Spurgeon Thompson
Datos Biográficos
| ID | 3692932 |
|---|---|
| NOMBRE | Spurgeon Thompson |
| NOMBRES | Spurgeon |
| APELLIDO | Thompson |
| FIRMA | THOMPSON S |
| AFILIACIONES | University of Notre Dame |
| VERIFICADO | No |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 14 |
| OBRAS COMO AUTOR | 9 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1995 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 2 |
‘If you shoulder a rifle [...] let it be for Ireland’
As virtually all Europe's major socialist parties re-aligned with their own national governments with the outbreak of World War I, Irish socialist and trade unionist James Connolly found himself internationally isolated by his vociferous opposition to the war. Within Ireland, however, Connolly's energetic and relentless calls to interrupt the imperial transportation and communications networks on which the ‘carnival of murder’ in Europe relied ha…
On another man's wound
Indigenous Theory
This article argues that among the historically occluded texts of anticolonialism, the Irish activist James Connolly's play Under Which Flag serves as an example of indigenous critical theory produced in and responding to profoundly oppressive colonial conditions. First staged a week before the Easter Rebellion of 1916, the play is loaded with allegorical significance as it thinks through and challenges conventional preconceptions about class, ge…
Postcolonial Connolly
The people must be rallied with a call The call requires a voice — ‘The Non-Stop Connolly Show’ (D'Arcy and Arden Citation1977) In her 1929 autobiography, the novelist and Irish language activist Lily MacManus recorded how she had been educated in Southern Ireland during the late nineteenth century to believe that England was ‘the greatest, the most magnificent, the freest, the most beneficent Empire in the world’ (MacManus Citation1929: 1). The …
Cyprus after history
An island constantly subject to foreign rule, Cyprus has a history of continual struggle and negotiation with larger powers. After a succession of various occupations and rulers, Cyprus became part of the Ottoman Empire in 1571 and remained a Turkish province until 1878 when Britain assumed administration of the island. On 1 April 1955, the Greek Cypriot anticolonial group EOKA started a campaign of violence against British rule and the result wa…
Gramsci and James Connolly
This article investigates overlaps and confluences between the work of Antonio Gramsci and James Connolly, demonstrating how both theorized hegemony, the intellectuals and subaltern historiography. It closes by marking a confluence at the level of form: the fragmentary character of their work and the demands this makes upon interpretation. Specifically, this article proposes the Gramscian concept of ‘elaboration’ to meet these interpretive demand…
Introduction
The commodification of culture and decolonisation in Northern Ireland
(1999). The commodification of culture and decolonisation in Northern Ireland. Irish Studies Review: Vol. 7, No. 1, pp. 53-63
Scrambling for the genuine
Indigenous Theory
This article argues that among the historically occluded texts of anticolonialism, the Irish activist James Connolly's play Under Which Flag serves as an example of indigenous critical theory produced in and responding to profoundly oppressive colonial conditions. First staged a week before the Easter Rebellion of 1916, the play is loaded with allegorical significance as it thinks through and challenges conventional preconceptions about class, ge…
Cyprus after history
An island constantly subject to foreign rule, Cyprus has a history of continual struggle and negotiation with larger powers. After a succession of various occupations and rulers, Cyprus became part of the Ottoman Empire in 1571 and remained a Turkish province until 1878 when Britain assumed administration of the island. On 1 April 1955, the Greek Cypriot anticolonial group EOKA started a campaign of violence against British rule and the result wa…
Gramsci and James Connolly
This article investigates overlaps and confluences between the work of Antonio Gramsci and James Connolly, demonstrating how both theorized hegemony, the intellectuals and subaltern historiography. It closes by marking a confluence at the level of form: the fragmentary character of their work and the demands this makes upon interpretation. Specifically, this article proposes the Gramscian concept of ‘elaboration’ to meet these interpretive demand…
Introduction
The commodification of culture and decolonisation in Northern Ireland
(1999). The commodification of culture and decolonisation in Northern Ireland. Irish Studies Review: Vol. 7, No. 1, pp. 53-63
Scrambling for the genuine
The commodification of culture and decolonisation in Northern Ireland
(1999). The commodification of culture and decolonisation in Northern Ireland. Irish Studies Review: Vol. 7, No. 1, pp. 53-63
Introduction
Gramsci and James Connolly
This article investigates overlaps and confluences between the work of Antonio Gramsci and James Connolly, demonstrating how both theorized hegemony, the intellectuals and subaltern historiography. It closes by marking a confluence at the level of form: the fragmentary character of their work and the demands this makes upon interpretation. Specifically, this article proposes the Gramscian concept of ‘elaboration’ to meet these interpretive demand…
Cyprus after history
An island constantly subject to foreign rule, Cyprus has a history of continual struggle and negotiation with larger powers. After a succession of various occupations and rulers, Cyprus became part of the Ottoman Empire in 1571 and remained a Turkish province until 1878 when Britain assumed administration of the island. On 1 April 1955, the Greek Cypriot anticolonial group EOKA started a campaign of violence against British rule and the result wa…
Indigenous Theory
This article argues that among the historically occluded texts of anticolonialism, the Irish activist James Connolly's play Under Which Flag serves as an example of indigenous critical theory produced in and responding to profoundly oppressive colonial conditions. First staged a week before the Easter Rebellion of 1916, the play is loaded with allegorical significance as it thinks through and challenges conventional preconceptions about class, ge…
Postcolonial Connolly
The people must be rallied with a call The call requires a voice — ‘The Non-Stop Connolly Show’ (D'Arcy and Arden Citation1977) In her 1929 autobiography, the novelist and Irish language activist Lily MacManus recorded how she had been educated in Southern Ireland during the late nineteenth century to believe that England was ‘the greatest, the most magnificent, the freest, the most beneficent Empire in the world’ (MacManus Citation1929: 1). The …
On another man's wound
‘If you shoulder a rifle [...] let it be for Ireland’
As virtually all Europe's major socialist parties re-aligned with their own national governments with the outbreak of World War I, Irish socialist and trade unionist James Connolly found himself internationally isolated by his vociferous opposition to the war. Within Ireland, however, Connolly's energetic and relentless calls to interrupt the imperial transportation and communications networks on which the ‘carnival of murder’ in Europe relied ha…
History (6 obras) · Irish and British Studies (6 obras) · Political science (6 obras) · History (5 obras) · Irish (5 obras) · Linguistics (5 obras) · Philosophy (5 obras) · Sociology (5 obras) · Law (4 obras) · Philosophy (4 obras)