Emmanuel Anati
Datos Biográficos
| ID | 3682597 |
|---|---|
| NOMBRE | Emmanuel Anati |
| NOMBRES | Emmanuel |
| APELLIDO | Anati |
| FIRMA | ANATI E |
| AFILIACIONES | Istituto Nazionale di Fisica Nucleare, Sezione di Lecce |
| VERIFICADO | No |
| TOTAL DE OBRAS | 26 |
| TOTAL DE CITAS | 15 |
| TOTAL COMO AUTOR | 25 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1955 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 3 |
Valcamonica Rock Art
Valcamonica Rock Art
Intellectual and Spiritual Expression of Non-Literate Peoples
Intellectual and Spiritual Expression of Non-Literate Peoples
Har Karkom
L’art rupestre du Valcamonica
Structure of Art, Structure of Mind
This paper sketches a comprehensive methodology to analyse the elementary structures of prehistoric art. A formal analysis of art is proposed through the distinction between pictograms, ideograms and psychograms. The dynamic between these elements and the thematic contents of the represented scenes is related to the four main types of social organization: early hunters, early gatherers, late hunters, pastoralists and complex economy societies. Cu…
Structure de l'art et structure de l'esprit
The Rock Art of the Negev Desert
Long a pioneer in the study of rock art, Professor Anati here provides a report of his most recent work in the Negev. The region around Har Karkom has proved to be exceptionally rich in a wide variety of images that span the transitions from hunters and gatherers to early pastoralists and historically documented societies. Based on an encyclopedic knowledge of rock art, an innovative set of interpretations of the meanings and behaviors associated…
The Art of Beginnings
When we speak of prehistoric art, we think almost instantly of visual art, although we know that even the least technologically developed peoples on earth also expressed themselves by means of music, dance, gesticulation, and poetry; they practised the arts of eloquence, of moving and decorating their bodies, and of awakening social or sexual interest; prehistoric peoples developed any number of other aspects of artistic creativity and of externa…
Archetypes, constants, and universal paradigms in prehistoric art
Selon l'auteur, l'art rupestre represente environ 90% de l'art prehistorique connu, ce qui rend necessaires une classification basee sur des standards universels et la creation d'une banque de donnees. Il propose donc une methodologie de classification prenant en compte le cadre socio-economique de chaque culture (chasseurs archaiques, chasseurs evolues, bergers (eleveurs, et economies complexes), l'approche typologique des signes (pictogrammes, …
Rock Art Recording and Conservation
Préhistoire
Prehistory and Paleoenvironments in the Central Negev, Israel
The Hazorea Pleistocene Site
Camonica Valley
Prehistoric Trade and the Puzzle of Jericho
The 'Corni Freschi
Quelques réflexions sur l'art rupestre d'Europe
Anati Emmanuel. Quelques réflexions sur l'art rupestre d'Europe. In: Bulletin de la Société préhistorique de France, tome 57, n°11-12, 1960. pp. 692-712
Bronze Age Chariots from Europe
The Oriental origin of the wheeled vehicle has long been recognized. It seems to have originated in Sumer, in the Uruk period, in the first half of the fourth millennium B.C. A rich collection of material, including isolated wheels and other remains of wheeled vehicles, models and pictures representing vehicles, show that wagons and carts had spread to Italy, Eastern and Central Europe, and the south Scandinavian countries by the middle of the se…
Mission archéologique au Mont Bego au cours de l'été 1957
Anati Emmanuel. Mission archéologique au Mont Bego au cours de l'été 1957. In: Bulletin de la Société préhistorique de France, tome 56, n°5-6, 1959. pp. 315-317
Recherches préhistoriques au Sinaï
Anati Emmanuel. Recherches préhistoriques au Sinaï. In: Bulletin de la Société préhistorique de France, tome 55, n°3-4, 1958. pp. 209-212
L'art rupestre des Alpes italiennes
Anati Emmanuel. L'art rupestre des Alpes italiennes. In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 102e année, N. 2, 1958. pp. 192-194
Rock Engravings from the Jebel Ideid (Southern Negev)
(1956). Rock Engravings from the Jebel Ideid (Southern Negev) Palestine Exploration Quarterly: Vol. 88, No. 1, pp. 5-13
Les gravures rupestres du Neguev Central
Anati Emmanuel. Les gravures rupestres du Neguev Central. In: Bulletin de la Société préhistorique de France, tome 52, n°11-12, 1955. pp. 722-728
The Rock Art of the Negev Desert
Long a pioneer in the study of rock art, Professor Anati here provides a report of his most recent work in the Negev. The region around Har Karkom has proved to be exceptionally rich in a wide variety of images that span the transitions from hunters and gatherers to early pastoralists and historically documented societies. Based on an encyclopedic knowledge of rock art, an innovative set of interpretations of the meanings and behaviors associated…
The Hazorea Pleistocene Site
Ancient Rock Drawings in the Central Negev
(1955). Ancient Rock Drawings in the Central Negev. Palestine Exploration Quarterly: Vol. 87, No. 1, pp. 49-57
Recherches préhistoriques au Sinaï
Anati Emmanuel. Recherches préhistoriques au Sinaï. In: Bulletin de la Société préhistorique de France, tome 55, n°3-4, 1958. pp. 209-212
Rock Engravings from the Jebel Ideid (Southern Negev)
(1956). Rock Engravings from the Jebel Ideid (Southern Negev) Palestine Exploration Quarterly: Vol. 88, No. 1, pp. 5-13
The Art of Beginnings
When we speak of prehistoric art, we think almost instantly of visual art, although we know that even the least technologically developed peoples on earth also expressed themselves by means of music, dance, gesticulation, and poetry; they practised the arts of eloquence, of moving and decorating their bodies, and of awakening social or sexual interest; prehistoric peoples developed any number of other aspects of artistic creativity and of externa…
Rock Art Recording and Conservation
Les gravures rupestres du Neguev Central
Anati Emmanuel. Les gravures rupestres du Neguev Central. In: Bulletin de la Société préhistorique de France, tome 52, n°11-12, 1955. pp. 722-728
Ancient Rock Drawings in the Central Negev
(1955). Ancient Rock Drawings in the Central Negev. Palestine Exploration Quarterly: Vol. 87, No. 1, pp. 49-57
Rock Engravings from the Jebel Ideid (Southern Negev)
(1956). Rock Engravings from the Jebel Ideid (Southern Negev) Palestine Exploration Quarterly: Vol. 88, No. 1, pp. 5-13
Recherches préhistoriques au Sinaï
Anati Emmanuel. Recherches préhistoriques au Sinaï. In: Bulletin de la Société préhistorique de France, tome 55, n°3-4, 1958. pp. 209-212
L'art rupestre des Alpes italiennes
Anati Emmanuel. L'art rupestre des Alpes italiennes. In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 102e année, N. 2, 1958. pp. 192-194
Mission archéologique au Mont Bego au cours de l'été 1957
Anati Emmanuel. Mission archéologique au Mont Bego au cours de l'été 1957. In: Bulletin de la Société préhistorique de France, tome 56, n°5-6, 1959. pp. 315-317
Quelques réflexions sur l'art rupestre d'Europe
Anati Emmanuel. Quelques réflexions sur l'art rupestre d'Europe. In: Bulletin de la Société préhistorique de France, tome 57, n°11-12, 1960. pp. 692-712
Bronze Age Chariots from Europe
The Oriental origin of the wheeled vehicle has long been recognized. It seems to have originated in Sumer, in the Uruk period, in the first half of the fourth millennium B.C. A rich collection of material, including isolated wheels and other remains of wheeled vehicles, models and pictures representing vehicles, show that wagons and carts had spread to Italy, Eastern and Central Europe, and the south Scandinavian countries by the middle of the se…
Prehistoric Trade and the Puzzle of Jericho
The 'Corni Freschi
Camonica Valley
The Hazorea Pleistocene Site
Prehistory and Paleoenvironments in the Central Negev, Israel
Préhistoire
Rock Art Recording and Conservation
Archetypes, constants, and universal paradigms in prehistoric art
Selon l'auteur, l'art rupestre represente environ 90% de l'art prehistorique connu, ce qui rend necessaires une classification basee sur des standards universels et la creation d'une banque de donnees. Il propose donc une methodologie de classification prenant en compte le cadre socio-economique de chaque culture (chasseurs archaiques, chasseurs evolues, bergers (eleveurs, et economies complexes), l'approche typologique des signes (pictogrammes, …
The Rock Art of the Negev Desert
Long a pioneer in the study of rock art, Professor Anati here provides a report of his most recent work in the Negev. The region around Har Karkom has proved to be exceptionally rich in a wide variety of images that span the transitions from hunters and gatherers to early pastoralists and historically documented societies. Based on an encyclopedic knowledge of rock art, an innovative set of interpretations of the meanings and behaviors associated…
The Art of Beginnings
When we speak of prehistoric art, we think almost instantly of visual art, although we know that even the least technologically developed peoples on earth also expressed themselves by means of music, dance, gesticulation, and poetry; they practised the arts of eloquence, of moving and decorating their bodies, and of awakening social or sexual interest; prehistoric peoples developed any number of other aspects of artistic creativity and of externa…
Structure de l'art et structure de l'esprit
Structure of Art, Structure of Mind
This paper sketches a comprehensive methodology to analyse the elementary structures of prehistoric art. A formal analysis of art is proposed through the distinction between pictograms, ideograms and psychograms. The dynamic between these elements and the thematic contents of the represented scenes is related to the four main types of social organization: early hunters, early gatherers, late hunters, pastoralists and complex economy societies. Cu…
L’art rupestre du Valcamonica
Har Karkom
Intellectual and Spiritual Expression of Non-Literate Peoples
Intellectual and Spiritual Expression of Non-Literate Peoples
Valcamonica Rock Art
Geography (16 obras) · Archaeology (14 obras) · Art (11 obras) · History (11 obras) · Archaeology and Rock Art Studies (8 obras) · Archaeology and Historical Studies (7 obras) · Geology (7 obras) · History (7 obras) · Archaeology and ancient environmental studies (6 obras) · Humanities (6 obras)