Cathy Yue Wang
Datos Biográficos
| ID | 3687923 |
|---|---|
| NOMBRE | Cathy Yue Wang |
| NOMBRES | Cathy Yue |
| APELLIDO | Wang |
| FIRMA | WANG C Y |
| AFILIACIONES | Shanghai Normal University |
| ORCID | 0000-0002-2630-9968 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 11 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 2 |
A state against boys’ love? Reviewing the trajectory of censorship over danmei
Practices of online censorship around boys’ love (danmei) in mainland China have exhibited continuous change, with varying media targets and nominal justifications. This article explores dynamic transformations in the strategies employed by authorities, media platforms, and danmei creators throughout different time periods. Based on the authors’ archival research, the censorship of danmei can be classified into three distinct stages: the years 20…
Snake Sisters and Ghost Daughters
Taming the Rebellious Child
From the main-melody story to gaming experience
This article interrogates the possibility that the digital game arena plays a role as a ‘counterpublic sphere’ where alternative voices that violate the hegemonic narratives in the mainstream media culture can be expressed. Exemplified by The Invisible Guardian , a Chinese interactive role-playing game, we present the first study to bring political perspective into the Chinese digital game studies, combining narrative analysis and players’ experi…
Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama— S.C.I. Mystery
This articles examines the representation of the blurred boundary between bromance and romance in the Chinese drama, S.C.I. Mystery (2018) and how it can be interpreted in Chinese gender discourse because it is the unique boys’ love fanfiction being adapted for an online drama in mainland China. We use the term bromance-as-masquerade to denote a representational strategy of depicting male–male romance under the guise of homosocial bromance. Broma…
Strategic sisterhood and the girlfriend gaze
This article examines the representation of girlfriendship (Winch A (2013) Girlfriends and Postfeminist Sisterhood. Basingstoke: Palgrave Macmillan) in the Chinese TV series Ode to Joy (2016-2017), and in particular, its representation of the interactions between urban women's competence, experience of romance, postfeminist identity and class status in the Chinese gender context. Drawing on Winch's concepts of 'strategic sisterhood' and the 'girl…
Chinese Folklore for Modern Times
Folktales function as a form of cultural heritage in contemporary society and offer models for interpreting experience in everyday practices, but the beliefs and values conveyed by many folktales are ingrained in a patriarchal discourse. Thus, the models they offer are challenged by the modern prominence given to women’s perspectives. This article applies an intertextual analysis in a broad cultural context by exploring how the White Snake story …
A state against boys’ love? Reviewing the trajectory of censorship over danmei
Practices of online censorship around boys’ love (danmei) in mainland China have exhibited continuous change, with varying media targets and nominal justifications. This article explores dynamic transformations in the strategies employed by authorities, media platforms, and danmei creators throughout different time periods. Based on the authors’ archival research, the censorship of danmei can be classified into three distinct stages: the years 20…
From the main-melody story to gaming experience
This article interrogates the possibility that the digital game arena plays a role as a ‘counterpublic sphere’ where alternative voices that violate the hegemonic narratives in the mainstream media culture can be expressed. Exemplified by The Invisible Guardian , a Chinese interactive role-playing game, we present the first study to bring political perspective into the Chinese digital game studies, combining narrative analysis and players’ experi…
Strategic sisterhood and the girlfriend gaze
This article examines the representation of girlfriendship (Winch A (2013) Girlfriends and Postfeminist Sisterhood. Basingstoke: Palgrave Macmillan) in the Chinese TV series Ode to Joy (2016-2017), and in particular, its representation of the interactions between urban women's competence, experience of romance, postfeminist identity and class status in the Chinese gender context. Drawing on Winch's concepts of 'strategic sisterhood' and the 'girl…
Chinese Folklore for Modern Times
Folktales function as a form of cultural heritage in contemporary society and offer models for interpreting experience in everyday practices, but the beliefs and values conveyed by many folktales are ingrained in a patriarchal discourse. Thus, the models they offer are challenged by the modern prominence given to women’s perspectives. This article applies an intertextual analysis in a broad cultural context by exploring how the White Snake story …
Chinese Folklore for Modern Times
Folktales function as a form of cultural heritage in contemporary society and offer models for interpreting experience in everyday practices, but the beliefs and values conveyed by many folktales are ingrained in a patriarchal discourse. Thus, the models they offer are challenged by the modern prominence given to women’s perspectives. This article applies an intertextual analysis in a broad cultural context by exploring how the White Snake story …
Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama— S.C.I. Mystery
This articles examines the representation of the blurred boundary between bromance and romance in the Chinese drama, S.C.I. Mystery (2018) and how it can be interpreted in Chinese gender discourse because it is the unique boys’ love fanfiction being adapted for an online drama in mainland China. We use the term bromance-as-masquerade to denote a representational strategy of depicting male–male romance under the guise of homosocial bromance. Broma…
Strategic sisterhood and the girlfriend gaze
This article examines the representation of girlfriendship (Winch A (2013) Girlfriends and Postfeminist Sisterhood. Basingstoke: Palgrave Macmillan) in the Chinese TV series Ode to Joy (2016-2017), and in particular, its representation of the interactions between urban women's competence, experience of romance, postfeminist identity and class status in the Chinese gender context. Drawing on Winch's concepts of 'strategic sisterhood' and the 'girl…
From the main-melody story to gaming experience
This article interrogates the possibility that the digital game arena plays a role as a ‘counterpublic sphere’ where alternative voices that violate the hegemonic narratives in the mainstream media culture can be expressed. Exemplified by The Invisible Guardian , a Chinese interactive role-playing game, we present the first study to bring political perspective into the Chinese digital game studies, combining narrative analysis and players’ experi…
Snake Sisters and Ghost Daughters
Taming the Rebellious Child
A state against boys’ love? Reviewing the trajectory of censorship over danmei
Practices of online censorship around boys’ love (danmei) in mainland China have exhibited continuous change, with varying media targets and nominal justifications. This article explores dynamic transformations in the strategies employed by authorities, media platforms, and danmei creators throughout different time periods. Based on the authors’ archival research, the censorship of danmei can be classified into three distinct stages: the years 20…
Art (6 obras) · Law (5 obras) · Literature (5 obras) · Political science (5 obras) · Sociology (5 obras) · Aesthetics (4 obras) · Asian Culture and Media Studies (4 obras) · Gender Studies (4 obras) · Politics (4 obras) · China (2 obras)