Arthur C Danto

Datos Biográficos

ID362934
NOMBREArthur C Danto
NOMBRESArthur C
APELLIDODanto
FIRMADANTO A C
AFILIACIONESColumbia University
VERIFICADONo
TOTAL DE OBRAS59
TOTAL DE CITAS35
TOTAL COMO AUTOR57
TOTAL COMO EDITOR2
PRIMER AÑO DE PUBLICACIÓN1953
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H3

  • Toward a Definition of the Humanities

    Open AccessArthur C DantoARTICLESociety2024

  • Culture and Modernity

    ʿAzīz al-ʿAẓma, Roger T Ames et al.BOOKCulture and Modernity2022

  • Arte sem paradigma

    Open AccessArthur C DantoARTICLEarte e ensaios2022

    Utilizando o conceito hegeliano de "fim da arte", o autor analisa neste texto a situação da arte contemporânea a partir de seu percurso pessoal - marcado no início, em meados dos anos 60, pelo contato com a exposição das Brillo Box de Andy Warhol - e aponta as características que distinguem fundamentalmente esse período do anterior, dominado pelo paradigma modernista estabelecido pela análise formalista de Clement Greenberg

  • After the End of Art

    Arthur C DantoBOOKAfter the End of Art2021

  • After the End of Art

    Arthur C Danto, Lydia GoehrBOOKAfter the End of Art2015Citada por: 2

    In After the End of Art, Arthur C. Danto argues provocatively that the history of art as it was traditionally understood ended in the 1960s with the advent of pop art and the blurring of the lines between high and low culture. He contends that art has entered a "post-historical" period, where anything can be art, and the narrative of artistic progress has been replaced by pluralism and open-ended exploration. This updated edition includes a new p…

  • Da filosofia à crítica de arte

    Open AccessArthur C DantoARTICLEPORTO ARTE: Revista de Artes…2011

    Nesse texto Arthur C. Danto apresenta o início de sua trajetória como crítico de arte a partir de sua colaboração com a revista The Nation, e aponta as bases de suas mais notórias ideias sobre a relação entre filosofia e crítica de arte

  • Marcel Duchamp e o fim do gosto

    Open AccessArthur C DantoARTICLEARS (São Paulo2008Citada por: 2

    composta de "repugnância, abjeção, horror e repulsa/ nojo"

  • Searching for the Way

    Arthur C Danto, Jana RoškerBOOKSearching for the Way2007

  • Symposium

    Arthur C DantoARTICLEInquiry2005

  • O filósofo como Andy Warhol

    Open AccessArthur C Danto, Arthur DantoARTICLEARS (São Paulo2004

  • From Philosophy to Art Criticism

    Arthur C DantoARTICLEAmerican Art2002

  • Body/Body Problem

    Arthur C DantoBOOKBody/Body Problem1999

  • Indiscernibility and Perception

    Arthur C DantoARTICLEThe British Journal of Aesthetics1999Citada por: 1

    Soulevant la question de l'indiscernabilite des objets culturels (des carres rouges, par exemple) et de la perception des proprietes moleculaires de la couleur (dans la peinture monochrome), l'A. etudie la relation entre l'objet et l'oeuvre, d'une part, et interroge la distinction non-perceptible parmi les indiscernables, d'autre part. Repondant aux critiques de J. Margolis fondees sur l'idee d'une reduction de l'oeuvre d'art, et se distinguant d…

  • Philosophizing Art

    Arthur C DantoBOOKPhilosophizing Art1999

    Philosophizing Art: Selected Essays by Arthur C. Danto brings together twenty-one essays-some previously unpublished-written between 1984 and 1999, a period that saw a revitalization of the philosophy of art. Danto explores a wide range of topics, including the ontological status of artworks, the nature of artistic interpretation, the role of history in art, and the relationship between art and morality. He examines the work of artists such as An…

  • Remembering Andre Racz

    Arthur C DantoARTICLEAmerican Art1998

  • The End of Art

    Open AccessArthur C DantoARTICLEHistory and Theory1998Citada por: 8

    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like War…

  • Translation and Betrayal

    Open AccessArthur C DantoARTICLERes: Anthropology and Aesthetics1997

  • From Aesthetics to Art Criticism and Back

    Arthur C DantoARTICLEJournal of Aesthetics and Art…1996

    De l'esthetique a la critique d'art, l'A. retrace un parcours de philosophie de l'art en suivant la pensee de Kant en la matiere. Il s'agit de savoir ce que l'on peut appeler beau en tant qu'objet de satisfaction. Il s'agit aussi de preciser en quoi l'esthetique determine la critique artistique. L'A. recourt aussi a la doctrine de Hegel sur ce point. Il evoque a ce propose l'exemple du critique Green Berg

  • Cindy Sherman

    John Loughery, Arthur C Danto et al.ARTICLEWoman s Art Journal1993

  • Cindy Sherman

    John Loughery, Arthur C Danto et al.ARTICLEWoman s Art Journal1991

  • The Transfiguration of the Commonplace

    Nicola Carroll, Noël Carroll et al.ARTICLEHistory and Theory1990Citada por: 1

  • The Philosophical Disenfranchisement of Art

    Guy Sircello, Arthur C DantoARTICLEThe Philosophical Review1989

  • The Philosophical Disenfranchisement of Art.

    Alexander Nehamas, Arthur C DantoARTICLEThe Journal of Philosophy1988

    I. The Philosophical Disenfranchisement of Art II. The Appreciation and Interpretation of Works of Art III. Deep Interpretation IV. Language, Art, Culture, Text V. The End of Art VI. Art and Disturbation VII. Philosophy as/and/of Literature VIII. Philosophizing Literature IX. Art, Evolution, and the Consciousness of History

  • Art/Artifact

    Phillips Stevens, Francine Farr et al.ARTICLEAfrican Arts1988

  • Saving Art from Aesthetics

    Richard Shusterman, Nelson Goodman et al.ARTICLEPoetics Today1987