Rolland Murray
Datos Biográficos
| ID | 3672553 |
|---|---|
| NOMBRE | Rolland Murray |
| NOMBRES | Rolland |
| APELLIDO | Murray |
| FIRMA | MURRAY R |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1999 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 0 |
The Cambridge Companion to Contemporary African American Literature
African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovatio…
Our Living Manhood
In Our Living Manhood, Rolland Murray examines how James Baldwin, John Edgar Wideman, Clarence Major, John Oliver Killens, and other writers challenged the Black Power movement's political commitment to masculinity in the 1960s
How the Conjure-Man Gets Busy
This essay reconsiders the Black Power movement's cultural politics by arguing that these advocates suffered from the contradictions and anxieties produced as they legitimated a highly performative mode of masculine speech as a cornerstone of their nationalism. Framing John Oliver Killens's career as an especially keen extension of these tensions, the essay explores how he endorsed the performative turn even as his novel The Cotillion tracked out…
The Long Strut
Callaloo - Volume 22, Number 1, Winter 1999
Sin obras prominentes en esta página.
The Long Strut
Callaloo - Volume 22, Number 1, Winter 1999
How the Conjure-Man Gets Busy
This essay reconsiders the Black Power movement's cultural politics by arguing that these advocates suffered from the contradictions and anxieties produced as they legitimated a highly performative mode of masculine speech as a cornerstone of their nationalism. Framing John Oliver Killens's career as an especially keen extension of these tensions, the essay explores how he endorsed the performative turn even as his novel The Cotillion tracked out…
Our Living Manhood
In Our Living Manhood, Rolland Murray examines how James Baldwin, John Edgar Wideman, Clarence Major, John Oliver Killens, and other writers challenged the Black Power movement's political commitment to masculinity in the 1960s
The Cambridge Companion to Contemporary African American Literature
African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovatio…
Art (4 obras) · Law (4 obras) · Political science (4 obras) · Politics (4 obras) · Sociology (4 obras) · Gender Studies (3 obras) · Masculinity (3 obras) · Race, History, and American Society (3 obras) · Aesthetics (2 obras) · History (2 obras)