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Christina Welch

Datos Biográficos

ID3601448
NOMBREChristina Welch
NOMBRESChristina
APELLIDOWelch
FIRMAWELCH C
AFILIACIONESUniversity of Winchester
ORCID0000-0003-1208-5948
VERIFICADOSí
TOTAL DE OBRAS17
TOTAL DE CITAS19
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1977
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H2
  • Exploring the Creation, Use, and Transformation of the West Hill Cemetery, Winchester, UK

    Open Access•Christina Welch•CHAPTER•Creating the Sacred Landscape•2025

  • Chatoyer’s Punch Ladle

    Open Access•Christina Welch, Niall Finneran•ARTICLE•Journal of African Diaspora…•2022

    This paper contextualizes the artifact “Punch Ladle, 1773” on display in the “London, Sugar & Slavery” exhibition at Museum of London Docklands (UK). A placard identifies the ladle as once belonging to “Chatoyer, Chief of the Caribs” and as on loan by the West India Committee. Through this artifact, the largely forgotten story of Chatoyer and the so-called Black Caribs (Garifuna) is highlighted, while complexities of the artifact’s provenance are…

  • Interpreting the Indigenous and Imported Heritage of Medicinal and Culinary Plant Use in St. Vincent through the Gardens of John Nero and Alexander Anderson

    Open Access•Christina Welch, Niall Finneran•ARTICLE•Economic Botany•2022•Citada por: 2•Referencias: 20

  • Mourning Balliceaux

    Open Access•Niall Finneran, Christina Welch•ARTICLE•Island Studies Journal•2020•Citada por: 5•Referencias: 25

    This contribution considers how a small Caribbean island (Balliceaux, St Vincent and the Grenadines) holds up a mirror to the wider experiences of the Garifuna (‘Black Carib’) peoples who live on the neighbouring island of St Vincent, and in diasporic communities through the Americas. In the late-18th Century Balliceaux was the scene of a genocide orchestrated by the British colonial authorities on the Garifuna, and as a consequence it has become…

  • Barbadian Gothic

    Niall Finneran, Christina Welch•ARTICLE•Folklore•2020•Referencias: 25

    The Chase family vault (Oistins, Barbados) is widely known as the setting of a macabre nineteenth-century story of moving coffins. On several occasions between 1812 and 1821, on opening the sealed vault to add a new burial, the neatly stacked coffins were found scattered. This legend has never been examined within its contemporary setting, including the Gothic literary and cultural movement. This article seeks to show that the episode reveals muc…

  • Out of the Shadow of Balliceaux

    Niall Finneran, Christina Welch•ARTICLE•Journal of African Diaspora…•2019

    The Garifuna (“Black Carib”) peoples of Saint Vincent and the Grenadines (SVG) define their ethnogenesis in the intermixing of escaped enslaved Africans with indigenous “Island Carib” or Kalinago peoples from the seventeenth century onward. Within the Caribbean context, they thus represent an unusual example of an African diaspora culture. Based upon recent fieldwork, this paper (authored by an archaeologist and a religious studies heritage speci…

  • Place, Space and Memory in the Old Jewish East End of London

    Open Access•Niall Finneran, Rachel Lichtenstein et al.•ARTICLE•International Journal of…•2018•Referencias: 13

  • From Villainous Letch and Sinful Outcast, to “Especially Beloved of God”

    Christina Welch, Rohan Brown•ARTICLE•Historical Reflections/Réflexions…•2016

    This article explores the socio-religious construction of the medieval “ideal” leper; a male pedagogical symbol of social and moral status and a figure in a physical and spiritual state of liminality, where their physical decay was a sign of their moral corruption. It argues that within vernacular literature, and theology, the medieval male leper was typically perceived as an outcast experiencing social death before succumbing to the slow degener…

  • Diversity in gender and visual representation

    Russell Luyt, Christina Welch et al.•ARTICLE•Journal of Gender Studies•2015•Citada por: 1

    This Special Issue builds upon key arguments that emerged during the course of an interdisciplinary conference that was hosted by the Centre for Gender Studies (University of Winchester, UK) in September 2012. The conference, themed ‘Gender and Visual Representation’, aimed to encourage and develop understanding concerning the social category of gender, the concept of visual representation and their relationship. In doing so, it hoped not only to…

  • Dead in the Field

    Christina Welch•ARTICLE•Fieldwork in Religion•2013•Citada por: 1

    Chrisina Welch introduces this special issue of Fieldwork and Religion on religion, death and bereavement

  • For Prayers and Pedagogy

    Christina Welch•ARTICLE•Fieldwork in Religion•2013

    This short article contextualizes a subset of Northern European cadaver monuments of the late- Medieval/early-Modern era, known as transi imagery. It explores 37 English carved cadaver monuments (ECCMs) dating from between c. 1425 to 1558. By examining vernacular theology, perceptions of purgatory, and understandings of the body post-mortem, it supports current scholarly writing that these ECCMs were pedagogical in nature, prompting prayers from …

  • Diversity in Gender and Visual Representation’

    Russell Luyt, Christina Welch et al.•ARTICLE•Journal of Gender Studies•2013

    This book aims to encourage and develop understanding of the social category of gender, the concept of visual representation, and the relationship between the two, with contributions stimulating discussion within and between disciplines, research paradigms, and methods. By emphasising 'real world' issues, drawn from across the globe, the book aims to contribute towards and inspire broader feminist activism. Inviting readers to approach in an inte…

  • Savagery on show

    Christina Welch•ARTICLE•Early Popular Visual Culture•2011•Citada por: 2•Referencias: 6

    This interdisciplinary article examines and contextualizes the popular visual representations of Native American peoples and their lifeways at the World’s Fairs and Buffalo Bill’s Wild West from 1851 and 1884, respectively, to 1904. It will argue that these fairs and shows were arenas where colonially constructed identities and Western ideologies were enforced and reinforced to the general public, and where Native Americans were knowingly represe…

  • The Spirituality of, and at, Greenham Common Peace Camp

    Open Access•Christina Welch•ARTICLE•Feminist Theology•2010

    This paper explores the spirituality of, and experienced at, Greenham Common Peace Camp, Berkshire, Southern England (1981-2000). Although mentioned in much of the discourse on the nuclear protest site Greenham, spirituality is, at best, marginalized in favour of socio-politics. However, there is evidence to suggest that spirituality played a significant role for many of the Greenham women, informing their protests through poetry, song and prose,…

  • Appropriating the Didjeridu and the Sweat Lodge

    Christina Welch•ARTICLE•Journal of Contemporary Religion•2002•Citada por: 7•Referencias: 10

    The article focuses upon the New Age and new age Pagan appropriation of the Aboriginal Australian didjeridu and the American Indian sweat lodge tradition. Against a background of colonialism, it addresses the issues that surround the dissemination of information concerning indigenous culture and knowledge among individuals involved in the New Age and new age Pagan movements via academia, Western fiction, and the Internet. Further, by looking at t…

  • Warrior, Rebel, Guerrilla, and Putschist

    Christina Welch, C E Welch•ARTICLE•Journal of Asian and African…•1977•Citada por: 1

  • Powwowing My Way

    Christina Welch

    This article explores Johnson’s concepts of indigenizing and extending through the lens of European pow-wow. Drawing on his argument that “identifying practices of indigenousness...are imagined through global media and often expressed in their forms” it begins with an overview of historical European representations of American Indians: representations that were virtually global at the time, and have led to the ubiquitous image of the Indian (or p…

  • Appropriating the Didjeridu and the Sweat Lodge

    Christina Welch•ARTICLE•Journal of Contemporary Religion•2002•Citada por: 7•Referencias: 10

    The article focuses upon the New Age and new age Pagan appropriation of the Aboriginal Australian didjeridu and the American Indian sweat lodge tradition. Against a background of colonialism, it addresses the issues that surround the dissemination of information concerning indigenous culture and knowledge among individuals involved in the New Age and new age Pagan movements via academia, Western fiction, and the Internet. Further, by looking at t…

  • Mourning Balliceaux

    Open Access•Niall Finneran, Christina Welch•ARTICLE•Island Studies Journal•2020•Citada por: 5•Referencias: 25

    This contribution considers how a small Caribbean island (Balliceaux, St Vincent and the Grenadines) holds up a mirror to the wider experiences of the Garifuna (‘Black Carib’) peoples who live on the neighbouring island of St Vincent, and in diasporic communities through the Americas. In the late-18th Century Balliceaux was the scene of a genocide orchestrated by the British colonial authorities on the Garifuna, and as a consequence it has become…

  • Interpreting the Indigenous and Imported Heritage of Medicinal and Culinary Plant Use in St. Vincent through the Gardens of John Nero and Alexander Anderson

    Open Access•Christina Welch, Niall Finneran•ARTICLE•Economic Botany•2022•Citada por: 2•Referencias: 20

  • Savagery on show

    Christina Welch•ARTICLE•Early Popular Visual Culture•2011•Citada por: 2•Referencias: 6

    This interdisciplinary article examines and contextualizes the popular visual representations of Native American peoples and their lifeways at the World’s Fairs and Buffalo Bill’s Wild West from 1851 and 1884, respectively, to 1904. It will argue that these fairs and shows were arenas where colonially constructed identities and Western ideologies were enforced and reinforced to the general public, and where Native Americans were knowingly represe…

  • Diversity in gender and visual representation

    Russell Luyt, Christina Welch et al.•ARTICLE•Journal of Gender Studies•2015•Citada por: 1

    This Special Issue builds upon key arguments that emerged during the course of an interdisciplinary conference that was hosted by the Centre for Gender Studies (University of Winchester, UK) in September 2012. The conference, themed ‘Gender and Visual Representation’, aimed to encourage and develop understanding concerning the social category of gender, the concept of visual representation and their relationship. In doing so, it hoped not only to…

  • Dead in the Field

    Christina Welch•ARTICLE•Fieldwork in Religion•2013•Citada por: 1

    Chrisina Welch introduces this special issue of Fieldwork and Religion on religion, death and bereavement

  • Warrior, Rebel, Guerrilla, and Putschist

    Christina Welch, C E Welch•ARTICLE•Journal of Asian and African…•1977•Citada por: 1

  • Warrior, Rebel, Guerrilla, and Putschist

    Christina Welch, C E Welch•ARTICLE•Journal of Asian and African…•1977•Citada por: 1

  • Appropriating the Didjeridu and the Sweat Lodge

    Christina Welch•ARTICLE•Journal of Contemporary Religion•2002•Citada por: 7•Referencias: 10

    The article focuses upon the New Age and new age Pagan appropriation of the Aboriginal Australian didjeridu and the American Indian sweat lodge tradition. Against a background of colonialism, it addresses the issues that surround the dissemination of information concerning indigenous culture and knowledge among individuals involved in the New Age and new age Pagan movements via academia, Western fiction, and the Internet. Further, by looking at t…

  • The Spirituality of, and at, Greenham Common Peace Camp

    Open Access•Christina Welch•ARTICLE•Feminist Theology•2010

    This paper explores the spirituality of, and experienced at, Greenham Common Peace Camp, Berkshire, Southern England (1981-2000). Although mentioned in much of the discourse on the nuclear protest site Greenham, spirituality is, at best, marginalized in favour of socio-politics. However, there is evidence to suggest that spirituality played a significant role for many of the Greenham women, informing their protests through poetry, song and prose,…

  • Savagery on show

    Christina Welch•ARTICLE•Early Popular Visual Culture•2011•Citada por: 2•Referencias: 6

    This interdisciplinary article examines and contextualizes the popular visual representations of Native American peoples and their lifeways at the World’s Fairs and Buffalo Bill’s Wild West from 1851 and 1884, respectively, to 1904. It will argue that these fairs and shows were arenas where colonially constructed identities and Western ideologies were enforced and reinforced to the general public, and where Native Americans were knowingly represe…

  • Dead in the Field

    Christina Welch•ARTICLE•Fieldwork in Religion•2013•Citada por: 1

    Chrisina Welch introduces this special issue of Fieldwork and Religion on religion, death and bereavement

  • For Prayers and Pedagogy

    Christina Welch•ARTICLE•Fieldwork in Religion•2013

    This short article contextualizes a subset of Northern European cadaver monuments of the late- Medieval/early-Modern era, known as transi imagery. It explores 37 English carved cadaver monuments (ECCMs) dating from between c. 1425 to 1558. By examining vernacular theology, perceptions of purgatory, and understandings of the body post-mortem, it supports current scholarly writing that these ECCMs were pedagogical in nature, prompting prayers from …

  • Diversity in Gender and Visual Representation’

    Russell Luyt, Christina Welch et al.•ARTICLE•Journal of Gender Studies•2013

    This book aims to encourage and develop understanding of the social category of gender, the concept of visual representation, and the relationship between the two, with contributions stimulating discussion within and between disciplines, research paradigms, and methods. By emphasising 'real world' issues, drawn from across the globe, the book aims to contribute towards and inspire broader feminist activism. Inviting readers to approach in an inte…

  • Diversity in gender and visual representation

    Russell Luyt, Christina Welch et al.•ARTICLE•Journal of Gender Studies•2015•Citada por: 1

    This Special Issue builds upon key arguments that emerged during the course of an interdisciplinary conference that was hosted by the Centre for Gender Studies (University of Winchester, UK) in September 2012. The conference, themed ‘Gender and Visual Representation’, aimed to encourage and develop understanding concerning the social category of gender, the concept of visual representation and their relationship. In doing so, it hoped not only to…

  • From Villainous Letch and Sinful Outcast, to “Especially Beloved of God”

    Christina Welch, Rohan Brown•ARTICLE•Historical Reflections/Réflexions…•2016

    This article explores the socio-religious construction of the medieval “ideal” leper; a male pedagogical symbol of social and moral status and a figure in a physical and spiritual state of liminality, where their physical decay was a sign of their moral corruption. It argues that within vernacular literature, and theology, the medieval male leper was typically perceived as an outcast experiencing social death before succumbing to the slow degener…

  • Place, Space and Memory in the Old Jewish East End of London

    Open Access•Niall Finneran, Rachel Lichtenstein et al.•ARTICLE•International Journal of…•2018•Referencias: 13

  • Out of the Shadow of Balliceaux

    Niall Finneran, Christina Welch•ARTICLE•Journal of African Diaspora…•2019

    The Garifuna (“Black Carib”) peoples of Saint Vincent and the Grenadines (SVG) define their ethnogenesis in the intermixing of escaped enslaved Africans with indigenous “Island Carib” or Kalinago peoples from the seventeenth century onward. Within the Caribbean context, they thus represent an unusual example of an African diaspora culture. Based upon recent fieldwork, this paper (authored by an archaeologist and a religious studies heritage speci…

  • Mourning Balliceaux

    Open Access•Niall Finneran, Christina Welch•ARTICLE•Island Studies Journal•2020•Citada por: 5•Referencias: 25

    This contribution considers how a small Caribbean island (Balliceaux, St Vincent and the Grenadines) holds up a mirror to the wider experiences of the Garifuna (‘Black Carib’) peoples who live on the neighbouring island of St Vincent, and in diasporic communities through the Americas. In the late-18th Century Balliceaux was the scene of a genocide orchestrated by the British colonial authorities on the Garifuna, and as a consequence it has become…

  • Barbadian Gothic

    Niall Finneran, Christina Welch•ARTICLE•Folklore•2020•Referencias: 25

    The Chase family vault (Oistins, Barbados) is widely known as the setting of a macabre nineteenth-century story of moving coffins. On several occasions between 1812 and 1821, on opening the sealed vault to add a new burial, the neatly stacked coffins were found scattered. This legend has never been examined within its contemporary setting, including the Gothic literary and cultural movement. This article seeks to show that the episode reveals muc…

  • Chatoyer’s Punch Ladle

    Open Access•Christina Welch, Niall Finneran•ARTICLE•Journal of African Diaspora…•2022

    This paper contextualizes the artifact “Punch Ladle, 1773” on display in the “London, Sugar & Slavery” exhibition at Museum of London Docklands (UK). A placard identifies the ladle as once belonging to “Chatoyer, Chief of the Caribs” and as on loan by the West India Committee. Through this artifact, the largely forgotten story of Chatoyer and the so-called Black Caribs (Garifuna) is highlighted, while complexities of the artifact’s provenance are…

  • Interpreting the Indigenous and Imported Heritage of Medicinal and Culinary Plant Use in St. Vincent through the Gardens of John Nero and Alexander Anderson

    Open Access•Christina Welch, Niall Finneran•ARTICLE•Economic Botany•2022•Citada por: 2•Referencias: 20

  • Powwowing My Way

    Christina Welch

    This article explores Johnson’s concepts of indigenizing and extending through the lens of European pow-wow. Drawing on his argument that “identifying practices of indigenousness...are imagined through global media and often expressed in their forms” it begins with an overview of historical European representations of American Indians: representations that were virtually global at the time, and have led to the ubiquitous image of the Indian (or p…

  • Exploring the Creation, Use, and Transformation of the West Hill Cemetery, Winchester, UK

    Open Access•Christina Welch•CHAPTER•Creating the Sacred Landscape•2025

Sociology (14 obras) · History (10 obras) · Art (8 obras) · Anthropology (7 obras) · Archaeology (7 obras) · Gender Studies (7 obras) · Political science (7 obras) · History (6 obras) · Law (6 obras) · Law (5 obras)

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