R Bird
Datos Biográficos
| ID | 3567 |
|---|---|
| NOMBRE | R Bird |
| NOMBRES | R |
| APELLIDO | Bird |
| FIRMA | BIRD R |
| AFILIACIONES | University of Chicago |
| ORCID | 0000-0002-3110-1424 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 3 |
| OBRAS COMO AUTOR | 9 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1999 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
Genre cinema and cinema Sui Generis
Although ‘Towards a Theory of Cine-Genres’ announces his interest in connecting film genre to the formal properties of the medium, Adrian Piotrovsky’s thinking as a whole is marked by a fundamental ambivalence to genre. Placing this better-known essay within the overall development of his thinking on cinema reveals how Piotrovsky grappled with taxonomizing cinema and refined a vision for a Soviet filmmaking that moved beyond the limitations of ge…
Culture as permanent revolution
Revolutionology
A policy case study of blood in Australia
Concepts of the person in the symbolist philosophy of Viacheslav Ivanov
Studies in East European Thought, Volume 59, Issues 1–2, 2007 Special Issue on “Dostoevskij's Significance for Philosophy and Theology”
The Suspended Aesthetic
Minding the Gap
Martin Heidegger and Russian Symbolist Philosophy
Martin Heidegger and Russian Symbolist Philosophy
The Suspended Aesthetic
Minding the Gap
Studies in East European Thought, Volume 59, Issues 1–2, 2007 Special Issue on “Dostoevskij's Significance for Philosophy and Theology”
Concepts of the person in the symbolist philosophy of Viacheslav Ivanov
A policy case study of blood in Australia
Culture as permanent revolution
Revolutionology
Genre cinema and cinema Sui Generis
Although ‘Towards a Theory of Cine-Genres’ announces his interest in connecting film genre to the formal properties of the medium, Adrian Piotrovsky’s thinking as a whole is marked by a fundamental ambivalence to genre. Placing this better-known essay within the overall development of his thinking on cinema reveals how Piotrovsky grappled with taxonomizing cinema and refined a vision for a Soviet filmmaking that moved beyond the limitations of ge…
Epistemology (7 obras) · Law (7 obras) · Philosophy (7 obras) · Politics (7 obras) · Political philosophy (6 obras) · Political science (6 obras) · Law (5 obras) · Eastern European Communism and Reforms (4 obras) · Philosophy (4 obras) · Aesthetics (3 obras)