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Glenn Jordan

Datos Biográficos

ID3692895
NOMBREGlenn Jordan
NOMBRESGlenn
APELLIDOJordan
FIRMAJORDAN G
AFILIACIONESUniversity of Illinois Urbana-Champaign
VERIFICADONo
TOTAL DE OBRAS13
TOTAL DE CITAS30
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1984
AÑO MÁS RECIENTE DE PUBLICACIÓN2015
ÍNDICE H2
  • Beyond essentialism

    Open Access•Glenn Jordan•ARTICLE•International Journal of Cultural…•2015•Citada por: 1•Referencias: 5

    Coco Fusco wrote in 2005 that the explosion of creativity in black culture in Britain in the 1980s, together with the accompanying critical debates, transformed assumptions about black art worldwide. The key senior figure in those debates was Stuart Hall. This article explores Hall as (1) an activist-intellectual who served as a mentor for artists from the African, Arab, Asian and Caribbean diasporas living in the UK and who intervened in public …

  • Black History and the Struggle for Justice

    Open Access•Glenn Jordan•ARTICLE•Culture Studies ↔ Critical…•2015•Citada por: 1

    In the United Kingdom, Black History Month (BHM) occurs in October. This short talk-an example of the author's work as a public intellectual-was given at the launch of BHM in Wales in 2013. It begins by suggesting that Black history is (a) scholarship, (b) a form of cultural politics and cultural democracy, (c) a mode of vindication and counter-narrative, and (d) celebration. After warning that some practices of Black history have negative conseq…

  • On Stuart Hall

    Open Access•Glenn Jordan•ARTICLE•Culture Studies ↔ Critical…•2014•Citada por: 1•Referencias: 11

    This is an amended version of a paper presented in a panel discussion following the screening of The Stuart Hall Project (a new film by John Akomfrah) at Chapter Arts Centre in Cardiff, Wales, in September 2013. It discusses six key features of Hall's life and work: (1) a conception of intellectual work as serious, (2) a commitment to public engagement, (3) a commitment to collaboration as a mode of intellectual production, (4) long-term engageme…

  • Collective memory

    Chris Weedon, Glenn Jordan•ARTICLE•Social Semiotics•2012•Citada por: 17•Referencias: 2

    This essay outlines key issues in current approaches to cultural and collective memory. It reflects on memory's relation to history and its social, cultural and political roles, drawing on theoretical insights from Halbwachs, Ricoeur, Nora and Hirsch. It addresses the issues of affect, postmemory and counter-memory, locating the articles in the special section within this broader cultural political field

  • Special Section on Collective Memory

    Chris Weedon, Glenn Jordan et al.•ARTICLE•Cultural Studies•2011

  • Re-Membering the African-American Past

    Glenn Jordan•ARTICLE•Cultural Studies•2011

    The Harlem Renaissance of the 1920s was part of the New Negro Movement that swept the USA in the early twentieth century. Through fiction, poetry, essays, music, theatre, sculpture, painting and illustration, participants in this first Black arts movement produced work that was both grounded in modernity and an engagement with African-American history, folk culture and memory. This paper focuses on two Harlem Renaissance artists, the poet and fic…

  • On an Island without Sun

    Glenn Jordan, Satwinder Singh•ARTICLE•Journal of Intercultural Studies•2011•Referencias: 12

    This paper discusses 12 coping strategies – tools that Sikh immigrants and their descendants have appropriated to make sense of and engage with their new surroundings in Ireland: (1) keeping tradition alive; (2) improvisation; (3) erasing markers of difference; (4) camouflage; (5) being smart, being tough; (6) being cool; (7) downplaying racism; (8) living with India; (9) crossing over, sharing experience; (10) becoming Asian; (11) becoming black…

  • Photography that cares

    Glenn Jordan•ARTICLE•Journal of Media Practice•2008

    This article, inspired by Roland Barthes' account of his search for a ‘just photograph’ of his mother (in Camera Lucida) and engaging with the author's own experience as a photographer, ethnographer and grieving son, makes the case for a photographic practice that is empathetic, reflexive, dialogic and critically engaged. It explores issues of photographic practice and cultural theory through text and images, including photographs and life storie…

  • An African Presence in Europe

    Glenn Jordan•ARTICLE•Cultural Studies•2008•Citada por: 1•Referencias: 1

    Africans and Muslims, photography and cultural studies – these are the subjects and objects of this cultural-political intervention combining humanist portrait photography, collaborative ethnography and oral history. The Somali Elders Project is located outside of the academy, in a community-based arts and educational centre in Cardiff, Wales. It is a mode of socially-concerned research, photography and representation in which marginalized voices…

  • Flight from Modernity

    Open Access•Glenn Jordan•ARTICLE•Time & Society•1995•Citada por: 9•Referencias: 8

    The escape from modernity and the turn to `the primitive', the twin pillars of primitivism, are dominant - although not always acknowledged - themes in modern Western art and anthropology. This article explores these themes through an examination of the construction of difference in critical-primitivist discourses. Particular attention is paid to, first, German Expressionism and, second, the primitivist critical theory of Stanley Diamond, radical…

  • On Being a Committed Intellectual

    Open Access•Glenn Jordan•ARTICLE•Transforming Anthropology•1990

  • Barawa and the Anthropologist

    Open Access•Glenn Jordan, GLENN H JORDAN•ARTICLE•Anthropology and Humanism Quarterly•1988

    Michael Jackson. Barawa and the Ways Birds Fly in the Sky . Washington, D.C. and London: Smithsonian Institution Press. 1986. 212pp. $18.95 (cloth

  • The World from Brown's Lounge

    Open Access•Glenn Jordan, GLENN H JORDAN•ARTICLE•American Ethnologist•1984

  • Collective memory

    Chris Weedon, Glenn Jordan•ARTICLE•Social Semiotics•2012•Citada por: 17•Referencias: 2

    This essay outlines key issues in current approaches to cultural and collective memory. It reflects on memory's relation to history and its social, cultural and political roles, drawing on theoretical insights from Halbwachs, Ricoeur, Nora and Hirsch. It addresses the issues of affect, postmemory and counter-memory, locating the articles in the special section within this broader cultural political field

  • Flight from Modernity

    Open Access•Glenn Jordan•ARTICLE•Time & Society•1995•Citada por: 9•Referencias: 8

    The escape from modernity and the turn to `the primitive', the twin pillars of primitivism, are dominant - although not always acknowledged - themes in modern Western art and anthropology. This article explores these themes through an examination of the construction of difference in critical-primitivist discourses. Particular attention is paid to, first, German Expressionism and, second, the primitivist critical theory of Stanley Diamond, radical…

  • Beyond essentialism

    Open Access•Glenn Jordan•ARTICLE•International Journal of Cultural…•2015•Citada por: 1•Referencias: 5

    Coco Fusco wrote in 2005 that the explosion of creativity in black culture in Britain in the 1980s, together with the accompanying critical debates, transformed assumptions about black art worldwide. The key senior figure in those debates was Stuart Hall. This article explores Hall as (1) an activist-intellectual who served as a mentor for artists from the African, Arab, Asian and Caribbean diasporas living in the UK and who intervened in public …

  • Black History and the Struggle for Justice

    Open Access•Glenn Jordan•ARTICLE•Culture Studies ↔ Critical…•2015•Citada por: 1

    In the United Kingdom, Black History Month (BHM) occurs in October. This short talk-an example of the author's work as a public intellectual-was given at the launch of BHM in Wales in 2013. It begins by suggesting that Black history is (a) scholarship, (b) a form of cultural politics and cultural democracy, (c) a mode of vindication and counter-narrative, and (d) celebration. After warning that some practices of Black history have negative conseq…

  • On Stuart Hall

    Open Access•Glenn Jordan•ARTICLE•Culture Studies ↔ Critical…•2014•Citada por: 1•Referencias: 11

    This is an amended version of a paper presented in a panel discussion following the screening of The Stuart Hall Project (a new film by John Akomfrah) at Chapter Arts Centre in Cardiff, Wales, in September 2013. It discusses six key features of Hall's life and work: (1) a conception of intellectual work as serious, (2) a commitment to public engagement, (3) a commitment to collaboration as a mode of intellectual production, (4) long-term engageme…

  • An African Presence in Europe

    Glenn Jordan•ARTICLE•Cultural Studies•2008•Citada por: 1•Referencias: 1

    Africans and Muslims, photography and cultural studies – these are the subjects and objects of this cultural-political intervention combining humanist portrait photography, collaborative ethnography and oral history. The Somali Elders Project is located outside of the academy, in a community-based arts and educational centre in Cardiff, Wales. It is a mode of socially-concerned research, photography and representation in which marginalized voices…

  • The World from Brown's Lounge

    Open Access•Glenn Jordan, GLENN H JORDAN•ARTICLE•American Ethnologist•1984

  • Barawa and the Anthropologist

    Open Access•Glenn Jordan, GLENN H JORDAN•ARTICLE•Anthropology and Humanism Quarterly•1988

    Michael Jackson. Barawa and the Ways Birds Fly in the Sky . Washington, D.C. and London: Smithsonian Institution Press. 1986. 212pp. $18.95 (cloth

  • On Being a Committed Intellectual

    Open Access•Glenn Jordan•ARTICLE•Transforming Anthropology•1990

  • Flight from Modernity

    Open Access•Glenn Jordan•ARTICLE•Time & Society•1995•Citada por: 9•Referencias: 8

    The escape from modernity and the turn to `the primitive', the twin pillars of primitivism, are dominant - although not always acknowledged - themes in modern Western art and anthropology. This article explores these themes through an examination of the construction of difference in critical-primitivist discourses. Particular attention is paid to, first, German Expressionism and, second, the primitivist critical theory of Stanley Diamond, radical…

  • Photography that cares

    Glenn Jordan•ARTICLE•Journal of Media Practice•2008

    This article, inspired by Roland Barthes' account of his search for a ‘just photograph’ of his mother (in Camera Lucida) and engaging with the author's own experience as a photographer, ethnographer and grieving son, makes the case for a photographic practice that is empathetic, reflexive, dialogic and critically engaged. It explores issues of photographic practice and cultural theory through text and images, including photographs and life storie…

  • An African Presence in Europe

    Glenn Jordan•ARTICLE•Cultural Studies•2008•Citada por: 1•Referencias: 1

    Africans and Muslims, photography and cultural studies – these are the subjects and objects of this cultural-political intervention combining humanist portrait photography, collaborative ethnography and oral history. The Somali Elders Project is located outside of the academy, in a community-based arts and educational centre in Cardiff, Wales. It is a mode of socially-concerned research, photography and representation in which marginalized voices…

  • Special Section on Collective Memory

    Chris Weedon, Glenn Jordan et al.•ARTICLE•Cultural Studies•2011

  • Re-Membering the African-American Past

    Glenn Jordan•ARTICLE•Cultural Studies•2011

    The Harlem Renaissance of the 1920s was part of the New Negro Movement that swept the USA in the early twentieth century. Through fiction, poetry, essays, music, theatre, sculpture, painting and illustration, participants in this first Black arts movement produced work that was both grounded in modernity and an engagement with African-American history, folk culture and memory. This paper focuses on two Harlem Renaissance artists, the poet and fic…

  • On an Island without Sun

    Glenn Jordan, Satwinder Singh•ARTICLE•Journal of Intercultural Studies•2011•Referencias: 12

    This paper discusses 12 coping strategies – tools that Sikh immigrants and their descendants have appropriated to make sense of and engage with their new surroundings in Ireland: (1) keeping tradition alive; (2) improvisation; (3) erasing markers of difference; (4) camouflage; (5) being smart, being tough; (6) being cool; (7) downplaying racism; (8) living with India; (9) crossing over, sharing experience; (10) becoming Asian; (11) becoming black…

  • Collective memory

    Chris Weedon, Glenn Jordan•ARTICLE•Social Semiotics•2012•Citada por: 17•Referencias: 2

    This essay outlines key issues in current approaches to cultural and collective memory. It reflects on memory's relation to history and its social, cultural and political roles, drawing on theoretical insights from Halbwachs, Ricoeur, Nora and Hirsch. It addresses the issues of affect, postmemory and counter-memory, locating the articles in the special section within this broader cultural political field

  • On Stuart Hall

    Open Access•Glenn Jordan•ARTICLE•Culture Studies ↔ Critical…•2014•Citada por: 1•Referencias: 11

    This is an amended version of a paper presented in a panel discussion following the screening of The Stuart Hall Project (a new film by John Akomfrah) at Chapter Arts Centre in Cardiff, Wales, in September 2013. It discusses six key features of Hall's life and work: (1) a conception of intellectual work as serious, (2) a commitment to public engagement, (3) a commitment to collaboration as a mode of intellectual production, (4) long-term engageme…

  • Beyond essentialism

    Open Access•Glenn Jordan•ARTICLE•International Journal of Cultural…•2015•Citada por: 1•Referencias: 5

    Coco Fusco wrote in 2005 that the explosion of creativity in black culture in Britain in the 1980s, together with the accompanying critical debates, transformed assumptions about black art worldwide. The key senior figure in those debates was Stuart Hall. This article explores Hall as (1) an activist-intellectual who served as a mentor for artists from the African, Arab, Asian and Caribbean diasporas living in the UK and who intervened in public …

  • Black History and the Struggle for Justice

    Open Access•Glenn Jordan•ARTICLE•Culture Studies ↔ Critical…•2015•Citada por: 1

    In the United Kingdom, Black History Month (BHM) occurs in October. This short talk-an example of the author's work as a public intellectual-was given at the launch of BHM in Wales in 2013. It begins by suggesting that Black history is (a) scholarship, (b) a form of cultural politics and cultural democracy, (c) a mode of vindication and counter-narrative, and (d) celebration. After warning that some practices of Black history have negative conseq…

Sociology (11 obras) · Political science (8 obras) · Art (6 obras) · Philosophy (6 obras) · Politics (6 obras) · Anthropology (5 obras) · History (5 obras) · Law (5 obras) · Law (5 obras) · Media studies (5 obras)

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