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Peter Ian Crawford

Datos Biográficos

ID3605845
NOMBREPeter Ian Crawford
NOMBRESPeter Ian
APELLIDOCrawford
FIRMACRAWFORD P I
AFILIACIONESUiT The Arctic University of Norway
VERIFICADONo
TOTAL DE OBRAS25
TOTAL DE CITAS98
TOTAL COMO AUTOR25
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1990
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H4
  • Numonu/moahau

    Open Access•Peter Ian Crawford•ARTICLE•Etnografica•2022

    In the amazing building constructed in the early 19th century to house the Bank of Scotland, in the centre of Edinburgh, you will find the Museum of the Mound, a museum basically dedicated to anything to do with “money”. Its collection contains marvellous pieces of what we may call traditional forms of money from various cultures all over the world. What I would say is arguably the most spectacular and iconic of these objects is what frequently i…

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2021

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2021

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2021

    Flere NAT-lesere har kanskje fått med sig at vi i februar 2021 kom ut i litt av en redaksjonell krise, nemlig en artikkeltørke for første gang i vår redaksjonsperiode. Vi er glade for å kunne si at den kampanjen vi førte, nå ser ut til å ha båret frukt. Det betyr at vi nå sannsynligvis er godt dekket inn for i det minste resten av numrene så lenge som vi har redaksjonsansvaret

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2020

    Dette 3. nummeret av NAT 2020 er et temanummer om forskningsetikk, og en videreføring av arbeidsgrupper om etikk på NAFs årskonferanser i 2013, 2015, og i Tromsø 2018. Elisabeth L’orange Fürst og Halvard Vike var initiativtakere til temanummeret, og er gjesteredaktører. Som det går frem av introduksjonen, skiller dette nummeret seg fra NAT-publikasjoner flest ved at det representerer et fagpolitisk initiativ basert på en bekymring for at et økend…

  • Redaksjonelt

    Open Access•Peter Ian Crawford, Ada I Engebrigtsen•ARTICLE•Norsk antropologisk tidsskrift•2020

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2020

    De to siste numrene av NAT 2020 var temanummer, mens dette består av artikler vi lenge gjerne ville publisere, men som av tematiske årsaker måtte vente til etter temanumrene. Artiklene er tematisk svært forskjellige og foregår i forskjellige deler av verden; Russland, Norge og USA, de har imidlertid noen interessante fellestrekk. Den første artikkelen, av Vladimira Vladimirova ved Universitetet i Uppsala, handler om reinsdyroppdrett i Cirkumpolar…

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2019

  • Redaksjonelt

    Open Access•Peter Ian Crawford, Ada Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2019

  • Filming Ng ā Taonga Pūoro

    Sebastian J Lowe, Sebastian Lowe et al.•ARTICLE•Sites a journal of social…•2018

    In this article we discuss the potential of experimental film as an extended method of ethnographic enquiry within anthropology and ethnomusicology. Taking a point of departure in Aotearoa/New Zealand, with Māori carvers, composers, and musicians in and around the discourse of ngā taonga pūoro (traditional New Zealand Māori musical instruments), we examine how anthropologists, through the medium of film, may get closer to understanding alternativ…

  • ContestingKastom

    Peter Ian Crawford•ARTICLE•Visual Anthropology•2018•Referencias: 11

    Based on the Reef Islands Ethnographic Film Project (Solomon Islands), this article examines ways in which cultural critique emerges in a long-term research and film project. The focus is on the notion of kastom, widespread in Melanesia, and often described as “traditional” culture or cultural heritage. As the article shows, this is on the one hand too simplistic and, on the other, that the camera may not only help show this but also contribute t…

  • Camera, Intervention and Cultural Critique

    T Otto, Christian Suhr et al.•ARTICLE•Visual Anthropology•2018•Citada por: 2•Referencias: 27

    The key questions of the research project Camera as Cultural Critique, in which all contributors to this section of the issue participated, are outlined here. The overall purpose of the project was to explore how the use of audiovisual media in ethnographic research may contribute to sustained cultural critique. Grounding that critique in a certain understanding of the temporality of the present-as always in a state of emergence and involving ima…

  • The 'Nordic eye' revisited. Nafa from 1975 to 2015 (translated from English by E.S. Danilko)

    Open Access•Peter Ian Crawford•ARTICLE•Sibirskie istoricheskie…•2017

    NAFA ( ), , .

  • Koriam's Law

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•2009•Citada por: 1

    2005 , 110 minutes, color. Distributed by Gary Kildea Films , http://www.therai.org.uk/film/video_sales.html Commenting on the relationship between film and reality, the well-known British writer and documentary film editor Dai Vaughan once said that film is about something whereas reality is not. Disregarding the evident atheistic connotations of such a statement, I have always found it useful when teaching visual anthropology or discussing docu…

  • Doctor on campus

    Anke Doley, Colin Sibly et al.•ARTICLE•Health Sociology Review•2008•Referencias: 2

    The aim of this paper is to review issues related to early intervention in mental health among adolescent students, and to specifically evaluate a school-based, early intervention program, which sought to address issues of mental health among students in a rural community in southern Australia. The early intervention program began in 2004 as school counsellors and local health professionals sought to address the difficulties rural secondary schoo…

  • From the Arctic to the Pacific

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•2007•Referencias: 4

    Ever since the inception of what one may describe as visual anthropology in the Nordic countries, there has been a strong emphasis on bridging the gap between the “re‐presenter” and the “represented.” Covering the years from the mid‐1970s until today, this article explores the emergence of visual anthropology through the Nordic Anthropological Film Association (NAFA) and later developments in which training in ethnographic film became institution…

  • Through Many Lenses

    Cindy Hing‐yuk Wong, Cindy Hing-Yuk Wong et al.•ARTICLE•Anthropological Quarterly•1996

    Presentation de deux ouvrages sur l'anthropologie visuelle. Le premier, « Innovation in ethnographic film : from innocence to self-consciousness » de P. Loizos, commence par les relations entre le film documentaire et le film ethnographique. Il aborde aussi les films ethnographiques « conventionnels » qui essaient d'enregistrer la maniere dont la culture fonctionne, la maniere dont J. Rouch a approche le film ethnographique comme moyen de provoqu…

  • The Nordic Eye

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1995•Citada por: 1

  • The Cinema of John Marshall

    Peter Ian Crawford, Jay Ruby•ARTICLE•Man•1994•Citada por: 4

    Part 1 Filming and learning: introduction - death by myth going to Nyae Nyae learning to film water, history and what to shoot change and slots learning from film, Carolyn Anderson and Thomas W. Benson put down the camera and pick up the shovel - an interview with John Marshall, compiled by Sue Marshall Cabezas photographic essay of the early expeditions (1951-1958) to study the Ju/'hoansi of Nyae Nyae, Nancie L. Gonzalez an argument about film, …

  • Film as Ethnography

    Jay Ruby, Peter Ian Crawford et al.•ARTICLE•Man•1994•Citada por: 22

    Part 1 Authority, representation and anthropological knowledge: anthropological visions - some notes on visual and textual authority, Kirsten Hastrup the lexical spaces of eye-spy, Chrisopher Pinney admissible evidence? film in anthropology, Peter Loizos film as discourse - the invention of anthropological realities, Peter Ian Crawford. Part 2 Image, audience and aesthetics: complicities of style, David MacDougall the aesthetics of ambiguity, Dai…

  • Ethnographic Film Aesthetics and Narrative Traditions

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 10

  • "Tekst og kontekst i etnografiske film. Eller - "To whom it may concern

    Open Access•Peter Ian Crawford•ARTICLE•MedieKultur Journal of media and…•1993

    Mens medieforskere i stigende grad anvender etnografisk inspireret teori og metodologi, vender fagantropologer sig med interesse mod den sålaldte "visuelle antropologi". Peter Ian Crawford analyserer i artiklen udviklingen af dette begreb og diskuterer to af dets hoved- former. Crawford fremhæver, at den visuelle antropologi tidligt har medtænkt publikum i sin formidlingslogik, og han mener, at dette forhold giver visuel antropologi en central pl…

  • L'oeil nordique

    Peter Ian Crawford, Peter Crawford•ARTICLE•Journal des anthropologues•1992

  • Dogon Restudied

    Rogier Bedaux, R M A Bedaux et al.•ARTICLE•Current Anthropology•1991•Citada por: 58•Referencias: 7

  • Film and Representations of Culture” Conference

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•1990

  • Dogon Restudied

    Rogier Bedaux, R M A Bedaux et al.•ARTICLE•Current Anthropology•1991•Citada por: 58•Referencias: 7

  • Film as Ethnography

    Jay Ruby, Peter Ian Crawford et al.•ARTICLE•Man•1994•Citada por: 22

    Part 1 Authority, representation and anthropological knowledge: anthropological visions - some notes on visual and textual authority, Kirsten Hastrup the lexical spaces of eye-spy, Chrisopher Pinney admissible evidence? film in anthropology, Peter Loizos film as discourse - the invention of anthropological realities, Peter Ian Crawford. Part 2 Image, audience and aesthetics: complicities of style, David MacDougall the aesthetics of ambiguity, Dai…

  • Ethnographic Film Aesthetics and Narrative Traditions

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 10

  • The Cinema of John Marshall

    Peter Ian Crawford, Jay Ruby•ARTICLE•Man•1994•Citada por: 4

    Part 1 Filming and learning: introduction - death by myth going to Nyae Nyae learning to film water, history and what to shoot change and slots learning from film, Carolyn Anderson and Thomas W. Benson put down the camera and pick up the shovel - an interview with John Marshall, compiled by Sue Marshall Cabezas photographic essay of the early expeditions (1951-1958) to study the Ju/'hoansi of Nyae Nyae, Nancie L. Gonzalez an argument about film, …

  • Camera, Intervention and Cultural Critique

    T Otto, Christian Suhr et al.•ARTICLE•Visual Anthropology•2018•Citada por: 2•Referencias: 27

    The key questions of the research project Camera as Cultural Critique, in which all contributors to this section of the issue participated, are outlined here. The overall purpose of the project was to explore how the use of audiovisual media in ethnographic research may contribute to sustained cultural critique. Grounding that critique in a certain understanding of the temporality of the present-as always in a state of emergence and involving ima…

  • Koriam's Law

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•2009•Citada por: 1

    2005 , 110 minutes, color. Distributed by Gary Kildea Films , http://www.therai.org.uk/film/video_sales.html Commenting on the relationship between film and reality, the well-known British writer and documentary film editor Dai Vaughan once said that film is about something whereas reality is not. Disregarding the evident atheistic connotations of such a statement, I have always found it useful when teaching visual anthropology or discussing docu…

  • The Nordic Eye

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1995•Citada por: 1

  • Film and Representations of Culture” Conference

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•1990

  • Dogon Restudied

    Rogier Bedaux, R M A Bedaux et al.•ARTICLE•Current Anthropology•1991•Citada por: 58•Referencias: 7

  • L'oeil nordique

    Peter Ian Crawford, Peter Crawford•ARTICLE•Journal des anthropologues•1992

  • "Tekst og kontekst i etnografiske film. Eller - "To whom it may concern

    Open Access•Peter Ian Crawford•ARTICLE•MedieKultur Journal of media and…•1993

    Mens medieforskere i stigende grad anvender etnografisk inspireret teori og metodologi, vender fagantropologer sig med interesse mod den sålaldte "visuelle antropologi". Peter Ian Crawford analyserer i artiklen udviklingen af dette begreb og diskuterer to af dets hoved- former. Crawford fremhæver, at den visuelle antropologi tidligt har medtænkt publikum i sin formidlingslogik, og han mener, at dette forhold giver visuel antropologi en central pl…

  • The Cinema of John Marshall

    Peter Ian Crawford, Jay Ruby•ARTICLE•Man•1994•Citada por: 4

    Part 1 Filming and learning: introduction - death by myth going to Nyae Nyae learning to film water, history and what to shoot change and slots learning from film, Carolyn Anderson and Thomas W. Benson put down the camera and pick up the shovel - an interview with John Marshall, compiled by Sue Marshall Cabezas photographic essay of the early expeditions (1951-1958) to study the Ju/'hoansi of Nyae Nyae, Nancie L. Gonzalez an argument about film, …

  • Film as Ethnography

    Jay Ruby, Peter Ian Crawford et al.•ARTICLE•Man•1994•Citada por: 22

    Part 1 Authority, representation and anthropological knowledge: anthropological visions - some notes on visual and textual authority, Kirsten Hastrup the lexical spaces of eye-spy, Chrisopher Pinney admissible evidence? film in anthropology, Peter Loizos film as discourse - the invention of anthropological realities, Peter Ian Crawford. Part 2 Image, audience and aesthetics: complicities of style, David MacDougall the aesthetics of ambiguity, Dai…

  • Ethnographic Film Aesthetics and Narrative Traditions

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 10

  • The Nordic Eye

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1995•Citada por: 1

  • Through Many Lenses

    Cindy Hing‐yuk Wong, Cindy Hing-Yuk Wong et al.•ARTICLE•Anthropological Quarterly•1996

    Presentation de deux ouvrages sur l'anthropologie visuelle. Le premier, « Innovation in ethnographic film : from innocence to self-consciousness » de P. Loizos, commence par les relations entre le film documentaire et le film ethnographique. Il aborde aussi les films ethnographiques « conventionnels » qui essaient d'enregistrer la maniere dont la culture fonctionne, la maniere dont J. Rouch a approche le film ethnographique comme moyen de provoqu…

  • From the Arctic to the Pacific

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•2007•Referencias: 4

    Ever since the inception of what one may describe as visual anthropology in the Nordic countries, there has been a strong emphasis on bridging the gap between the “re‐presenter” and the “represented.” Covering the years from the mid‐1970s until today, this article explores the emergence of visual anthropology through the Nordic Anthropological Film Association (NAFA) and later developments in which training in ethnographic film became institution…

  • Doctor on campus

    Anke Doley, Colin Sibly et al.•ARTICLE•Health Sociology Review•2008•Referencias: 2

    The aim of this paper is to review issues related to early intervention in mental health among adolescent students, and to specifically evaluate a school-based, early intervention program, which sought to address issues of mental health among students in a rural community in southern Australia. The early intervention program began in 2004 as school counsellors and local health professionals sought to address the difficulties rural secondary schoo…

  • Koriam's Law

    Open Access•Peter Ian Crawford•ARTICLE•Visual Anthropology Review•2009•Citada por: 1

    2005 , 110 minutes, color. Distributed by Gary Kildea Films , http://www.therai.org.uk/film/video_sales.html Commenting on the relationship between film and reality, the well-known British writer and documentary film editor Dai Vaughan once said that film is about something whereas reality is not. Disregarding the evident atheistic connotations of such a statement, I have always found it useful when teaching visual anthropology or discussing docu…

  • The 'Nordic eye' revisited. Nafa from 1975 to 2015 (translated from English by E.S. Danilko)

    Open Access•Peter Ian Crawford•ARTICLE•Sibirskie istoricheskie…•2017

    NAFA ( ), , .

  • Filming Ng ā Taonga Pūoro

    Sebastian J Lowe, Sebastian Lowe et al.•ARTICLE•Sites a journal of social…•2018

    In this article we discuss the potential of experimental film as an extended method of ethnographic enquiry within anthropology and ethnomusicology. Taking a point of departure in Aotearoa/New Zealand, with Māori carvers, composers, and musicians in and around the discourse of ngā taonga pūoro (traditional New Zealand Māori musical instruments), we examine how anthropologists, through the medium of film, may get closer to understanding alternativ…

  • ContestingKastom

    Peter Ian Crawford•ARTICLE•Visual Anthropology•2018•Referencias: 11

    Based on the Reef Islands Ethnographic Film Project (Solomon Islands), this article examines ways in which cultural critique emerges in a long-term research and film project. The focus is on the notion of kastom, widespread in Melanesia, and often described as “traditional” culture or cultural heritage. As the article shows, this is on the one hand too simplistic and, on the other, that the camera may not only help show this but also contribute t…

  • Camera, Intervention and Cultural Critique

    T Otto, Christian Suhr et al.•ARTICLE•Visual Anthropology•2018•Citada por: 2•Referencias: 27

    The key questions of the research project Camera as Cultural Critique, in which all contributors to this section of the issue participated, are outlined here. The overall purpose of the project was to explore how the use of audiovisual media in ethnographic research may contribute to sustained cultural critique. Grounding that critique in a certain understanding of the temporality of the present-as always in a state of emergence and involving ima…

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2019

  • Redaksjonelt

    Open Access•Peter Ian Crawford, Ada Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2019

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2020

    Dette 3. nummeret av NAT 2020 er et temanummer om forskningsetikk, og en videreføring av arbeidsgrupper om etikk på NAFs årskonferanser i 2013, 2015, og i Tromsø 2018. Elisabeth L’orange Fürst og Halvard Vike var initiativtakere til temanummeret, og er gjesteredaktører. Som det går frem av introduksjonen, skiller dette nummeret seg fra NAT-publikasjoner flest ved at det representerer et fagpolitisk initiativ basert på en bekymring for at et økend…

  • Redaksjonelt

    Open Access•Peter Ian Crawford, Ada I Engebrigtsen•ARTICLE•Norsk antropologisk tidsskrift•2020

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2020

    De to siste numrene av NAT 2020 var temanummer, mens dette består av artikler vi lenge gjerne ville publisere, men som av tematiske årsaker måtte vente til etter temanumrene. Artiklene er tematisk svært forskjellige og foregår i forskjellige deler av verden; Russland, Norge og USA, de har imidlertid noen interessante fellestrekk. Den første artikkelen, av Vladimira Vladimirova ved Universitetet i Uppsala, handler om reinsdyroppdrett i Cirkumpolar…

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2021

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2021

  • Redaksjonelt

    Open Access•Ada Engebrigtsen, Ada I Engebrigtsen et al.•ARTICLE•Norsk antropologisk tidsskrift•2021

    Flere NAT-lesere har kanskje fått med sig at vi i februar 2021 kom ut i litt av en redaksjonell krise, nemlig en artikkeltørke for første gang i vår redaksjonsperiode. Vi er glade for å kunne si at den kampanjen vi førte, nå ser ut til å ha båret frukt. Det betyr at vi nå sannsynligvis er godt dekket inn for i det minste resten av numrene så lenge som vi har redaksjonsansvaret

  • Numonu/moahau

    Open Access•Peter Ian Crawford•ARTICLE•Etnografica•2022

    In the amazing building constructed in the early 19th century to house the Bank of Scotland, in the centre of Edinburgh, you will find the Museum of the Mound, a museum basically dedicated to anything to do with “money”. Its collection contains marvellous pieces of what we may call traditional forms of money from various cultures all over the world. What I would say is arguably the most spectacular and iconic of these objects is what frequently i…

Sociology (11 obras) · Art (9 obras) · Political science (8 obras) · Anthropology (7 obras) · History (7 obras) · Ethnography (6 obras) · History (6 obras) · Art history (5 obras) · Computer Science (5 obras) · Humanities (5 obras)

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