Charles Brian Rose
Datos Biográficos
| ID | 3622932 |
|---|---|
| NOMBRE | Charles Brian Rose |
| NOMBRES | Charles Brian |
| APELLIDO | Rose |
| FIRMA | ROSE C B |
| AFILIACIONES | University of Pennsylvania |
| ORCID | 0000-0003-2179-5108 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 70 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1990 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 3 |
The Magna Mater, Victoria, and Victoria Virgo in Rome
Three early Imperial reliefs with architectural façades, found in Rome’s Via Lata and referred to as the Valle-Medici reliefs, include representations of the temples of Mars Ultor and the Magna Mater. A third relief showing a tetrastyle Ionic temple is identified here as the aedicula of Victoria Virgo, constructed between the temples of Victoria and the Magna Mater on the Palatine. All three reliefs belong to a monumental altar, similar in scale …
The Archaeology of Greek and Roman Troy
The Archaeology of Greek and Roman Troy provides an overview of all excavations that have been conducted at Troy, from the nineteenth century through the latest discoveries between 1988 and the present. Charles Brian Rose traces the social and economic development of the city and related sites in the Troad, as well as the development of its civic and religious centers from the Bronze Age through the early Christian period, with a focus on the set…
Iconography
Deciphering the language of imagery used by the Romans requires an examination of all components of material culture, whether or not we would classify them as ‘art’. We often ask ‘what is “Roman” in Roman art, but a more appropriate question would be what is “art” in Roman art?’ This article examines issues related to Roman self-representation, focusing primarily on political and religious imagery of the late Republic and Empire, but touching on …
The Parthians in Augustan Rome
This article considers the conception and commemoration of foreigners, especially Parthians, as diagrammed in the triumphal imagery of Augustan Rome. The interaction of Trojan and Parthian iconography during the Augustan period is analyzed, as is the new attitude toward the representation of foreigners that developed in Rome during the early Empire, when barbarians were presented as contributors to peace rather than its opponents. The focus is th…
Gens Augusta
Dynastic Commemoration and Imperial Portraiture in the Julio-Claudian Period
Part I: 1. The origins and significance of dynastic group monuments 2. Augustus and the establishment of the dynasty 3. Julians and Claudians during the reign of Tiberius 4. Rehabilitation and retrospection in Caligulan group monuments 5. The solidification of the Julio-Claudian dynasty under Claudius 6. Nero and the end of the Julio-Claudian dynasty 7. Conclusion Part II: 8. Portrait identification and the dissemination of models 9. Attitudes to…
Troy and the Historical Imagination
The supposed Augustan arch at Pavia (Ticinum) and the Einsiedeln 326 manuscript
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"Princes" and Barbarians on the Ara Pacis
The two children in foreign dress on the Ara Pacis Augustae are usually identified as Gaius and Lucius Caesar, the sons of Agrippa who were adopted by Augustus in 17 B. C. They are here reidentified as barbarians from eastern and western regions of the Empire who were brought to Rome in 13 B. C., the year in which the altar was voted. The child on the south frieze and the woman standing behind him are identified as Bosporan royalty directly conne…
Dynastic Commemoration and Imperial Portraiture in the Julio-Claudian Period
Part I: 1. The origins and significance of dynastic group monuments 2. Augustus and the establishment of the dynasty 3. Julians and Claudians during the reign of Tiberius 4. Rehabilitation and retrospection in Caligulan group monuments 5. The solidification of the Julio-Claudian dynasty under Claudius 6. Nero and the end of the Julio-Claudian dynasty 7. Conclusion Part II: 8. Portrait identification and the dissemination of models 9. Attitudes to…
"Princes" and Barbarians on the Ara Pacis
The two children in foreign dress on the Ara Pacis Augustae are usually identified as Gaius and Lucius Caesar, the sons of Agrippa who were adopted by Augustus in 17 B. C. They are here reidentified as barbarians from eastern and western regions of the Empire who were brought to Rome in 13 B. C., the year in which the altar was voted. The child on the south frieze and the woman standing behind him are identified as Bosporan royalty directly conne…
The Parthians in Augustan Rome
This article considers the conception and commemoration of foreigners, especially Parthians, as diagrammed in the triumphal imagery of Augustan Rome. The interaction of Trojan and Parthian iconography during the Augustan period is analyzed, as is the new attitude toward the representation of foreigners that developed in Rome during the early Empire, when barbarians were presented as contributors to peace rather than its opponents. The focus is th…
Troy and the Historical Imagination
The supposed Augustan arch at Pavia (Ticinum) and the Einsiedeln 326 manuscript
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"Princes" and Barbarians on the Ara Pacis
The two children in foreign dress on the Ara Pacis Augustae are usually identified as Gaius and Lucius Caesar, the sons of Agrippa who were adopted by Augustus in 17 B. C. They are here reidentified as barbarians from eastern and western regions of the Empire who were brought to Rome in 13 B. C., the year in which the altar was voted. The child on the south frieze and the woman standing behind him are identified as Bosporan royalty directly conne…
Troy and the Historical Imagination
Dynastic Commemoration and Imperial Portraiture in the Julio-Claudian Period
Part I: 1. The origins and significance of dynastic group monuments 2. Augustus and the establishment of the dynasty 3. Julians and Claudians during the reign of Tiberius 4. Rehabilitation and retrospection in Caligulan group monuments 5. The solidification of the Julio-Claudian dynasty under Claudius 6. Nero and the end of the Julio-Claudian dynasty 7. Conclusion Part II: 8. Portrait identification and the dissemination of models 9. Attitudes to…
Gens Augusta
The Parthians in Augustan Rome
This article considers the conception and commemoration of foreigners, especially Parthians, as diagrammed in the triumphal imagery of Augustan Rome. The interaction of Trojan and Parthian iconography during the Augustan period is analyzed, as is the new attitude toward the representation of foreigners that developed in Rome during the early Empire, when barbarians were presented as contributors to peace rather than its opponents. The focus is th…
Iconography
Deciphering the language of imagery used by the Romans requires an examination of all components of material culture, whether or not we would classify them as ‘art’. We often ask ‘what is “Roman” in Roman art, but a more appropriate question would be what is “art” in Roman art?’ This article examines issues related to Roman self-representation, focusing primarily on political and religious imagery of the late Republic and Empire, but touching on …
The Archaeology of Greek and Roman Troy
The Archaeology of Greek and Roman Troy provides an overview of all excavations that have been conducted at Troy, from the nineteenth century through the latest discoveries between 1988 and the present. Charles Brian Rose traces the social and economic development of the city and related sites in the Troad, as well as the development of its civic and religious centers from the Bronze Age through the early Christian period, with a focus on the set…
The Magna Mater, Victoria, and Victoria Virgo in Rome
Three early Imperial reliefs with architectural façades, found in Rome’s Via Lata and referred to as the Valle-Medici reliefs, include representations of the temples of Mars Ultor and the Magna Mater. A third relief showing a tetrastyle Ionic temple is identified here as the aedicula of Victoria Virgo, constructed between the temples of Victoria and the Magna Mater on the Palatine. All three reliefs belong to a monumental altar, similar in scale …
Art (8 obras) · History (8 obras) · Ancient Mediterranean Archaeology and History (7 obras) · Classical Antiquity Studies (6 obras) · Historical and Religious Studies of Rome (6 obras) · Ancient history (5 obras) · Archaeology (5 obras) · Classics (4 obras) · History (4 obras) · Art history (3 obras)