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Emma Barker

Datos Biográficos

ID3595159
NOMBREEmma Barker
NOMBRESEmma
APELLIDOBarker
FIRMABARKER E
AFILIACIONESThe Open University
ORCID0009-0006-1239-8142
VERIFICADONo
TOTAL DE OBRAS17
TOTAL DE CITAS4
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1967
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • Beyond Revisionism

    Open Access•Emma Barker•ARTICLE•Oxford Art Journal•2026

  • Woman in a turban

    Emma Barker•ARTICLE•Word & Image•2023

    The heroine of Germaine de Staël’s Corinne, or Italy (1807) makes her first appearance in the novel ‘dressed like Domenichino’s Sibyl’, wearing an Indian shawl wound into a turban. The aim of this essay is to highlight the contribution that the tradition of Sibylline iconography made to the characterization of the heroine of Corinne by locating Staël in a long line of artists, writers, and patrons, particularly female ones, who adapted and approp…

  • Teaching the “Long” Eighteenth Century – A Conversation & Resources

    Open Access•Eleanore Neumann, Anna Arabindan-Kesson et al.•ARTICLE•Journal18•2021

  • Envisioning Blindness in Eighteenth-Century Paris

    Open Access•Emma Barker•ARTICLE•Oxford Art Journal•2020

    Diderot’s Letter on the Blind (1749) is widely held to have inaugurated a new, rational and humane approach to visual impairment, which, so it has further been argued, helped to shape the way that the blind were represented by eighteenth-century French artists. By contrast, this essay contends that such images are heavily indebted to iconographic convention and other established tropes of blindness, as well as to the professional and personal con…

  • National Gallery Catalogues

    Open Access•Emma Barker•ARTICLE•French History•2019

    This immensely long and richly illustrated book serves as a companion volume to the catalogue of the seventeenth-century French paintings, published in 2001, also by Humphrey Wine, who, until his retirement in 2016, was the curator of seventeenth- and eighteenth-century French paintings at the National Gallery. Whereas the earlier catalogue was dominated by Nicolas Poussin and Claude Lorrain, both of whom had been enthusiastically collected by th…

  • No Picture more Charming’

    Open Access•Emma Barker•ARTICLE•Art History•2017•Citada por: 1

  • Extracting bilingual terms from the Web

    Robert Gaizauskas, Monica Lestari Paramita et al.•ARTICLE•Terminology International Journal…•2015

    In this paper we make two contributions. First, we describe a multi-component system called BiTES (Bilingual Term Extraction System) designed to automatically gather domain-specific bilingual term pairs from Web data. BiTES components consist of data gathering tools, domain classifiers, monolingual text extraction systems and bilingual term aligners. BiTES is readily extendable to new language pairs and has been successfully used to gather biling…

  • Académie Royale

    Emma Barker•ARTICLE•French History•2015

    In her thoughtful and illuminating book, Hannah Williams develops a distinctively new approach to the central institution of the ancien-régime art world. Whereas previous studies have explored the theory, teaching and practice of the Académie Royale de Peinture et de Sculpture, Williams seeks to reconstruct the internal dynamics of the organization. In order to build up a picture of the Académie as a community as much as an institution, she takes…

  • Policing LGBTIQ people in rural spaces

    Open Access•Angela Dwyer, Matthew Ball et al.•ARTICLE•Rural Society•2015•Citada por: 2•Referencias: 7

    This article argues identifying as lesbian, gay, bisexual, transgender, intersex, queer and/or questioning (LGBTIQ) in rural spaces can produce specific types of policing experiences. While some literature examines the experiences of LGBTIQ people with police, very little has focused on how rurality explicitly shapes these experiences. This is significant considering research highlights how rurality can be connected to pronounced experiences of h…

  • Suicide around Anniversary Times

    Open Access•Emma Barker, John O’Gorman et al.•ARTICLE•OMEGA - Journal of Death and Dying•2014

    The anniversary of the loss of a loved one is known to induce negative emotions, which for some can be significant. The present study examined the incidence of suicide around the time of such anniversaries using data from the Queensland Suicide Register for the years 1998 to 2008. There were statistically significant increases in suicide events immediately after the loss of a loved one and around the anniversary of the loss. Limitations of the st…

  • Reading the Greuze Girl

    Emma Barker•ARTICLE•Representations•2012•Referencias: 5

    This essay challenges the generally accepted interpretation of Greuze's Young Girl Weeping over Her Dead Bird (1765) as an allegory of lost virginity by considering the painting in relation to eighteenth-century representations of the young girl in a range of discourses. The central contention is that the implied spectator to whom the picture is addressed is a quasi-paternal figure who disavows his own desire for the girl whilst nevertheless enjo…

  • Mme Geoffrin, Painting and Galanterie

    Emma Barker•ARTICLE•Eighteenth-Century Studies•2007•Referencias: 10

    This essay explores Mme Geoffrin's commission of two paintings from Carle Van Loo: the Conversation espagnole (1754) and Lecture espagnole (c. 1755). It argues that the "Spanish" theme needs to be understood with reference to the French discourse on galanterie and to aristocratic spectacle. It also explores the significance of the choice of Mme de Lafayette's novel, Zayde (1671), as the reading matter in the Lecture. The central contention is tha…

  • Loir, Alexis, III

    Emma Barker•CHAPTER•2003

  • Coypel, Charles-Antoine

    Esther Bell, Emma Barker•CHAPTER•2003

  • History Painting/Painting History

    Open Access•Emma Barker•ARTICLE•Art History•1999

    Books reviewed in this article: Christopher Prendergast, Napoleon and History Painting: Antoine‐Jean Gros’s, La Bataille d’Eylau Beth S. Wright, Painting and History during the French Restoration: Abandoned by the Past Steven Bann, Paul Delaroche: History Painted Marc J. Gotlieb, The Plight of Emulation: Ernest Meissonier and French Salon Painting

  • Jacques-Louis David

    Emma Barker•ARTICLE•French History•1995

    Journal Article Jacques-Louis David: Art in Metamorphosis Get access Jacques-Louis David: Art in Metamorphosis. By Dorothy Johnson. Princeton, N.J.: Princeton University Press. 1993. 316 pp., $29.95. ISBN 0 691 03218 1. Emma Barker Emma Barker London Search for other works by this author on: Oxford Academic Google Scholar French History, Volume 9, Issue 1, 1 March 1995, Pages 101–103, https://doi.org/10.1093/fh/9.1.101 Published: 01 March 1995

  • The Anglo-Saxon Chronicle used by Æthelweard

    Open Access•E E Barker, Emma Barker•ARTICLE•Historical Research•1967•Citada por: 1

    Journal Article The Anglo-Saxon Chronicle used by Æthelweard Get access E. E. Barker E. E. Barker Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Historical Research, Volume 40, Issue 101, May 1967, Pages 74–91, https://doi.org/10.1111/j.1468-2281.1967.tb02137.x Published: 12 October 2007

  • Policing LGBTIQ people in rural spaces

    Open Access•Angela Dwyer, Matthew Ball et al.•ARTICLE•Rural Society•2015•Citada por: 2•Referencias: 7

    This article argues identifying as lesbian, gay, bisexual, transgender, intersex, queer and/or questioning (LGBTIQ) in rural spaces can produce specific types of policing experiences. While some literature examines the experiences of LGBTIQ people with police, very little has focused on how rurality explicitly shapes these experiences. This is significant considering research highlights how rurality can be connected to pronounced experiences of h…

  • No Picture more Charming’

    Open Access•Emma Barker•ARTICLE•Art History•2017•Citada por: 1

  • The Anglo-Saxon Chronicle used by Æthelweard

    Open Access•E E Barker, Emma Barker•ARTICLE•Historical Research•1967•Citada por: 1

    Journal Article The Anglo-Saxon Chronicle used by Æthelweard Get access E. E. Barker E. E. Barker Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Historical Research, Volume 40, Issue 101, May 1967, Pages 74–91, https://doi.org/10.1111/j.1468-2281.1967.tb02137.x Published: 12 October 2007

  • The Anglo-Saxon Chronicle used by Æthelweard

    Open Access•E E Barker, Emma Barker•ARTICLE•Historical Research•1967•Citada por: 1

    Journal Article The Anglo-Saxon Chronicle used by Æthelweard Get access E. E. Barker E. E. Barker Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Historical Research, Volume 40, Issue 101, May 1967, Pages 74–91, https://doi.org/10.1111/j.1468-2281.1967.tb02137.x Published: 12 October 2007

  • Jacques-Louis David

    Emma Barker•ARTICLE•French History•1995

    Journal Article Jacques-Louis David: Art in Metamorphosis Get access Jacques-Louis David: Art in Metamorphosis. By Dorothy Johnson. Princeton, N.J.: Princeton University Press. 1993. 316 pp., $29.95. ISBN 0 691 03218 1. Emma Barker Emma Barker London Search for other works by this author on: Oxford Academic Google Scholar French History, Volume 9, Issue 1, 1 March 1995, Pages 101–103, https://doi.org/10.1093/fh/9.1.101 Published: 01 March 1995

  • History Painting/Painting History

    Open Access•Emma Barker•ARTICLE•Art History•1999

    Books reviewed in this article: Christopher Prendergast, Napoleon and History Painting: Antoine‐Jean Gros’s, La Bataille d’Eylau Beth S. Wright, Painting and History during the French Restoration: Abandoned by the Past Steven Bann, Paul Delaroche: History Painted Marc J. Gotlieb, The Plight of Emulation: Ernest Meissonier and French Salon Painting

  • Loir, Alexis, III

    Emma Barker•CHAPTER•2003

  • Coypel, Charles-Antoine

    Esther Bell, Emma Barker•CHAPTER•2003

  • Mme Geoffrin, Painting and Galanterie

    Emma Barker•ARTICLE•Eighteenth-Century Studies•2007•Referencias: 10

    This essay explores Mme Geoffrin's commission of two paintings from Carle Van Loo: the Conversation espagnole (1754) and Lecture espagnole (c. 1755). It argues that the "Spanish" theme needs to be understood with reference to the French discourse on galanterie and to aristocratic spectacle. It also explores the significance of the choice of Mme de Lafayette's novel, Zayde (1671), as the reading matter in the Lecture. The central contention is tha…

  • Reading the Greuze Girl

    Emma Barker•ARTICLE•Representations•2012•Referencias: 5

    This essay challenges the generally accepted interpretation of Greuze's Young Girl Weeping over Her Dead Bird (1765) as an allegory of lost virginity by considering the painting in relation to eighteenth-century representations of the young girl in a range of discourses. The central contention is that the implied spectator to whom the picture is addressed is a quasi-paternal figure who disavows his own desire for the girl whilst nevertheless enjo…

  • Suicide around Anniversary Times

    Open Access•Emma Barker, John O’Gorman et al.•ARTICLE•OMEGA - Journal of Death and Dying•2014

    The anniversary of the loss of a loved one is known to induce negative emotions, which for some can be significant. The present study examined the incidence of suicide around the time of such anniversaries using data from the Queensland Suicide Register for the years 1998 to 2008. There were statistically significant increases in suicide events immediately after the loss of a loved one and around the anniversary of the loss. Limitations of the st…

  • Extracting bilingual terms from the Web

    Robert Gaizauskas, Monica Lestari Paramita et al.•ARTICLE•Terminology International Journal…•2015

    In this paper we make two contributions. First, we describe a multi-component system called BiTES (Bilingual Term Extraction System) designed to automatically gather domain-specific bilingual term pairs from Web data. BiTES components consist of data gathering tools, domain classifiers, monolingual text extraction systems and bilingual term aligners. BiTES is readily extendable to new language pairs and has been successfully used to gather biling…

  • Académie Royale

    Emma Barker•ARTICLE•French History•2015

    In her thoughtful and illuminating book, Hannah Williams develops a distinctively new approach to the central institution of the ancien-régime art world. Whereas previous studies have explored the theory, teaching and practice of the Académie Royale de Peinture et de Sculpture, Williams seeks to reconstruct the internal dynamics of the organization. In order to build up a picture of the Académie as a community as much as an institution, she takes…

  • Policing LGBTIQ people in rural spaces

    Open Access•Angela Dwyer, Matthew Ball et al.•ARTICLE•Rural Society•2015•Citada por: 2•Referencias: 7

    This article argues identifying as lesbian, gay, bisexual, transgender, intersex, queer and/or questioning (LGBTIQ) in rural spaces can produce specific types of policing experiences. While some literature examines the experiences of LGBTIQ people with police, very little has focused on how rurality explicitly shapes these experiences. This is significant considering research highlights how rurality can be connected to pronounced experiences of h…

  • No Picture more Charming’

    Open Access•Emma Barker•ARTICLE•Art History•2017•Citada por: 1

  • National Gallery Catalogues

    Open Access•Emma Barker•ARTICLE•French History•2019

    This immensely long and richly illustrated book serves as a companion volume to the catalogue of the seventeenth-century French paintings, published in 2001, also by Humphrey Wine, who, until his retirement in 2016, was the curator of seventeenth- and eighteenth-century French paintings at the National Gallery. Whereas the earlier catalogue was dominated by Nicolas Poussin and Claude Lorrain, both of whom had been enthusiastically collected by th…

  • Envisioning Blindness in Eighteenth-Century Paris

    Open Access•Emma Barker•ARTICLE•Oxford Art Journal•2020

    Diderot’s Letter on the Blind (1749) is widely held to have inaugurated a new, rational and humane approach to visual impairment, which, so it has further been argued, helped to shape the way that the blind were represented by eighteenth-century French artists. By contrast, this essay contends that such images are heavily indebted to iconographic convention and other established tropes of blindness, as well as to the professional and personal con…

  • Teaching the “Long” Eighteenth Century – A Conversation & Resources

    Open Access•Eleanore Neumann, Anna Arabindan-Kesson et al.•ARTICLE•Journal18•2021

  • Woman in a turban

    Emma Barker•ARTICLE•Word & Image•2023

    The heroine of Germaine de Staël’s Corinne, or Italy (1807) makes her first appearance in the novel ‘dressed like Domenichino’s Sibyl’, wearing an Indian shawl wound into a turban. The aim of this essay is to highlight the contribution that the tradition of Sibylline iconography made to the characterization of the heroine of Corinne by locating Staël in a long line of artists, writers, and patrons, particularly female ones, who adapted and approp…

  • Beyond Revisionism

    Open Access•Emma Barker•ARTICLE•Oxford Art Journal•2026

Art (10 obras) · Art history (10 obras) · Historical Art and Culture Studies (7 obras) · History (7 obras) · Computer Science (5 obras) · Painting (5 obras) · Historical Studies and Socio-cultural Analysis (4 obras) · Philosophy (4 obras) · Sociology (4 obras) · Historical and Literary Studies (3 obras)

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