Charmaine A Nelson
Datos Biográficos
| ID | 3693971 |
|---|---|
| NOMBRE | Charmaine A Nelson |
| NOMBRES | Charmaine A |
| APELLIDO | Nelson |
| FIRMA | NELSON C A |
| AFILIACIONES | McGill University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 17 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2010 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 2 |
He ‘is supposed to have with him forged Certificates of his Freedom, and Passes’
Within the institution of Transatlantic Slavery, across the Americas white enslaver control extended to the physical movement of those they held in bondage. This article adopts an extended conceptualization of creolization – the transformation of cultures, societies, and populations within the context of the contact between Europeans, enslaved Africans, and colonized and enslaved Indigenous peoples in the Americas – to explore the intersection of…
"A "tone of voice peculiar to New-England
Found throughout the transatlantic world, fugitive slave advertisements demonstrate the ubiquity of African resistance to slavery. Besides noting things like names, accents, languages, and skills, they also recounted details that disclosed the regional origins and ethnicities of the runaways. Although detailed analysis of fugitive slave advertisements have been produced since the 1970s, Canadian slavery has been conspicuously absent from such stu…
Special issue
Interrogating the Colonial Cartographical Imagination
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her a…
I am the only woman!’
Representing the Black Female Subject in Western Art
Nelson analyzes not only how, where, why and by whom black female subjects have been represented in Western art, but also what the social and cultural impacts of the colonial legacy of racialized Western representation have been. She poses questions about the concepts of production, the consequences of comsumption and more.
Vénus Africaine
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her a…
"A "tone of voice peculiar to New-England
Found throughout the transatlantic world, fugitive slave advertisements demonstrate the ubiquity of African resistance to slavery. Besides noting things like names, accents, languages, and skills, they also recounted details that disclosed the regional origins and ethnicities of the runaways. Although detailed analysis of fugitive slave advertisements have been produced since the 1970s, Canadian slavery has been conspicuously absent from such stu…
Representing the Black Female Subject in Western Art
Nelson analyzes not only how, where, why and by whom black female subjects have been represented in Western art, but also what the social and cultural impacts of the colonial legacy of racialized Western representation have been. She poses questions about the concepts of production, the consequences of comsumption and more.
I am the only woman!’
Interrogating the Colonial Cartographical Imagination
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her a…
Special issue
"A "tone of voice peculiar to New-England
Found throughout the transatlantic world, fugitive slave advertisements demonstrate the ubiquity of African resistance to slavery. Besides noting things like names, accents, languages, and skills, they also recounted details that disclosed the regional origins and ethnicities of the runaways. Although detailed analysis of fugitive slave advertisements have been produced since the 1970s, Canadian slavery has been conspicuously absent from such stu…
He ‘is supposed to have with him forged Certificates of his Freedom, and Passes’
Within the institution of Transatlantic Slavery, across the Americas white enslaver control extended to the physical movement of those they held in bondage. This article adopts an extended conceptualization of creolization – the transformation of cultures, societies, and populations within the context of the contact between Europeans, enslaved Africans, and colonized and enslaved Indigenous peoples in the Americas – to explore the intersection of…
Vénus Africaine
History (5 obras) · Archaeology (4 obras) · History (4 obras) · Sociology (4 obras) · Art (3 obras) · Colonialism, slavery, and trade (3 obras) · Ancient history (2 obras) · Caribbean and African Literature and Culture (2 obras) · Colonialism (2 obras) · Demography (2 obras)