Laura Mulvey
Datos Biográficos
| ID | 3601438 |
|---|---|
| NOMBRE | Laura Mulvey |
| NOMBRES | Laura |
| APELLIDO | Mulvey |
| FIRMA | MULVEY L |
| AFILIACIONES | Birkbeck, University of London |
| VERIFICADO | No |
| TOTAL DE OBRAS | 36 |
| TOTAL DE CITAS | 1282 |
| TOTAL COMO AUTOR | 35 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1974 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 4 |
Filmmaking as critical affection
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Afterword
In response to the 2015 'Feminisms' issue of MIRAJ (4:1&2), this article will discuss the development of feminist engagement with film over the last four decades (most particularly in the United Kingdom), beginning with its origins in the radical film practices of the 1970s and noting its variations across time according to changes in social conditions and mentalities. Reference will be made to Mulvey's original moments of engagement with film an…
Thoughts on Marilyn Monroe
Journal Article Thoughts on Marilyn Monroe: emblem and allegory Get access Laura Mulvey Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 58, Issue 2, Summer 2017, Pages 202–209, https://doi.org/10.1093/screen/hjx019 Published: 10 June 2017
Cinematic gesture
My essay considers the relationship between a gesture and the emotion it conveys as a moment of narrative halt that has an analogical relation to the halt enabled by new forms of spectatorship. It explores this halt as the pause of emotion and the pause for thought. I will also examine how the star system produces an intrinsically “gestural” and “emotive” performance style
Dossier
I cannot quite evoke how grateful I am for these presentations. Each member of the panel has brought such illuminating insights to an ancient essay, bringing it back to life and almost making me believe in its continued relevance. Although I want to respond specifically to some of these points, I would like to start with a general and extremely heartfelt ‘thank you’ to all, especially for the balance you have all found between personal histories …
University of the Free State, Winter 2014
Feminisms
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism
Laura Mulvey in conversation with Catherine Elwes
The Striking of the Hour
These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide Schlüpmann, Susan Buck-Morss, Anton Kaes, Edward Dimendberg, D. N. Rodowick, and Laura Mulvey
Visuell lust och narrativ film
Le Mépris (Jean‐Luc Godard 1963) and its story of cinema
Canalysis
Dislocations
Repetition and Return
Kiarostami’s cinema is marked by an ability to change that affects both the form and the content of his films. In 2002, Ten marked a new turning point: for the first time, a woman was the central focus of a Kiarostami film and his use of digital equipment radically transformed his style. I want to look back at the way his cinema changed across the three films set in Koker. The second and third Koker films develop with a looping narrative strategy…
A Sudden Gust of Wind (after Hokusai)
When I was invited to participate in the Tate Modern symposium ‘Jeff Wall: Six Works’, I chose to discuss A Sudden Gust of Wind (after Hokusai) without hesitation (Fig. 14). Among the many Jeff Wall works that I have come to admire, not only was this one the first I saw, but that first encounter also had an immediate influence on my thinking about technology and aesthetics. I would like to weave together an account of that encounter with some fur…
Looking at the Past from the Present
Jill Forbes's Les Enfants du paradis
Jill Forbes's Les Enfants Du Paradis
Book synopsis: As I had never been a fan of Marcel Carne’s Les Enfants du paradis, Jill \nForbes’s BFI Classic1 has had a special significance for me. Reading an \nintelligent, well informed and perceptive book about a favourite film may be \na fun and rewarding experience but a book that makes visible and tangible a \nfilm’s previously unperceived qualities is surprising and more profoundly \nrewarding. The pay-off is double: discovering the boo…
The problem of America; the problem of sound
The Carapace That Failed
‘Visual Pleasure and Narrative Cinema’
Xala, Ousmane Sembene (1974)
Research Article| May 01 1993 Xala, Ousmane Sembene (1974): The Carapace That Failed Laura Mulvey Laura Mulvey Search for other works by this author on: This Site Google Camera Obscura (1993) 11 (1 (31)): 48–70. https://doi.org/10.1215/02705346-11-1_31-48 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search …
Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture
During the 1970s, fetishism was a key concept for the political aesthetics of modernist-influenced anti-Hollywood cinema and psychoanalytically influenced feminist theory. As fetishism, like a portmanteau, answered a number of conceptual needs, the ideas it provoked appeared on the contemporary agenda of debate, in writing, discussion, filmmaking. The agenda included: willing suspension of knowledge in favor of belief; a defense against a male mi…
Vision and Difference
Introduction 1: Feminist interventions in the histories of artChapter 2 Vision, voice and power: feminist art histories and MarxismChapter 3 Modernity and the spaces of femininityChapter 4 Woman as a sign in pre-Raphaelite literature: the representation of Elisabeth Siddall (written in collaboration with Deborah Cherry)Chapter 5: A Photo-essay - signs of femininityChapter 6: Woman as sign: psychoanalytic readingsChapter 7: Screening the seventies…
Visual Pleasure and Narrative Cinema
Visual Pleasure and Narrative Cinema Get access Laura Mulvey Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 16, Issue 3, Autumn 1975, Pages 6–18, https://doi.org/10.1093/screen/16.3.6 Published: 01 October 1975
Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture
During the 1970s, fetishism was a key concept for the political aesthetics of modernist-influenced anti-Hollywood cinema and psychoanalytically influenced feminist theory. As fetishism, like a portmanteau, answered a number of conceptual needs, the ideas it provoked appeared on the contemporary agenda of debate, in writing, discussion, filmmaking. The agenda included: willing suspension of knowledge in favor of belief; a defense against a male mi…
Changes
Changes: Thoughts on Myth, Narrative and Historical Experience Get access Laura Mulvey Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 23, Issue 1, SPRING 1987, Pages 3-19, https://doi.org/10.1093/hwj/23.1.3 Published: 01 March 1987
Riddles of the Sphinx
Journal Article Riddles of the Sphinx: Script Get access Laura Mulvey, Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Peter Wollen Peter Wollen Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 18, Issue 2, Summer 1977, Pages 61–78, https://doi.org/10.1093/screen/18.2.61 Published: 01 July 1977
British Feminist Film Theory's Female Spectators
Research Article| December 01 1989 British Feminist Film Theory's Female Spectators: Presence and Absence Laura Mulvey Laura Mulvey Search for other works by this author on: This Site Google Camera Obscura (1989) 7 (2-3 (20-21)): 68–81. https://doi.org/10.1215/02705346-7-2-3_20-21-68 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Laura Mulvey; British Feminist Film Theory's Female Spectators: Presence and Absence. Camera…
Thoughts on Marilyn Monroe
Journal Article Thoughts on Marilyn Monroe: emblem and allegory Get access Laura Mulvey Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 58, Issue 2, Summer 2017, Pages 202–209, https://doi.org/10.1093/screen/hjx019 Published: 10 June 2017
Feminisms
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism
Visuell lust och narrativ film
A Sudden Gust of Wind (after Hokusai)
When I was invited to participate in the Tate Modern symposium ‘Jeff Wall: Six Works’, I chose to discuss A Sudden Gust of Wind (after Hokusai) without hesitation (Fig. 14). Among the many Jeff Wall works that I have come to admire, not only was this one the first I saw, but that first encounter also had an immediate influence on my thinking about technology and aesthetics. I would like to weave together an account of that encounter with some fur…
Looking at the Past from the Present
Xala, Ousmane Sembene (1974)
Research Article| May 01 1993 Xala, Ousmane Sembene (1974): The Carapace That Failed Laura Mulvey Laura Mulvey Search for other works by this author on: This Site Google Camera Obscura (1993) 11 (1 (31)): 48–70. https://doi.org/10.1215/02705346-11-1_31-48 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search …
Penthesilea, Queen of the Amazons
Journal Article Penthesilea, Queen of the Amazons Get access Laura Mulvey, Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Peter Wollen, Peter Wollen Search for other works by this author on: Oxford Academic Google Scholar Claire Johnston, Claire Johnston Search for other works by this author on: Oxford Academic Google Scholar Paul Willemen Paul Willemen Search for other works by this author on: Oxford Academ…
Visual Pleasure and Narrative Cinema
Visual Pleasure and Narrative Cinema
Visual Pleasure and Narrative Cinema Get access Laura Mulvey Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 16, Issue 3, Autumn 1975, Pages 6–18, https://doi.org/10.1093/screen/16.3.6 Published: 01 October 1975
Riddles of the Sphinx
Journal Article Riddles of the Sphinx: Script Get access Laura Mulvey, Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar Peter Wollen Peter Wollen Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 18, Issue 2, Summer 1977, Pages 61–78, https://doi.org/10.1093/screen/18.2.61 Published: 01 July 1977
Mary Kelly and Laura Mulvey in Conversation
Other| March 01 1986 Mary Kelly and Laura Mulvey in Conversation Mary Kelly, Mary Kelly Mary Kelly, most recently author of “Re-Viewing Modernist Criticism” (in Art After Modernism), is currently Artist-in-Residence at Cambridge University. Search for other works by this author on: This Site PubMed Google Scholar Laura Mulvey Laura Mulvey Laura Mulvey, author of “Visual Pleasure and Narrative Cinema,” co-directed Riddles of the Sphinx (1977), Cry…
Changes
Changes: Thoughts on Myth, Narrative and Historical Experience Get access Laura Mulvey Laura Mulvey Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 23, Issue 1, SPRING 1987, Pages 3-19, https://doi.org/10.1093/hwj/23.1.3 Published: 01 March 1987
Visual and Other Pleasures
The essays collected in this book reflect some of the commitments and changes during the period that saw the women's movement shift into feminism and the development of feminism's involvement with the
Visual Pleasure and Narrative Cinema
This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It takes as its starting-point the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking and spectacle…
British Feminist Film Theory's Female Spectators
Research Article| December 01 1989 British Feminist Film Theory's Female Spectators: Presence and Absence Laura Mulvey Laura Mulvey Search for other works by this author on: This Site Google Camera Obscura (1989) 7 (2-3 (20-21)): 68–81. https://doi.org/10.1215/02705346-7-2-3_20-21-68 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Laura Mulvey; British Feminist Film Theory's Female Spectators: Presence and Absence. Camera…
Vision and Difference
Introduction 1: Feminist interventions in the histories of artChapter 2 Vision, voice and power: feminist art histories and MarxismChapter 3 Modernity and the spaces of femininityChapter 4 Woman as a sign in pre-Raphaelite literature: the representation of Elisabeth Siddall (written in collaboration with Deborah Cherry)Chapter 5: A Photo-essay - signs of femininityChapter 6: Woman as sign: psychoanalytic readingsChapter 7: Screening the seventies…
Xala, Ousmane Sembene 1976
A Phantasmagoria of the Female Body
When I was in school I was getting disgusted with the attitude of art being so religious or sacred, so I wanted to make something which people could relate to without having read a book about it first. So that anybody off the street could appreciate it, even
Xala, Ousmane Sembene (1974)
Research Article| May 01 1993 Xala, Ousmane Sembene (1974): The Carapace That Failed Laura Mulvey Laura Mulvey Search for other works by this author on: This Site Google Camera Obscura (1993) 11 (1 (31)): 48–70. https://doi.org/10.1215/02705346-11-1_31-48 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search …
Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture
During the 1970s, fetishism was a key concept for the political aesthetics of modernist-influenced anti-Hollywood cinema and psychoanalytically influenced feminist theory. As fetishism, like a portmanteau, answered a number of conceptual needs, the ideas it provoked appeared on the contemporary agenda of debate, in writing, discussion, filmmaking. The agenda included: willing suspension of knowledge in favor of belief; a defense against a male mi…
‘Visual Pleasure and Narrative Cinema’
The Carapace That Failed
The problem of America; the problem of sound
Jill Forbes's Les Enfants du paradis
Jill Forbes's Les Enfants Du Paradis
Book synopsis: As I had never been a fan of Marcel Carne’s Les Enfants du paradis, Jill \nForbes’s BFI Classic1 has had a special significance for me. Reading an \nintelligent, well informed and perceptive book about a favourite film may be \na fun and rewarding experience but a book that makes visible and tangible a \nfilm’s previously unperceived qualities is surprising and more profoundly \nrewarding. The pay-off is double: discovering the boo…
Looking at the Past from the Present
Repetition and Return
Kiarostami’s cinema is marked by an ability to change that affects both the form and the content of his films. In 2002, Ten marked a new turning point: for the first time, a woman was the central focus of a Kiarostami film and his use of digital equipment radically transformed his style. I want to look back at the way his cinema changed across the three films set in Koker. The second and third Koker films develop with a looping narrative strategy…
A Sudden Gust of Wind (after Hokusai)
When I was invited to participate in the Tate Modern symposium ‘Jeff Wall: Six Works’, I chose to discuss A Sudden Gust of Wind (after Hokusai) without hesitation (Fig. 14). Among the many Jeff Wall works that I have come to admire, not only was this one the first I saw, but that first encounter also had an immediate influence on my thinking about technology and aesthetics. I would like to weave together an account of that encounter with some fur…
Le Mépris (Jean‐Luc Godard 1963) and its story of cinema
Canalysis
Dislocations
Art (26 obras) · Cinema and Media Studies (19 obras) · Art history (14 obras) · Computer Science (13 obras) · Visual arts (13 obras) · Movie theater (12 obras) · Psychology (11 obras) · Literature (10 obras) · Sociology (10 obras) · Aesthetics (9 obras)