Creating the cultures of the future
In this article, I argue that Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which have so far been largely overlooked by scholars, provide further analytical insights to those offered by his more general concepts. Together they enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. On the …
Creating the cultures of the future
In this article, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but als…
Creating the cultures of the future
Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical …
La Scala in the Aftermath of the Liberation, 25 April 1945 to 22 June 1946
More than seventy years after the end of the Fascist regime in Italy, our knowledge of how music institutions dealt with their Fascist past is still limited. Despite some early attempts to publish accounts of the transformations generated by Mussolini's regime in musical production and life,1 from 1946 on this uncomfortable topic was set aside. In the mid-1960s, Marxist critics began to publish on music and Fascism, but in the polarized political…
Law (5 obras) · Law (5 obras) · Political science (5 obras) · Sociology (5 obras) · Cultural policy (4 obras) · Political theory and Gramsci (4 obras) · Social science (4 obras) · Anthropology (3 obras) · Cultural Studies (3 obras) · Cultural Studies (3 obras)