Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Marissa Moorman

Datos Biográficos

ID3595083
NOMBREMarissa Moorman
NOMBRESMarissa
APELLIDOMoorman
FIRMAMOORMAN M
AFILIACIONESIndiana University
ORCID0000-0003-0618-7358
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS71
OBRAS COMO AUTOR11
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2001
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H4
  • Decolonization Now

    Manan Ahmed Asif, Marissa Moorman et al.•ARTICLE•Radical History Review•2025•Referencias: 3

    Post–World War II ushered in an era of rapid decolonization across the Global South; a period about which Ghanaian revolutionary Kwame Nkrumah exultantly wrote that European direct rule was “everywhere in retreat.” Still, those anticolonial victories were experienced unevenly across the decolonizing world, often undone by new forms of neocolonial exploitation, rising authoritarianism, and counterinsurgent violence. For many peoples, especially in…

  • Radio Soundings

    Marissa J Moorman, Marissa Moorman•ARTICLE•Technology and Culture•2020

    Reviewed by: Radio Soundings: South Africa and the Black Modern by Liz Gunner Marissa J. Moorman (bio) Radio Soundings: South Africa and the Black Modern By Liz Gunner. Cambridge, MA: Cambridge University Press, 2019. Pp. 227. Elegant in argument and prose, Liz Gunner's Radio Soundings shows us how radio animated Black South African life, mediated the Zulu voice, and anchored the cultural production of Black South African literary figures in exil…

  • Guerrilla Broadcasters and the Unnerved Colonial State in Angola (1961-74)

    Open Access•Marissa J Moorman, Marissa Moorman•ARTICLE•The Journal of African History•2018•Citada por: 4•Referencias: 22

    This article explores the relationship between Angolan guerrilla broadcasts and their effects on the Portuguese counterinsurgency project in their war to hold on to their African colonies. The Popular Movement for the Liberation of Angola (MPLA's Angola Combatente ) and National Front for the Liberation of Angola (FNLA's Voz de Angola Livre ) broadcasts allowed these movements to maintain a sonic presence in the Angolan territory from exile and t…

  • The Civilising Mission of Globalisation

    Michael T Martin, Marissa Moorman•ARTICLE•Third Text•2015

    This interview with Cameroonian filmmaker Jean-Marie Teno explores the interchange between historical-cultural conditions and cinematic practice. Central to this discussion is the lingering effect of the colonial past and its ongoing impact on the postcolonial African situation. Teno's work examines how the trauma of colonialism is exacerbated not only by modernity and Western cultural global flows, but also by the complicity of Africanist icons …

  • Anatomy of Kuduro

    Open Access•Marissa J Moorman, Marissa Moorman•ARTICLE•African Studies Review•2014•Citada por: 9•Referencias: 12

    Kuduro, meaning "hard-ass" or "in a hard place," is a contemporary genre of music and dance produced and consumed in Angola, especially in Luanda. This article maps kuduro historically and assesses it in its current moment. While the dance is full of invention and the genre has thrived in the informal economy, this alternative expression and the infrastructure it produces cannot be considered politically or economically liberatory. But the intern…

  • Rebels and Robbers

    Marissa Moorman•ARTICLE•Africa Today•2009

    Reviewed by: Rebels and Robbers: Violence in Post-Colonial Angola Marissa Moorman Malaquias, Assis . 2007. Rebels and Robbers: Violence in Post-Colonial Angola. Uppsala: Nordic Africa Institute. 264 pp. $39.95 (paper). Rebels and Robbers is a study of Angola's civil war and its peace since 2003. Unlike other authors who analyze the development of Angola's diamond-and oil-anchored political economy and its relationship to the civil war and [End Pa…

  • Intonations

    Marissa Moorman, Marissa Jean Moorman•BOOK•Intonations•2008•Citada por: 51

  • Gender in the Lusophone World

    Marissa Moorman, Kathleen Sheldon•ARTICLE•Lusotopie•2005

    The dynamic state of Lusophone studies was amply demonstrated by the enthusiastic response to the call for papers for this special dossier. Indeed, scholarship on the lusophonic world reflects trends within the academy more broadly, while offering insights grounded in the specificities of the past and present politics of lusophonic spaces. Over one hundred scholars wrote to express an interest in the topic, and over seventy of those submitted pap…

  • Angola

    Marissa Moorman, Tony Hodges•ARTICLE•The International Journal of…•2004

    Introduction - Four decades of war and upheaval - Ethnicity, poverty and the rise of a post-colonial elite - Governance: the contradictions of an incomplete transition - Economic crisis and the limits of reform - Oil and the 'Bermuda Triangle' - Diamonds: UNITA's war economy and state patronage - Conclusions

  • Dueling Bands and Good Girls

    Marissa J Moorman, Marissa Moorman•ARTICLE•The International Journal of…•2004•Citada por: 1

    Marissa J. Moorman, Dueling Bands and Good Girls: Gender, Music, and Nation in Luanda's Musseques, 1961-1974, The International Journal of African Historical Studies, Vol. 37, No. 2 (2004), pp. 255-288

  • Of Westerns, Women, and War

    Marissa Moorman•ARTICLE•Research in African Literatures•2001•Citada por: 6•Referencias: 6

    Today, evidence of cinematic desuetude in Luanda abounds. No films have been produced locally in at least the past thirteen years. Angola's directorial hopefuls Antonio Ole and Rui Duarte de Carvalho have ceased filmic activity, the former for painting and the latter to continue his trajectory as anthropologist and poet. The once thriving cinemas of Luanda's downtown, with revolutionary nationalist names like the Karl Marx Cinema, the First of Ma…

  • Intonations

    Marissa Moorman, Marissa Jean Moorman•BOOK•Intonations•2008•Citada por: 51

  • Anatomy of Kuduro

    Open Access•Marissa J Moorman, Marissa Moorman•ARTICLE•African Studies Review•2014•Citada por: 9•Referencias: 12

    Kuduro, meaning "hard-ass" or "in a hard place," is a contemporary genre of music and dance produced and consumed in Angola, especially in Luanda. This article maps kuduro historically and assesses it in its current moment. While the dance is full of invention and the genre has thrived in the informal economy, this alternative expression and the infrastructure it produces cannot be considered politically or economically liberatory. But the intern…

  • Of Westerns, Women, and War

    Marissa Moorman•ARTICLE•Research in African Literatures•2001•Citada por: 6•Referencias: 6

    Today, evidence of cinematic desuetude in Luanda abounds. No films have been produced locally in at least the past thirteen years. Angola's directorial hopefuls Antonio Ole and Rui Duarte de Carvalho have ceased filmic activity, the former for painting and the latter to continue his trajectory as anthropologist and poet. The once thriving cinemas of Luanda's downtown, with revolutionary nationalist names like the Karl Marx Cinema, the First of Ma…

  • Guerrilla Broadcasters and the Unnerved Colonial State in Angola (1961-74)

    Open Access•Marissa J Moorman, Marissa Moorman•ARTICLE•The Journal of African History•2018•Citada por: 4•Referencias: 22

    This article explores the relationship between Angolan guerrilla broadcasts and their effects on the Portuguese counterinsurgency project in their war to hold on to their African colonies. The Popular Movement for the Liberation of Angola (MPLA's Angola Combatente ) and National Front for the Liberation of Angola (FNLA's Voz de Angola Livre ) broadcasts allowed these movements to maintain a sonic presence in the Angolan territory from exile and t…

  • Dueling Bands and Good Girls

    Marissa J Moorman, Marissa Moorman•ARTICLE•The International Journal of…•2004•Citada por: 1

    Marissa J. Moorman, Dueling Bands and Good Girls: Gender, Music, and Nation in Luanda's Musseques, 1961-1974, The International Journal of African Historical Studies, Vol. 37, No. 2 (2004), pp. 255-288

  • Of Westerns, Women, and War

    Marissa Moorman•ARTICLE•Research in African Literatures•2001•Citada por: 6•Referencias: 6

    Today, evidence of cinematic desuetude in Luanda abounds. No films have been produced locally in at least the past thirteen years. Angola's directorial hopefuls Antonio Ole and Rui Duarte de Carvalho have ceased filmic activity, the former for painting and the latter to continue his trajectory as anthropologist and poet. The once thriving cinemas of Luanda's downtown, with revolutionary nationalist names like the Karl Marx Cinema, the First of Ma…

  • Angola

    Marissa Moorman, Tony Hodges•ARTICLE•The International Journal of…•2004

    Introduction - Four decades of war and upheaval - Ethnicity, poverty and the rise of a post-colonial elite - Governance: the contradictions of an incomplete transition - Economic crisis and the limits of reform - Oil and the 'Bermuda Triangle' - Diamonds: UNITA's war economy and state patronage - Conclusions

  • Dueling Bands and Good Girls

    Marissa J Moorman, Marissa Moorman•ARTICLE•The International Journal of…•2004•Citada por: 1

    Marissa J. Moorman, Dueling Bands and Good Girls: Gender, Music, and Nation in Luanda's Musseques, 1961-1974, The International Journal of African Historical Studies, Vol. 37, No. 2 (2004), pp. 255-288

  • Gender in the Lusophone World

    Marissa Moorman, Kathleen Sheldon•ARTICLE•Lusotopie•2005

    The dynamic state of Lusophone studies was amply demonstrated by the enthusiastic response to the call for papers for this special dossier. Indeed, scholarship on the lusophonic world reflects trends within the academy more broadly, while offering insights grounded in the specificities of the past and present politics of lusophonic spaces. Over one hundred scholars wrote to express an interest in the topic, and over seventy of those submitted pap…

  • Intonations

    Marissa Moorman, Marissa Jean Moorman•BOOK•Intonations•2008•Citada por: 51

  • Rebels and Robbers

    Marissa Moorman•ARTICLE•Africa Today•2009

    Reviewed by: Rebels and Robbers: Violence in Post-Colonial Angola Marissa Moorman Malaquias, Assis . 2007. Rebels and Robbers: Violence in Post-Colonial Angola. Uppsala: Nordic Africa Institute. 264 pp. $39.95 (paper). Rebels and Robbers is a study of Angola's civil war and its peace since 2003. Unlike other authors who analyze the development of Angola's diamond-and oil-anchored political economy and its relationship to the civil war and [End Pa…

  • Anatomy of Kuduro

    Open Access•Marissa J Moorman, Marissa Moorman•ARTICLE•African Studies Review•2014•Citada por: 9•Referencias: 12

    Kuduro, meaning "hard-ass" or "in a hard place," is a contemporary genre of music and dance produced and consumed in Angola, especially in Luanda. This article maps kuduro historically and assesses it in its current moment. While the dance is full of invention and the genre has thrived in the informal economy, this alternative expression and the infrastructure it produces cannot be considered politically or economically liberatory. But the intern…

  • The Civilising Mission of Globalisation

    Michael T Martin, Marissa Moorman•ARTICLE•Third Text•2015

    This interview with Cameroonian filmmaker Jean-Marie Teno explores the interchange between historical-cultural conditions and cinematic practice. Central to this discussion is the lingering effect of the colonial past and its ongoing impact on the postcolonial African situation. Teno's work examines how the trauma of colonialism is exacerbated not only by modernity and Western cultural global flows, but also by the complicity of Africanist icons …

  • Guerrilla Broadcasters and the Unnerved Colonial State in Angola (1961-74)

    Open Access•Marissa J Moorman, Marissa Moorman•ARTICLE•The Journal of African History•2018•Citada por: 4•Referencias: 22

    This article explores the relationship between Angolan guerrilla broadcasts and their effects on the Portuguese counterinsurgency project in their war to hold on to their African colonies. The Popular Movement for the Liberation of Angola (MPLA's Angola Combatente ) and National Front for the Liberation of Angola (FNLA's Voz de Angola Livre ) broadcasts allowed these movements to maintain a sonic presence in the Angolan territory from exile and t…

  • Radio Soundings

    Marissa J Moorman, Marissa Moorman•ARTICLE•Technology and Culture•2020

    Reviewed by: Radio Soundings: South Africa and the Black Modern by Liz Gunner Marissa J. Moorman (bio) Radio Soundings: South Africa and the Black Modern By Liz Gunner. Cambridge, MA: Cambridge University Press, 2019. Pp. 227. Elegant in argument and prose, Liz Gunner's Radio Soundings shows us how radio animated Black South African life, mediated the Zulu voice, and anchored the cultural production of Black South African literary figures in exil…

  • Decolonization Now

    Manan Ahmed Asif, Marissa Moorman et al.•ARTICLE•Radical History Review•2025•Referencias: 3

    Post–World War II ushered in an era of rapid decolonization across the Global South; a period about which Ghanaian revolutionary Kwame Nkrumah exultantly wrote that European direct rule was “everywhere in retreat.” Still, those anticolonial victories were experienced unevenly across the decolonizing world, often undone by new forms of neocolonial exploitation, rising authoritarianism, and counterinsurgent violence. For many peoples, especially in…

African history and culture studies (6 obras) · History (6 obras) · Political science (6 obras) · Sociology (6 obras) · Art (5 obras) · Law (5 obras) · Colonialism (4 obras) · Gender Studies (4 obras) · Politics (4 obras) · Gender Studies (3 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae