Giuliana Borea
Datos Biográficos
| ID | 367337 |
|---|---|
| NOMBRE | Giuliana Borea |
| NOMBRES | Giuliana |
| APELLIDO | Borea |
| FIRMA | BOREA G |
| AFILIACIONES | Pontificia Universidad Católica del Perú |
| ORCID | 0000-0002-0107-4170 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAS | 4 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2001 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 1 |
When Multiplicity Is Not Enough
The notion of “global art” celebrates a new order that is announced to have taken place in the arts: one in which the Euro-American art world is decentred and various interconnected art worlds have arisen providing multiple centralities and narratives of what contemporary art is. In this chapter I engage with “global art” but from a critical position questioning two aspects: The first concerns art theory and knowledge production. The scholars tha…
Materiality, caring, and body memory in Bellido Valdivia's Perpetual Person
Amazonian Indigenous Artists as Agents of Interface
In this article, I analyse how the COVID-19 crisis crystalised and fuelled the vigorous role of Amazonian indigenous artists as, what I call, “agents of interface”, enabling connectivity, translation, networking and bridging information, ontologies, claims, and aesthetics. With the pandemic’s spatial restrictions and the reduction of global activity in the arts with a return to focusing on the local, I argue that it is important to look at interf…
Configuring the New Lima Art Scene
This book examines the contemporary art world in Latin America from an anthropological perspective and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums, identifying three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin Ameri…
Amazonian Waterway, Amazonian Water-Worlds
This chapter analyses diverse river realities and current water conflicts in Peru’s Amazon. It shows how the Peruvian government’s Amazonian Waterway, or Hydrovia Project, and the indigenous Amazonian water-worlds are immersed in different notions, forms of relations, management and river-making, as well as in power relations that determine reality, cultural specificity and inequalities. The chapter argues, however, that contemporary indigenous a…
Arte y antropología
Este libro ofrece un panorama actual sobre las relaciones entre el arte y la antropología, con énfasis en Latinoamérica. Se trata de una selección de investigaciones y proyectos presentados por académicos de diversas procedencias en el seminario internacional «Estudios y Encuentros entre Antropología y Arte», realizado en la PUCP en 2014 y editados por Giuliana Borea, que reúne reflexiones —en distintos formatos— de antropólogos, historiadores, a…
Fuelling museums and art fairs in Peru’s capital
This article examines the transformation of museums and the rise of art fairs as arenas for assembling Latin American art and agents at regional and larger scales, and as channels through which the work of the market and its templates has spread. It approaches this topic through the analysis of the Lima art scene and its mechanisms of articulation. This article connects to studies of the rise of ‘new art worlds’, but not as celebration of their p…
Personal cartographies of a Huitoto mythology
Rember Yahuarcani López was born in Pebas, in the Peruvian Amazonian department of Loreto, in 1985. He belongs to the Aymenu clan of the Huitoto group. In 2003 he came to Lima for the first time. His father, the painter and sculptor Santiago Yahuarcani, was invited to impart workshops as part of the exhibition Serpiente de Agua. Instead, he decided to send his son. This opportunity would change Rember Yahuarcani's perspective on his life and artw…
Tras los pasos del parian en el evento y en el tiempo. Imágenes y representaciones en la sierra de Lima
El artículo no presenta resumen
Ritual de los linderos
El artículo no presenta resumen
Arte y antropología
Este libro ofrece un panorama actual sobre las relaciones entre el arte y la antropología, con énfasis en Latinoamérica. Se trata de una selección de investigaciones y proyectos presentados por académicos de diversas procedencias en el seminario internacional «Estudios y Encuentros entre Antropología y Arte», realizado en la PUCP en 2014 y editados por Giuliana Borea, que reúne reflexiones —en distintos formatos— de antropólogos, historiadores, a…
Fuelling museums and art fairs in Peru’s capital
This article examines the transformation of museums and the rise of art fairs as arenas for assembling Latin American art and agents at regional and larger scales, and as channels through which the work of the market and its templates has spread. It approaches this topic through the analysis of the Lima art scene and its mechanisms of articulation. This article connects to studies of the rise of ‘new art worlds’, but not as celebration of their p…
Ritual de los linderos
El artículo no presenta resumen
Ritual de los linderos
El artículo no presenta resumen
Tras los pasos del parian en el evento y en el tiempo. Imágenes y representaciones en la sierra de Lima
El artículo no presenta resumen
Personal cartographies of a Huitoto mythology
Rember Yahuarcani López was born in Pebas, in the Peruvian Amazonian department of Loreto, in 1985. He belongs to the Aymenu clan of the Huitoto group. In 2003 he came to Lima for the first time. His father, the painter and sculptor Santiago Yahuarcani, was invited to impart workshops as part of the exhibition Serpiente de Agua. Instead, he decided to send his son. This opportunity would change Rember Yahuarcani's perspective on his life and artw…
Fuelling museums and art fairs in Peru’s capital
This article examines the transformation of museums and the rise of art fairs as arenas for assembling Latin American art and agents at regional and larger scales, and as channels through which the work of the market and its templates has spread. It approaches this topic through the analysis of the Lima art scene and its mechanisms of articulation. This article connects to studies of the rise of ‘new art worlds’, but not as celebration of their p…
Arte y antropología
Este libro ofrece un panorama actual sobre las relaciones entre el arte y la antropología, con énfasis en Latinoamérica. Se trata de una selección de investigaciones y proyectos presentados por académicos de diversas procedencias en el seminario internacional «Estudios y Encuentros entre Antropología y Arte», realizado en la PUCP en 2014 y editados por Giuliana Borea, que reúne reflexiones —en distintos formatos— de antropólogos, historiadores, a…
Amazonian Waterway, Amazonian Water-Worlds
This chapter analyses diverse river realities and current water conflicts in Peru’s Amazon. It shows how the Peruvian government’s Amazonian Waterway, or Hydrovia Project, and the indigenous Amazonian water-worlds are immersed in different notions, forms of relations, management and river-making, as well as in power relations that determine reality, cultural specificity and inequalities. The chapter argues, however, that contemporary indigenous a…
Configuring the New Lima Art Scene
This book examines the contemporary art world in Latin America from an anthropological perspective and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums, identifying three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin Ameri…
Amazonian Indigenous Artists as Agents of Interface
In this article, I analyse how the COVID-19 crisis crystalised and fuelled the vigorous role of Amazonian indigenous artists as, what I call, “agents of interface”, enabling connectivity, translation, networking and bridging information, ontologies, claims, and aesthetics. With the pandemic’s spatial restrictions and the reduction of global activity in the arts with a return to focusing on the local, I argue that it is important to look at interf…
When Multiplicity Is Not Enough
The notion of “global art” celebrates a new order that is announced to have taken place in the arts: one in which the Euro-American art world is decentred and various interconnected art worlds have arisen providing multiple centralities and narratives of what contemporary art is. In this chapter I engage with “global art” but from a critical position questioning two aspects: The first concerns art theory and knowledge production. The scholars tha…
Materiality, caring, and body memory in Bellido Valdivia's Perpetual Person
Art (8 obras) · Geography (5 obras) · Visual arts (5 obras) · Computer Science (3 obras) · Humanities (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Amazon rainforest (2 obras) · Amazonian (2 obras) · Art and society (2 obras)