Dongfeng Tao
Datos Biográficos
| ID | 3692906 |
|---|---|
| NOMBRE | Dongfeng Tao |
| NOMBRES | Dongfeng |
| APELLIDO | Tao |
| FIRMA | TAO D |
| AFILIACIONES | Guangzhou University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 4 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1999 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 2 |
Knowledge Production in the Theory of Literature and Art in Contemporary China
In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound di…
Teresa Teng and the spread of pop songs in Mainland China in the early reform era
The Mainland Chinese gained access to the songs of the Taiwanese pop singer Teresa Teng (Deng Lijun) in the late 1970s and early 1980s by listening to “enemy” radio stations in secret or purchasing musical products smuggled into the Mainland market. This marks the emergence of popular culture in Mainland China, in the aftermath of Mao’s Cultural Revolution. Based on archival materials, interviews, and memoirs, this paper examines the ways in whic…
Cultural Studies in Modern China
De-publicized secularization and contemporary Chinese mass culture
This article attempts to distinguish two kinds of secularization and mass culture in contemporary China by creatively deploying Hannah Arendt, Jurgen Habermas and other western thinkers’ theories of secularization and modernity. It argues that, in the 1980s, China underwent a first process of secularization: that was characterized by liberating a secular society from the quasi-religious totalitarianism of the Cultural Revolution through the re-es…
Understanding Our Own “Death by Amusement
This essay provides an introduction to the ways in which Amusing Ourselves to Death by Neil Postman has been applied to Chinese cultural studies, and especially to media studies. It argues that the emerging phenomenon of “amusing ourselves to death” in China is fundamentally different from the phenomenon of “amusing ourselves to death” in the United States and that this difference has been masked by the decontextualized mechanical application of …
Making Fun of the Canon in Contemporary China
This article provides a systematic study of Canon-Mocking Literature, an important cultural phenomenon in contemporary China. From the combined perspective of stylistics and cultural studies, the article suggests that Canon-Mocking Literature is a subversion of the discursive order of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, co…
Interview with Feng Xiaogang
Research Article| February 01 1999 Interview with Feng Xiaogang Michael Keane; Michael Keane Search for other works by this author on: This Site Google Tao Dongfeng Tao Dongfeng Search for other works by this author on: This Site Google positions (1999) 7 (1): 192–200. https://doi.org/10.1215/10679847-7-1-192 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Keane, Tao Dongfeng; Interview wi…
Making Fun of the Canon in Contemporary China
This article provides a systematic study of Canon-Mocking Literature, an important cultural phenomenon in contemporary China. From the combined perspective of stylistics and cultural studies, the article suggests that Canon-Mocking Literature is a subversion of the discursive order of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, co…
Interview with Feng Xiaogang
Research Article| February 01 1999 Interview with Feng Xiaogang Michael Keane; Michael Keane Search for other works by this author on: This Site Google Tao Dongfeng Tao Dongfeng Search for other works by this author on: This Site Google positions (1999) 7 (1): 192–200. https://doi.org/10.1215/10679847-7-1-192 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Keane, Tao Dongfeng; Interview wi…
Interview with Feng Xiaogang
Research Article| February 01 1999 Interview with Feng Xiaogang Michael Keane; Michael Keane Search for other works by this author on: This Site Google Tao Dongfeng Tao Dongfeng Search for other works by this author on: This Site Google positions (1999) 7 (1): 192–200. https://doi.org/10.1215/10679847-7-1-192 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Keane, Tao Dongfeng; Interview wi…
Making Fun of the Canon in Contemporary China
This article provides a systematic study of Canon-Mocking Literature, an important cultural phenomenon in contemporary China. From the combined perspective of stylistics and cultural studies, the article suggests that Canon-Mocking Literature is a subversion of the discursive order of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, co…
Understanding Our Own “Death by Amusement
This essay provides an introduction to the ways in which Amusing Ourselves to Death by Neil Postman has been applied to Chinese cultural studies, and especially to media studies. It argues that the emerging phenomenon of “amusing ourselves to death” in China is fundamentally different from the phenomenon of “amusing ourselves to death” in the United States and that this difference has been masked by the decontextualized mechanical application of …
Cultural Studies in Modern China
De-publicized secularization and contemporary Chinese mass culture
This article attempts to distinguish two kinds of secularization and mass culture in contemporary China by creatively deploying Hannah Arendt, Jurgen Habermas and other western thinkers’ theories of secularization and modernity. It argues that, in the 1980s, China underwent a first process of secularization: that was characterized by liberating a secular society from the quasi-religious totalitarianism of the Cultural Revolution through the re-es…
Teresa Teng and the spread of pop songs in Mainland China in the early reform era
The Mainland Chinese gained access to the songs of the Taiwanese pop singer Teresa Teng (Deng Lijun) in the late 1970s and early 1980s by listening to “enemy” radio stations in secret or purchasing musical products smuggled into the Mainland market. This marks the emergence of popular culture in Mainland China, in the aftermath of Mao’s Cultural Revolution. Based on archival materials, interviews, and memoirs, this paper examines the ways in whic…
Knowledge Production in the Theory of Literature and Art in Contemporary China
In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound di…
China (6 obras) · Chinese history and philosophy (6 obras) · Political science (5 obras) · Sociology (5 obras) · Aesthetics (4 obras) · History (4 obras) · Law (4 obras) · Philosophy (4 obras) · Art (3 obras) · Epistemology (3 obras)