Alice Lovejoy
Datos Biográficos
| ID | 3595855 |
|---|---|
| NOMBRE | Alice Lovejoy |
| NOMBRES | Alice |
| APELLIDO | Lovejoy |
| FIRMA | LOVEJOY A |
| AFILIACIONES | University of Minnesota System |
| VERIFICADO | No |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
The World Union of Documentary and the Early Cold War
This essay traces the evolution of the idea of “international documentary” during the early Cold War through the history of the World Union of Documentary (1947–50), an association spearheaded by documentarian Joris Ivens that aimed to articulate a common purpose for postwar documentary and to facilitate the international exchange of films, professionals, and knowledge in the field. I investigate the links between the association and contemporane…
The Painted Bird. Dir. Václav Marhoul. Prague, New York
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
“A Treacherous Tightrope”
Celluloid geopolitics
Journal Article Celluloid geopolitics: film stock and the war economy, 1939–47 Get access Alice Lovejoy Alice Lovejoy Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 60, Issue 2, Summer 2019, Pages 224–241, https://doi.org/10.1093/screen/hjz009 Published: 18 June 2019
“A Treacherous Tightrope”
This chapter, by Alice Lovejoy, chronicles the United States Office of War Information’s plans to distribute forty Hollywood feature films in liberated Europe under the auspices of the Supreme Headquarters Allied Expeditionary Force’s Psychological Warfare Division (PWD-SHAEF). From the comparative perspectives of OWI and the Allied countries for which the films were destined (Belgium, the Netherlands, Norway, and Czechoslovakia, its central case…
The Event. Dir. Sergei Loznitsa . The Netherlands
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
Moving Images
This essay examines recent work in film and media history that explores postwar East European media institutions, industries, and cultures, and the numerous modes of moving-image production beyond the fiction feature. Directly or indirectly influenced by histoire croisée and similar approaches to transnational history, as well as by film and media studies’ recent engagement with previously overlooked audiovisual practices and forms, this work lin…
Celluloid geopolitics
Journal Article Celluloid geopolitics: film stock and the war economy, 1939–47 Get access Alice Lovejoy Alice Lovejoy Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 60, Issue 2, Summer 2019, Pages 224–241, https://doi.org/10.1093/screen/hjz009 Published: 18 June 2019
Moving Images
This essay examines recent work in film and media history that explores postwar East European media institutions, industries, and cultures, and the numerous modes of moving-image production beyond the fiction feature. Directly or indirectly influenced by histoire croisée and similar approaches to transnational history, as well as by film and media studies’ recent engagement with previously overlooked audiovisual practices and forms, this work lin…
The Event. Dir. Sergei Loznitsa . The Netherlands
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
“A Treacherous Tightrope”
This chapter, by Alice Lovejoy, chronicles the United States Office of War Information’s plans to distribute forty Hollywood feature films in liberated Europe under the auspices of the Supreme Headquarters Allied Expeditionary Force’s Psychological Warfare Division (PWD-SHAEF). From the comparative perspectives of OWI and the Allied countries for which the films were destined (Belgium, the Netherlands, Norway, and Czechoslovakia, its central case…
“A Treacherous Tightrope”
Celluloid geopolitics
Journal Article Celluloid geopolitics: film stock and the war economy, 1939–47 Get access Alice Lovejoy Alice Lovejoy Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 60, Issue 2, Summer 2019, Pages 224–241, https://doi.org/10.1093/screen/hjz009 Published: 18 June 2019
The Painted Bird. Dir. Václav Marhoul. Prague, New York
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The World Union of Documentary and the Early Cold War
This essay traces the evolution of the idea of “international documentary” during the early Cold War through the history of the World Union of Documentary (1947–50), an association spearheaded by documentarian Joris Ivens that aimed to articulate a common purpose for postwar documentary and to facilitate the international exchange of films, professionals, and knowledge in the field. I investigate the links between the association and contemporane…
European history and politics (5 obras) · History (5 obras) · Art (4 obras) · Art history (4 obras) · Political science (4 obras) · Sociology (4 obras) · Cinema and Media Studies (3 obras) · History (3 obras) · Law (3 obras) · Mathematics (3 obras)