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Erin Morton

Datos Biográficos

ID3692957
NOMBREErin Morton
NOMBRESErin
APELLIDOMorton
FIRMAMORTON E
AFILIACIONESUniversity of New Brunswick
ORCID0000-0001-8806-9683
VERIFICADOSí
TOTAL DE OBRAS7
TOTAL DE CITAS1
TOTAL COMO AUTOR6
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN2011
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • A Note from the Co-Editors

    Peter L Twohig, Erin Morton•ARTICLE•Acadiensis•2025

  • Note des codirecteurs

    Peter L Twohig, Erin Morton•ARTICLE•Acadiensis•2025

  • White settler death drives

    Erin Morton•ARTICLE•Cultural Studies•2019

    This article analyzes histories of white settler colonial violence in Treaty 6 territory by arguing that the 1870 Hudson’s Bay Company charter and transfer of Rupert’s Land and the North-Western Territory to the Dominion of Canada helped to make past imperial violence an ongoing settler colonial terror structure into the present. It argues that this transition from imperial to settler colonial control of territory is best understood by using a mu…

  • ‘The depth of the plough’

    Travis Wysote, Erin Morton•ARTICLE•Settler Colonial Studies•2019

    This article introduces the concept of the white settler tautology – something that seems true by the very nature of its repetition and logical irrefutability in white settler histories, stories, and laws – to analyze the naturalization of settler colonial topographies and ecologies of Mi’kma’ki (Mi’kmaq/Mi’gmag territory in Atlantic Canada). Settler tautologies such as written Biblical and visual art historical references to oxen and plough clea…

  • Negotiations in a Vacant Lot

    Lynda Jessup, Erin Morton et al.•BOOK•Negotiations in a Vacant Lot•2014

    At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the proje…

  • Not a Vacation, But a Hardening Process

    Open Access•Erin Morton•ARTICLE•Culture Unbound Journal of…•2014•Referencias: 8

    This article will examine the development of a state-sponsored therapeutic craft regime in Nova Scotia in the early to mid-twentieth century. Built on the notion that postwar residents needed 'work therapy - not a vacation, but a hardening process' (Black n.d. a: 3) - therapeutic craft emerged in Nova Scotia through a complex combination of the individualization of work habits, the desire to construct an antimodern regional identity around handwo…

  • The Object of Therapy

    Erin Morton•ARTICLE•Utopian Studies•2011•Citada por: 1

    This article will examine the career of weaver and occupational therapist Mary E. Black (1885–1988) by using her life as a lens through which to explore the intersection of arts and crafts revivalism with occupational therapy in early twentiethcentury northeastern North America. Born in Massachusetts, Black grew up in and was educated in Wolfville, Nova Scotia. She trained as ward's aide in Montreal in 1919 and worked in a string of hospitals and…

  • The Object of Therapy

    Erin Morton•ARTICLE•Utopian Studies•2011•Citada por: 1

    This article will examine the career of weaver and occupational therapist Mary E. Black (1885–1988) by using her life as a lens through which to explore the intersection of arts and crafts revivalism with occupational therapy in early twentiethcentury northeastern North America. Born in Massachusetts, Black grew up in and was educated in Wolfville, Nova Scotia. She trained as ward's aide in Montreal in 1919 and worked in a string of hospitals and…

  • The Object of Therapy

    Erin Morton•ARTICLE•Utopian Studies•2011•Citada por: 1

    This article will examine the career of weaver and occupational therapist Mary E. Black (1885–1988) by using her life as a lens through which to explore the intersection of arts and crafts revivalism with occupational therapy in early twentiethcentury northeastern North America. Born in Massachusetts, Black grew up in and was educated in Wolfville, Nova Scotia. She trained as ward's aide in Montreal in 1919 and worked in a string of hospitals and…

  • Negotiations in a Vacant Lot

    Lynda Jessup, Erin Morton et al.•BOOK•Negotiations in a Vacant Lot•2014

    At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the proje…

  • Not a Vacation, But a Hardening Process

    Open Access•Erin Morton•ARTICLE•Culture Unbound Journal of…•2014•Referencias: 8

    This article will examine the development of a state-sponsored therapeutic craft regime in Nova Scotia in the early to mid-twentieth century. Built on the notion that postwar residents needed 'work therapy - not a vacation, but a hardening process' (Black n.d. a: 3) - therapeutic craft emerged in Nova Scotia through a complex combination of the individualization of work habits, the desire to construct an antimodern regional identity around handwo…

  • White settler death drives

    Erin Morton•ARTICLE•Cultural Studies•2019

    This article analyzes histories of white settler colonial violence in Treaty 6 territory by arguing that the 1870 Hudson’s Bay Company charter and transfer of Rupert’s Land and the North-Western Territory to the Dominion of Canada helped to make past imperial violence an ongoing settler colonial terror structure into the present. It argues that this transition from imperial to settler colonial control of territory is best understood by using a mu…

  • ‘The depth of the plough’

    Travis Wysote, Erin Morton•ARTICLE•Settler Colonial Studies•2019

    This article introduces the concept of the white settler tautology – something that seems true by the very nature of its repetition and logical irrefutability in white settler histories, stories, and laws – to analyze the naturalization of settler colonial topographies and ecologies of Mi’kma’ki (Mi’kmaq/Mi’gmag territory in Atlantic Canada). Settler tautologies such as written Biblical and visual art historical references to oxen and plough clea…

  • A Note from the Co-Editors

    Peter L Twohig, Erin Morton•ARTICLE•Acadiensis•2025

  • Note des codirecteurs

    Peter L Twohig, Erin Morton•ARTICLE•Acadiensis•2025

Political science (6 obras) · History (5 obras) · Canadian Identity and History (4 obras) · Law (4 obras) · Archaeology (3 obras) · Ethnology (3 obras) · Sociology (3 obras) · Gender Studies (2 obras) · Handicraft (2 obras) · Legal case studies and regulations (2 obras)

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