Sarah Baker
Datos Biográficos
| ID | 3649155 |
|---|---|
| NOMBRE | Sarah Baker |
| NOMBRES | Sarah |
| APELLIDO | Baker |
| FIRMA | BAKER S |
| AFILIACIONES | Griffith University |
| ORCID | 0000-0003-2304-6573 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 41 |
| TOTAL DE CITAS | 396 |
| TOTAL COMO AUTOR | 38 |
| TOTAL COMO EDITOR | 3 |
| PRIMER AÑO DE PUBLICACIÓN | 2001 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 7 |
Managing gender diversity and barriers to inclusion
These findings highlight the limitations of surface-level reforms and underscore the need for deeper institutional change. Meaningful gender diversity can enhance collaboration, innovation, and workplace morale, but these benefits remain unrealised without stronger policy enforcement, inclusive organizational cultures, mentorship, gender-sensitive recruitment, safe reporting mechanisms, and targeted support for women's professional development. T…
The symbolic violence of heritage consultancy
Despite the significant growth of heritage consultancies in many countries over the last few decades, there is little scholarship that engages empirically with the experiences of those consulted. This article examines community attitudes towards heritage consultancy undertaken in relation to Norfolk Island’s Kingston and Arthur’s Vale Historic Area (KAVHA, or simply Kingston). Underpinned by critical cultural justice inquiry, the article analyses…
Zine-making for critical cultural justice inquiry
Zines have recently emerged as methodological tools in qualitative research seeking to deploy arts-based approaches that foreground agency, collaboration, creativity, affect and critique. This article reflects on the use of zine-making as method in a project focused on Kingston and Arthur's Vale Historic Area, Norfolk Island. The article analyses seven methods used in making zine content: sticky notes, memory prompts, story completion, letter wri…
Creative futures for cultural heritage
This article seeks to develop a non-prescriptive typology of creative practice and its role in GLAM (Galleries, Libraries, Archives and Museums) institutions through an examination of published research. Highlighting key issues and perspectives on integration and intent in each approach it examines practice through five categories: (1) demonstration; (2) programmed performance; (3) historically informed creativity and performance; (4) institution…
Aa Norf'k Wieh
Informed by critical heritage studies, Pacific theory-building scholarship and Indigenous research methodologies, this article introduces Aa Norf'k Wieha Pitcairn descendant epistemology for understanding the experience and management of living heritage in Kingston and Arthur's Vale Historic Area (KAVHA), Norfolk Island.Central to Aa Norf'k Wieh is storytelling, reflecting the oral traditions of Pitkern-Norf'k.Aa Norf'k Wieh is captured in the ar…
Cartography, Conversation, and Critical Cultural Justice Inquiry
Informed by critical cultural justice inquiry, this article reflects on participatory mapping activities undertaken on Norfolk Island that were aimed at capturing practices, routes, and emotions associated with Kingston and Arthur's Vale Historic Area. We discuss how participants understood the parameters of mapping tasks; adapted and individualized activities; engaged in collaborative practice; and exercised reflexivity. The article finds that p…
Mapping Living Heritage in Kingston and Arthur’s Vale Historic Area, Norfolk Island
In heritage management plans, maps have long been used to draw boundaries around regions and plot natural and cultural sites, trails and routes. Attention to participatory mapping and counter-mapping has increased alongside trends towards bottom-up approaches to heritage that recognise local communities as experts in their own heritage. This article reflects on participatory mapping activities undertaken on Norfolk Island, home to the UNESCO Worl…
Profiles of body image concerns and their associations with disordered eating behaviors
Uncertainties and ambivalence surrounding AI
Artificial intelligence (AI) has had a significant historical representation within popular culture over the decades, used in storytelling for films, television programmes, books and video games. Films like Blade Runner (1982), Blade Runner 2049 (2017), The Matrix (1999), The Terminator (1984), Ex Machina (2014) and Minority Report (2002), for example, can all be used to explore the impacts of AI on society. These stories exploring AI often centr…
Ketch Yorlye Daun Paradise
Senses of place are strongly intertwined with senses of heritage and cultural identity. Heritage places are distinctive not only for their tangible dimensions, but also the intangible qualities which give them meaning. The conservation of heritage places, however, has often emphasised the materiality of place rather than its symbolic significance. This article explores issues surrounding sense of place and heritage management through a focus on t…
The Disney ‘Princess Bubble’ as a Cultural Influencer
The Walt Disney Company has been creating magical fairy tales since the early 1900s and is a trusted brand synonymous with wholesome, family entertainment (Wasko). Over time, this reputation has resulted in the Disney brand’s huge financial growth and influence on audiences worldwide. (Wohlwend). As the largest global media powerhouse in the Western world (Beattie), Disney uses its power and influence to shape the perceptions and ideologies of it…
An exploratory study to investigate alcohol consumption among breast-feeding mothers
Objective: We examined the likelihood of breast-feeding mothers consuming alcohol according to several socio-demographic factors. Design: We carried out secondary data analyses using participant information obtained from a cross-sectional survey designed to capture the dietary habits of UK infants aged 4–18 months. Setting: Data concerning breast-feeding mothers’ social and domestic circumstances and alcohol consumption were drawn from the 2011 D…
Upgrading The L Word
The L Word: Generation Q is the reboot of The L Word, a long running series about a group of lesbians and bisexuals in Los Angeles in the early 2000s. Both programmes are unique in their positioning of lesbian characters and have been well received by audiences and critics alike. These programmes present a range of characters and narratives, previously excluded from mainstream film and television, bringing a refreshing change from the destructive…
Career volunteering as good work in do-it-yourself heritage institutions
In recent decades, the heritage sector has become increasingly precarious amid the rise of austerity neoliberalism, impacting both the efficacy of heritage institutions and the labour experiences of those who run them. While scholarly literature has regularly examined these impacts for mainstream heritage institutions, little work considers volunteer-run, do-it-yourself (DIY) community heritage organisations. This article takes a serious leisure …
Post-work Futures and Full Automation
Among business leaders, government officials and academics there is a general consensus that new technological developments such as artificial intelligence, robotics and the internet of things have the potential to “take our jobs.” Rather than resisting and bemoaning this radical shift, theorists such as Nick Srnicek and Alex Williams have argued that full automation, universal basic income, and future thinking, should be demanded in order to cha…
The Routledge Companion to Popular Music History and Heritage
As illustrated by many of the chapters in this volume, the sites and strategies now available for the preservation of popular music history and heritage are manifold. Indeed, if the steps being taken to acknowledge the importance of popular music, and in particular more contemporaneous versions of popular music and their corresponding eras of emergence and innovation, as a bonafide form of cultural heritage are in themselves significant, then equ…
A glamorous feminism by design
Glamour is often understood as a capitalist technology of allure and as a device with which women are objectified. The consumption glamour has also been theorized as representing a refusal to be imprisoned by the norms of gender, class, and race, as well as a form of escape from everyday life. In this article, I explore the attractiveness of glamour both as a technique of feminine performance and as a technique of capitalism. By defining and hist…
Queering the Community Music Archive
Archiving has become an increasingly important practice in the preservation of feminist and queer histories. In this article, we pay specific attention to the emerging body of literature on feminist archives of popular music, many of which are community-based, DIY initiatives. These community-led archives aim to comprehensively collect the ephemeral, intangible heritage of feminist music cultures that have traditionally been excluded in popular m…
Youth Cultures and Subcultures
During the course of the last 20 years, the concept of subculture has been heavily contested on the grounds that the theoretical premises it sets out have little or no bearing on the everyday lived experiences of young people. Through what is now commonly referred to as the post-subcultural turn, researchers argue that contemporary youth culture is characterised by a multiplicity of different lifestyle articulations and orientations (see Bennett,…
Curating popular music heritage
In parallel with a globally ageing ‘baby-boomer’ population, Western societies have seen an increase in the number of museums devoted to popular music. However, the discourse, design and display of traditional museums is at odds with the culture of popular music and its audience. This article explores how curators of ‘new museums’ of popular music harness aspects of storytelling to increase patron engagement within their exhibits. Drawing on inte…
The sound of music heritage
A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This arti…
Identifying Do-it-Yourself Places of Popular Music Preservation
This chapter examines the extent to which popular music heritage, as a form of cultural heritage, is both practice and process, inasmuch as its meanings and uses are socially, spatially and temporally enacted, and, are constantly being remade and renegotiated. It then explains the desire of individuals and communities to take on the role of custodians of popular music heritage are prevalent rather than isolated. They produce archives and museums …
Affective Archiving and Collective Collecting in Do-it-Yourself Popular Music Archives and Museums
This chapter examines collective collecting as a central feature of the do-it-yourself (DIY) practice of archiving affectively. It focuses on the research undertaken for the Australian Research Council-funded projects "Popular Music and Cultural Memory" and "Do-It-Yourself Popular Music Archives". That affective practice can be communal is essential to an understanding of the potentialities of affective archiving in the preservation of popular mu…
The intergenerational transmission of fatherhood
This article explores the issue of intergenerational transmission of caring practices and parental style, focusing specifically on findings from various research studies on men and fathers in the United Kingdom and Italy. It considers the tension between change and continuity in the context of fathering/fatherhood and family practices through an intergenerational lens, it discusses key cultural differences and similarities between the two countri…
Put on Your Own Oxygen Mask before Assisting Others’
It is widely recognised that social workers need to be emotionally resilient to protect their well-being and practice in an increasingly stressful profession. Research has identified some of the competencies that underpin resilience in social workers together with ways in which they may be enhanced. Little is known, however, about social work educators' views on the concept of resilience and the development of an ‘emotional curriculum’ more gener…
Creative Labour
A very complicated version of freedom
Preserving Popular Music Heritage
This chapter examines how values and meaning are attributed to collections in the heritage practices of amateur and fan-based popular music museums and archives in the Netherlands. The institutional context for the preservation of popular music-related heritage in the Netherlands has changed dramatically in recent years. On the one hand, this is related to major cuts in government support for all kinds of culture-related initiatives. On the other…
Sex, Gender and Work Segregation in the Cultural Industries
This chapter addresses work 'segregation' by sex in the cultural industries. We outline some of the main forms this takes, according to our observations: the high presence of women in marketing and public relations roles; the high numbers of women in production co-ordination and similar roles; the domination of men of more prestigious creative roles; and the domination by men of technical jobs. We then turn to explanation: what gender dynamics dr…
Retailing retro
When retro retailers buy and sell goods they are appropriating and recontextualising objects and styles both symbolically and materially. Through knowledge and practices they change the value of items from everyday and old-fashioned to unique and desirable. In this process of value creation, retailers mediate between production and consumption and translate and evaluate other cultures. As such, their role fits well with past theorisations of cult…
The sound of music heritage
A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This arti…
Cultural Precincts, Creative Spaces
This article examines the role of three community-based music projects—in Newcastle (Australia), Thanet (United Kingdom), and the City of Playford (Australia)—in engendering notions of regionalism, locality, and identity. Through their involvement in these projects, young people are placed at the intersection of music program management, city mythologies, and national policy. Each of the three projects examined attempts to facilitate urban regene…
Curating popular music heritage
In parallel with a globally ageing ‘baby-boomer’ population, Western societies have seen an increase in the number of museums devoted to popular music. However, the discourse, design and display of traditional museums is at odds with the culture of popular music and its audience. This article explores how curators of ‘new museums’ of popular music harness aspects of storytelling to increase patron engagement within their exhibits. Drawing on inte…
Locating the canon in Tamworth
This article concerns the regional city of Tamworth, New South Wales, Australia, a place that prides itself on its reputation as Australia's home of country music. We consider the ongoing memorialisation of country music in Tamworth, and how the processes associated with the project of articulating country music's past work to create and maintain something that can be recognised (and experienced) as a dominant narrative or an Australian country m…
The Routledge Companion to Popular Music History and Heritage
As illustrated by many of the chapters in this volume, the sites and strategies now available for the preservation of popular music history and heritage are manifold. Indeed, if the steps being taken to acknowledge the importance of popular music, and in particular more contemporaneous versions of popular music and their corresponding eras of emergence and innovation, as a bonafide form of cultural heritage are in themselves significant, then equ…
Put on Your Own Oxygen Mask before Assisting Others’
It is widely recognised that social workers need to be emotionally resilient to protect their well-being and practice in an increasingly stressful profession. Research has identified some of the competencies that underpin resilience in social workers together with ways in which they may be enhanced. Little is known, however, about social work educators' views on the concept of resilience and the development of an ‘emotional curriculum’ more gener…
Sustaining popular music's material culture in community archives and museums
This article examines the challenges of sustainability faced by community archives and museums that are concerned with the preservation and display of the material culture of popular music’s recent past. The sustainability of grassroots sites of popular music heritage is of great concern due to their role in making accessible cultural artefacts that have limited representation in the collections of more prestigious institutions. Drawing on three …
Zine-making for critical cultural justice inquiry
Zines have recently emerged as methodological tools in qualitative research seeking to deploy arts-based approaches that foreground agency, collaboration, creativity, affect and critique. This article reflects on the use of zine-making as method in a project focused on Kingston and Arthur's Vale Historic Area, Norfolk Island. The article analyses seven methods used in making zine content: sticky notes, memory prompts, story completion, letter wri…
Ketch Yorlye Daun Paradise
Senses of place are strongly intertwined with senses of heritage and cultural identity. Heritage places are distinctive not only for their tangible dimensions, but also the intangible qualities which give them meaning. The conservation of heritage places, however, has often emphasised the materiality of place rather than its symbolic significance. This article explores issues surrounding sense of place and heritage management through a focus on t…
The intergenerational transmission of fatherhood
This article explores the issue of intergenerational transmission of caring practices and parental style, focusing specifically on findings from various research studies on men and fathers in the United Kingdom and Italy. It considers the tension between change and continuity in the context of fathering/fatherhood and family practices through an intergenerational lens, it discusses key cultural differences and similarities between the two countri…
Musique pop et séduction
De petites Australiennes s'amusent en écoutant de la musique pop dans un centre d'accueil périscolaire. Or, au travers de cette pratique, appréhendée comme un « jeu sérieux », elles tentent de transformer et de s'approprier cet espace institutionnel, et d'en contester les rapports de pouvoir, tant sur le plan musical que sur le plan sexuel. L'auteure présente quelques-uns de leurs jeux avant de conclure que leur implication dans cette activité pé…
Cartography, Conversation, and Critical Cultural Justice Inquiry
Informed by critical cultural justice inquiry, this article reflects on participatory mapping activities undertaken on Norfolk Island that were aimed at capturing practices, routes, and emotions associated with Kingston and Arthur's Vale Historic Area. We discuss how participants understood the parameters of mapping tasks; adapted and individualized activities; engaged in collaborative practice; and exercised reflexivity. The article finds that p…
Queering the Community Music Archive
Archiving has become an increasingly important practice in the preservation of feminist and queer histories. In this article, we pay specific attention to the emerging body of literature on feminist archives of popular music, many of which are community-based, DIY initiatives. These community-led archives aim to comprehensively collect the ephemeral, intangible heritage of feminist music cultures that have traditionally been excluded in popular m…
From Snuggling and Snogging to Sampling and Scratching
This article focuses on gendered youth music practices in community-based organizations (CBOs) in Australia, Germany, the United Kingdom, and the United States. Drawing on interviews and observational fieldwork from the Playing for Life research project, the authors highlight the absence of young women from many activities, especially in the area of hip hop (e.g., MCing, break dancing, DJing, and graffiti workshops). Attempts by CBOs to redress g…
Creative futures for cultural heritage
This article seeks to develop a non-prescriptive typology of creative practice and its role in GLAM (Galleries, Libraries, Archives and Museums) institutions through an examination of published research. Highlighting key issues and perspectives on integration and intent in each approach it examines practice through five categories: (1) demonstration; (2) programmed performance; (3) historically informed creativity and performance; (4) institution…
Aa Norf'k Wieh
Informed by critical heritage studies, Pacific theory-building scholarship and Indigenous research methodologies, this article introduces Aa Norf'k Wieha Pitcairn descendant epistemology for understanding the experience and management of living heritage in Kingston and Arthur's Vale Historic Area (KAVHA), Norfolk Island.Central to Aa Norf'k Wieh is storytelling, reflecting the oral traditions of Pitkern-Norf'k.Aa Norf'k Wieh is captured in the ar…
Career volunteering as good work in do-it-yourself heritage institutions
In recent decades, the heritage sector has become increasingly precarious amid the rise of austerity neoliberalism, impacting both the efficacy of heritage institutions and the labour experiences of those who run them. While scholarly literature has regularly examined these impacts for mainstream heritage institutions, little work considers volunteer-run, do-it-yourself (DIY) community heritage organisations. This article takes a serious leisure …
'Rock on, baby!'
(2001). 'Rock on, baby!': Pre-teen girls and popular music. Continuum: Vol. 15, No. 3, pp. 359-371
On Not Talking to Strangers
How can visual ethnography help us to understand the nature and the complexity of the (ethnic/gendered/classed) experience of growing up? Drawing on two ethnographic projects, we discuss the purposes and the difficulties of the particular methodology of auto-visual ethnography which we deployed. Our specific focus was the relation- shipand the tension between the representation and the individual everyday experiences. Through focusing upon the mi…
Cultural Precincts, Creative Spaces
This article examines the role of three community-based music projects—in Newcastle (Australia), Thanet (United Kingdom), and the City of Playford (Australia)—in engendering notions of regionalism, locality, and identity. Through their involvement in these projects, young people are placed at the intersection of music program management, city mythologies, and national policy. Each of the three projects examined attempts to facilitate urban regene…
From Snuggling and Snogging to Sampling and Scratching
This article focuses on gendered youth music practices in community-based organizations (CBOs) in Australia, Germany, the United Kingdom, and the United States. Drawing on interviews and observational fieldwork from the Playing for Life research project, the authors highlight the absence of young women from many activities, especially in the area of hip hop (e.g., MCing, break dancing, DJing, and graffiti workshops). Attempts by CBOs to redress g…
Musique pop et séduction
De petites Australiennes s'amusent en écoutant de la musique pop dans un centre d'accueil périscolaire. Or, au travers de cette pratique, appréhendée comme un « jeu sérieux », elles tentent de transformer et de s'approprier cet espace institutionnel, et d'en contester les rapports de pouvoir, tant sur le plan musical que sur le plan sexuel. L'auteure présente quelques-uns de leurs jeux avant de conclure que leur implication dans cette activité pé…
A very complicated version of freedom
Toward a Political Economy of Labor in the Media Industries
This chapter contains sections titled: Thinking About Work and Organizations Studies of Cultural Production Labor in the Political Economy of Culture Cultural Studies Approaches to Creative Cultural Labor Concluding Comments: Toward an Adequate Normative Conception of Creative Labor References
Elizabeth B. Silva, Technology, Culture, Family
Retailing retro
When retro retailers buy and sell goods they are appropriating and recontextualising objects and styles both symbolically and materially. Through knowledge and practices they change the value of items from everyday and old-fashioned to unique and desirable. In this process of value creation, retailers mediate between production and consumption and translate and evaluate other cultures. As such, their role fits well with past theorisations of cult…
Creative Labour
Retro Style
Retro interiors have come to the fore in recent years as a highly desirable and valuable branch of interior design. The emergence of a need for decorative objects and vintage furniture has resurrected retro style and placed it firmly as a key trend of contemporary design. Retro Style: Class, Gender and Design in the Home is the first book to explore the modern position of retro by asking important questions around the emergence of the trend, its …
Creative Labour
What is it like to work in the media? Are media jobs more ‘creative’ than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies. Through its close analysis of key issues – such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realization, emotional and affective lab…
Locating the canon in Tamworth
This article concerns the regional city of Tamworth, New South Wales, Australia, a place that prides itself on its reputation as Australia's home of country music. We consider the ongoing memorialisation of country music in Tamworth, and how the processes associated with the project of articulating country music's past work to create and maintain something that can be recognised (and experienced) as a dominant narrative or an Australian country m…
Identifying Do-it-Yourself Places of Popular Music Preservation
This chapter examines the extent to which popular music heritage, as a form of cultural heritage, is both practice and process, inasmuch as its meanings and uses are socially, spatially and temporally enacted, and, are constantly being remade and renegotiated. It then explains the desire of individuals and communities to take on the role of custodians of popular music heritage are prevalent rather than isolated. They produce archives and museums …
Affective Archiving and Collective Collecting in Do-it-Yourself Popular Music Archives and Museums
This chapter examines collective collecting as a central feature of the do-it-yourself (DIY) practice of archiving affectively. It focuses on the research undertaken for the Australian Research Council-funded projects "Popular Music and Cultural Memory" and "Do-It-Yourself Popular Music Archives". That affective practice can be communal is essential to an understanding of the potentialities of affective archiving in the preservation of popular mu…
The intergenerational transmission of fatherhood
This article explores the issue of intergenerational transmission of caring practices and parental style, focusing specifically on findings from various research studies on men and fathers in the United Kingdom and Italy. It considers the tension between change and continuity in the context of fathering/fatherhood and family practices through an intergenerational lens, it discusses key cultural differences and similarities between the two countri…
Put on Your Own Oxygen Mask before Assisting Others’
It is widely recognised that social workers need to be emotionally resilient to protect their well-being and practice in an increasingly stressful profession. Research has identified some of the competencies that underpin resilience in social workers together with ways in which they may be enhanced. Little is known, however, about social work educators' views on the concept of resilience and the development of an ‘emotional curriculum’ more gener…
Preserving Popular Music Heritage
This chapter examines how values and meaning are attributed to collections in the heritage practices of amateur and fan-based popular music museums and archives in the Netherlands. The institutional context for the preservation of popular music-related heritage in the Netherlands has changed dramatically in recent years. On the one hand, this is related to major cuts in government support for all kinds of culture-related initiatives. On the other…
Sustaining popular music's material culture in community archives and museums
This article examines the challenges of sustainability faced by community archives and museums that are concerned with the preservation and display of the material culture of popular music’s recent past. The sustainability of grassroots sites of popular music heritage is of great concern due to their role in making accessible cultural artefacts that have limited representation in the collections of more prestigious institutions. Drawing on three …
Sex, Gender and Work Segregation in the Cultural Industries
This chapter addresses work 'segregation' by sex in the cultural industries. We outline some of the main forms this takes, according to our observations: the high presence of women in marketing and public relations roles; the high numbers of women in production co-ordination and similar roles; the domination of men of more prestigious creative roles; and the domination by men of technical jobs. We then turn to explanation: what gender dynamics dr…
Youth Cultures and Subcultures
During the course of the last 20 years, the concept of subculture has been heavily contested on the grounds that the theoretical premises it sets out have little or no bearing on the everyday lived experiences of young people. Through what is now commonly referred to as the post-subcultural turn, researchers argue that contemporary youth culture is characterised by a multiplicity of different lifestyle articulations and orientations (see Bennett,…
Curating popular music heritage
In parallel with a globally ageing ‘baby-boomer’ population, Western societies have seen an increase in the number of museums devoted to popular music. However, the discourse, design and display of traditional museums is at odds with the culture of popular music and its audience. This article explores how curators of ‘new museums’ of popular music harness aspects of storytelling to increase patron engagement within their exhibits. Drawing on inte…
The sound of music heritage
A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This arti…
A glamorous feminism by design
Glamour is often understood as a capitalist technology of allure and as a device with which women are objectified. The consumption glamour has also been theorized as representing a refusal to be imprisoned by the norms of gender, class, and race, as well as a form of escape from everyday life. In this article, I explore the attractiveness of glamour both as a technique of feminine performance and as a technique of capitalism. By defining and hist…
Queering the Community Music Archive
Archiving has become an increasingly important practice in the preservation of feminist and queer histories. In this article, we pay specific attention to the emerging body of literature on feminist archives of popular music, many of which are community-based, DIY initiatives. These community-led archives aim to comprehensively collect the ephemeral, intangible heritage of feminist music cultures that have traditionally been excluded in popular m…
Sociology (30 obras) · Political science (19 obras) · Art (17 obras) · Law (12 obras) · Media studies (12 obras) · Psychology (12 obras) · Aesthetics (11 obras) · Visual arts (11 obras) · History (10 obras) · Archaeology (9 obras)