Susan Rosenberg

Datos Biográficos

ID3604360
NOMBRESusan Rosenberg
NOMBRESSusan
APELLIDORosenberg
FIRMAROSENBERG S
AFILIACIONESSUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press.
ORCID0000-0002-6054-3184
VERIFICADOSí
TOTAL DE OBRAS9
TOTAL DE CITAS1
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1981
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H1

  • Cointelpro Continues

    Susan Rosenberg, Linda EvansARTICLESouls2022

    Keywords: COINTELPROcounterinsurgencyinstitutional violencemedical neglectmedical tortureMutulu Shakurparolepolitical repressionparole standardsprisonsUnited States Parole CommissionUSPC Additional informationNotes on contributorsSusan RosenbergSusan Rosenberg is a human rights and prisoners’ rights advocate, adjunct lecturer, award-winning writer, speaker and a former political prisoner. Her memoir, An American Radical, details her 16+ years in …

  • Guest Editors' Note

    Akinyele Umoja, Susan RosenbergARTICLESouls2022

  • Investigating Theatricality in Trisha Brown’s Work

    Open AccessSusan RosenbergARTICLEArts2021

    Trisha Brown (1936–2017) forged her artistic identity as part of Judson Dance Theater, which embraced everyday pedestrian movement as dance. Between 1966 and 1969, Brown’s work took a surprisingly theatrical turn. Five unstudied dances from this period reflect concerns with autobiography, psychology, and catharsis, influences of her exposure to trends in Gestalt therapy and dance therapy during a sojourn in California (1963–1965). Brown let these…

  • Trisha Brown

    Open AccessSusan RosenbergARTICLEArts2020

    Choreographer Trisha Brown (1936–2017) is renowned as one of the most influential abstract artists of the twentieth and twenty-first centuries. Emerging from Judson Dance Theater and the 1960s avant-garde, Brown invented what she termed her ‘pure movement’ abstract vocabulary in the 1970s, rejecting narrative, psychology and character as bases for dance-making. Yet Brown’s notion of abstraction, when examined across the long arc of her fifty-year…

  • Trisha Brown's Water Motor

    Susan RosenbergARTICLETDR/The Drama Review2012

    Trisha Brown's signature solo Water Motor (1978) was the first of her choreographies to make the physical intelligence and virtuosity of Brown's unique dancing body the basis for movement and choreography. Preserved in Babette Mangolte's 1978 film, Water Motor returned to the stage in 2011 in its first performance by a dancer other than Brown—an occasion for reexamining the dance's pivotal role in Brown's career

  • Trisha Brown's Notebooks

    Susan RosenbergARTICLEOctober2012

    May 01 2012 Trisha Brown's Notebooks Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is comp…

  • Trisha Brown

    Susan RosenbergARTICLEOctober2012Citada por: 1Referencias: 3

    May 01 2012 Trisha Brown: Choreography as Visual Art Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, N…

  • Alice Neel

    Ann Temkin, Susan Rosenberg et al.ARTICLEWoman s Art Journal2001

  • Microbial sampling variables and recreational water quality standards

    Gary R Brenniman, Susan Rosenberg et al.ARTICLEAmerican Journal of Public Health1981Referencias: 10

    A study was conducted at two beaches on Lake Erie to evaluate the water sampling design for the collection of several microbiological indicator organisms in relation to day, time, and location of collection. The concentrations of these organisms were generally found to vary significantly (P less than 0.05) by the specific time of day and day of weekend that collection took place. However, the concentrations of these organisms did not vary signifi…