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Jamie Larkin

Datos Biográficos

ID3601258
NOMBREJamie Larkin
NOMBRESJamie
APELLIDOLarkin
FIRMALARKIN J
AFILIACIONESChapman University
ORCID0000-0002-1085-1533
VERIFICADOSí
TOTAL DE OBRAS9
TOTAL DE CITAS13
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2013
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H2
  • Unrealized Fears

    Open Access•Mark Liebenrood, Andrea Ballatore et al.•ARTICLE•Curator The Museum Journal•2026

    Fears of widespread permanent closures of museums expressed at the start of the COVID‐19 pandemic prompted our research to monitor closures and other museum behavior in 2021–2022. We wanted to understand how the UK sector changed in this period. Which museums closed, and what factors were at work in their closure? Did museums that closed have anything in common? Were there trends or patterns across the sector? To monitor as widely as possible we …

  • The role of the museum shop in sustainable futures

    Open Access•Jamie Larkin, Victor Oliveira et al.•ARTICLE•Museum Management and Curatorship•2024•Referencias: 18

    In recent years the museum shop has been recognized as an important part of the broader organization, both in its economic contribution and its cultural impact on the visitor experience. Yet little academic research examines how the museum shop can support museum agendas. This paper addresses this gap by rethinking the role of museum shops in supporting museum sustainability initiatives. Sustainability has become an important topic across the mus…

  • Museums, Covid‐19 and the pivot to social media

    Open Access•Jamie Larkin, Andrea Ballatore et al.•ARTICLE•Curator The Museum Journal•2023

    This paper examines social media activity by UK museums during the COVID‐19 pandemic. There is a general perception that as museums closed their doors for extended periods, their digital presence increased to maintain connections with their audiences. However, much of the research conducted in this area is based on small‐scale studies and examples of best practice from large, well‐resourced museums. By contrast, this study utilizes a comprehensiv…

  • The UK museum boom

    Fiona Candlin, Andrea Ballatore et al.•ARTICLE•Cultural Trends•2023•Citada por: 1•Referencias: 4

    During the late-twentieth century there was a significant increase in the number of museums in the UK. Apart from the polemic heritage debates of the 1980s and 1990s, the boom in museums was not much investigated. Our project “Mapping Museums” collected and analysed data on over 4000 UK museums that were open in the period from 1960 to 2019. Here we present our findings. We show that the number of museums increased from around 1000 to a highpoint…

  • Towards reparative museology

    C Sterling, Jamie Larkin•ARTICLE•Museums & Social Issues•2021•Citada por: 2•Referencias: 5

  • Rethinking museum shops in the context of the climate crisis

    Open Access•Jamie Larkin•ARTICLE•Nordisk Museologi•2021•Citada por: 1•Referencias: 2

    This paper critically evaluates the role of the museum shop in the context of the climate crisis. Specifically, it considers how museum shops might be reconceptualized as an important facet of visitor communication within the emerging category of climate museums. Theoretically, the paper references the conceptual linkages of material and commodity culture in relation to climate issues, while practically, it frames the shop as a space that can bot…

  • What is a Museum? A new approach

    Open Access•Fiona Candlin, Jamie Larkin•ARTICLE•Museum and Society•2020•Citada por: 4

    The Mapping Museums research team recently compiled a dataset of UK museums. In doing so, we had to decide what counted as a museum. In this paper, we outline our initial approaches for establishing the criteria for selection: using definitions; key characteristics; and self-identification; and describe why they proved inadequate with respect to the heterogeneity of museum practice. We then explain how assemblage theory helped us conceptualise th…

  • The missing museums

    Fiona Candlin, Jamie Larkin et al.•ARTICLE•Cultural Trends•2019•Citada por: 5•Referencias: 3

    Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understa…

  • Public Archaeology Response to ‘The Future Care of Our Nation’s Heritage’ Debate

    Jamie Larkin, Kate Clark et al.•ARTICLE•Public Archaeology•2013

    The whole attitude of this country and of the civilized world in general has changed towards archaeology in recent years. We regard the national monuments to which this Bill refers as part of the h

  • The missing museums

    Fiona Candlin, Jamie Larkin et al.•ARTICLE•Cultural Trends•2019•Citada por: 5•Referencias: 3

    Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understa…

  • What is a Museum? A new approach

    Open Access•Fiona Candlin, Jamie Larkin•ARTICLE•Museum and Society•2020•Citada por: 4

    The Mapping Museums research team recently compiled a dataset of UK museums. In doing so, we had to decide what counted as a museum. In this paper, we outline our initial approaches for establishing the criteria for selection: using definitions; key characteristics; and self-identification; and describe why they proved inadequate with respect to the heterogeneity of museum practice. We then explain how assemblage theory helped us conceptualise th…

  • Towards reparative museology

    C Sterling, Jamie Larkin•ARTICLE•Museums & Social Issues•2021•Citada por: 2•Referencias: 5

  • The UK museum boom

    Fiona Candlin, Andrea Ballatore et al.•ARTICLE•Cultural Trends•2023•Citada por: 1•Referencias: 4

    During the late-twentieth century there was a significant increase in the number of museums in the UK. Apart from the polemic heritage debates of the 1980s and 1990s, the boom in museums was not much investigated. Our project “Mapping Museums” collected and analysed data on over 4000 UK museums that were open in the period from 1960 to 2019. Here we present our findings. We show that the number of museums increased from around 1000 to a highpoint…

  • Rethinking museum shops in the context of the climate crisis

    Open Access•Jamie Larkin•ARTICLE•Nordisk Museologi•2021•Citada por: 1•Referencias: 2

    This paper critically evaluates the role of the museum shop in the context of the climate crisis. Specifically, it considers how museum shops might be reconceptualized as an important facet of visitor communication within the emerging category of climate museums. Theoretically, the paper references the conceptual linkages of material and commodity culture in relation to climate issues, while practically, it frames the shop as a space that can bot…

  • Public Archaeology Response to ‘The Future Care of Our Nation’s Heritage’ Debate

    Jamie Larkin, Kate Clark et al.•ARTICLE•Public Archaeology•2013

    The whole attitude of this country and of the civilized world in general has changed towards archaeology in recent years. We regard the national monuments to which this Bill refers as part of the h

  • The missing museums

    Fiona Candlin, Jamie Larkin et al.•ARTICLE•Cultural Trends•2019•Citada por: 5•Referencias: 3

    Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understa…

  • What is a Museum? A new approach

    Open Access•Fiona Candlin, Jamie Larkin•ARTICLE•Museum and Society•2020•Citada por: 4

    The Mapping Museums research team recently compiled a dataset of UK museums. In doing so, we had to decide what counted as a museum. In this paper, we outline our initial approaches for establishing the criteria for selection: using definitions; key characteristics; and self-identification; and describe why they proved inadequate with respect to the heterogeneity of museum practice. We then explain how assemblage theory helped us conceptualise th…

  • Towards reparative museology

    C Sterling, Jamie Larkin•ARTICLE•Museums & Social Issues•2021•Citada por: 2•Referencias: 5

  • Rethinking museum shops in the context of the climate crisis

    Open Access•Jamie Larkin•ARTICLE•Nordisk Museologi•2021•Citada por: 1•Referencias: 2

    This paper critically evaluates the role of the museum shop in the context of the climate crisis. Specifically, it considers how museum shops might be reconceptualized as an important facet of visitor communication within the emerging category of climate museums. Theoretically, the paper references the conceptual linkages of material and commodity culture in relation to climate issues, while practically, it frames the shop as a space that can bot…

  • Museums, Covid‐19 and the pivot to social media

    Open Access•Jamie Larkin, Andrea Ballatore et al.•ARTICLE•Curator The Museum Journal•2023

    This paper examines social media activity by UK museums during the COVID‐19 pandemic. There is a general perception that as museums closed their doors for extended periods, their digital presence increased to maintain connections with their audiences. However, much of the research conducted in this area is based on small‐scale studies and examples of best practice from large, well‐resourced museums. By contrast, this study utilizes a comprehensiv…

  • The UK museum boom

    Fiona Candlin, Andrea Ballatore et al.•ARTICLE•Cultural Trends•2023•Citada por: 1•Referencias: 4

    During the late-twentieth century there was a significant increase in the number of museums in the UK. Apart from the polemic heritage debates of the 1980s and 1990s, the boom in museums was not much investigated. Our project “Mapping Museums” collected and analysed data on over 4000 UK museums that were open in the period from 1960 to 2019. Here we present our findings. We show that the number of museums increased from around 1000 to a highpoint…

  • The role of the museum shop in sustainable futures

    Open Access•Jamie Larkin, Victor Oliveira et al.•ARTICLE•Museum Management and Curatorship•2024•Referencias: 18

    In recent years the museum shop has been recognized as an important part of the broader organization, both in its economic contribution and its cultural impact on the visitor experience. Yet little academic research examines how the museum shop can support museum agendas. This paper addresses this gap by rethinking the role of museum shops in supporting museum sustainability initiatives. Sustainability has become an important topic across the mus…

  • Unrealized Fears

    Open Access•Mark Liebenrood, Andrea Ballatore et al.•ARTICLE•Curator The Museum Journal•2026

    Fears of widespread permanent closures of museums expressed at the start of the COVID‐19 pandemic prompted our research to monitor closures and other museum behavior in 2021–2022. We wanted to understand how the UK sector changed in this period. Which museums closed, and what factors were at work in their closure? Did museums that closed have anything in common? Were there trends or patterns across the sector? To monitor as widely as possible we …

Museums and Cultural Heritage (8 obras) · Sociology (6 obras) · Archaeology (5 obras) · Museology (4 obras) · Political science (4 obras) · Aesthetic Perception and Analysis (3 obras) · Art (3 obras) · Business (3 obras) · Computer Science (3 obras) · Cultural Heritage Management and Preservation (3 obras)

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