Klisala Harrison
Datos Biográficos
| ID | 3717307 |
|---|---|
| NOMBRE | Klisala Harrison |
| NOMBRES | Klisala |
| APELLIDO | Harrison |
| FIRMA | HARRISON K |
| AFILIACIONES | Aarhus University |
| ORCID | 0000-0002-2269-9065 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAS | 29 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 3 |
Sonic agencies of climate change
Sonic agencies of climate change refers to the relational fluxes of human and nonhuman agencies sounding and musicking the climate crisis. This article discusses what understandings of Indigenous onto-epistemologies of the nonhuman in commercial music can contribute to the notion and vice-versa. In Greenland, site of the rapidly melting North Polar Ice Cap, popular song lyrics in Inuit Greenlandic or Kalallissut as well as their music videos and …
Sámi CD Productions as Promoting Intangible Cultural Heritage
The number of CDs starring Sámi Indigenous musicians from northern Europe peaked from 2000–2010 due to heavy funding from Norway, Finland and Sweden. Government reports argued that funding such Sámi cultural activities fulfilled the Nordic nations’ cultural heritage obligations under several international conventions, including UNSECO’s Convention for the Safeguarding of the Intangible Cultural Heritage. Analysed here as expressions of soft power…
It's Not the End, but Something Feels off
My contribution defines musical data colonialism for the first time, and then discusses potential approaches to musical data (anti-)colonialism in ethnomusicology
Indigenous music sustainability during climate change
New Skies Above
There is sparse literature examining connections between songwriting and trauma overall, or specific connections between songwriting, trauma, the senses and place. This article presents a sense- and place-based approach to songwriting with and by asylum seekers and refugees. We facilitated a four-day songwriting workshop in Turku, Finland, that incorporated trauma-informed approaches, and whose outcomes we documented through ethnography. We respo…
Sustainability and Indigenous Aesthetics
Histories of colonial cultural erasure, unsuccessful decolonisation or postcolonialism and rapid modernisation are typically seen as the challenges to sustaining Indigenous traditional musics (Harrison, in press). The Indigenous peoples of Canada have experienced colonial assimilationist policies of government and church, including residential schools that took children away from their families and forbade song, dance and language. These policies…
Music, Health, and Socio-Economic Status
In socio-economically depressed urban areas, many musical programmes and projects are offered to the poor for free by community organizations, non-governmental and governmental organizations, and arts businesses, with funding from corporations, private foundations, churches, donations, governments, and concert tickets. In poor urban areas in Canada and other nation states with decaying systems of social welfare, or in non-welfare states, music ma…
The Relationship of Poverty to Music
Flows of money and resources receive increasing treatment in music; however, lack of money and resources is rarely discussed comprehensively. This special half-issue of the Yearbook for Traditional Music titled "Music and Poverty" aims towards formulating a nuanced understanding of music and poverty relationships. This collection of articles considers what the complex theoretical issue of poverty can add to understandings of music and musical cul…
Special Section on Music and Poverty
Epistemologies of Applied Ethnomusicology
Research Article| September 01 2012 Epistemologies of Applied Ethnomusicology Klisala Harrison Klisala Harrison Search for other works by this author on: This Site Google Ethnomusicology (2012) 56 (3): 505–529. https://doi.org/10.5406/ethnomusicology.56.3.0505 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Se…
The Relationship of Poverty to Music
Flows of money and resources receive increasing treatment in music; however, lack of money and resources is rarely discussed comprehensively. This special half-issue of the Yearbook for Traditional Music titled "Music and Poverty" aims towards formulating a nuanced understanding of music and poverty relationships. This collection of articles considers what the complex theoretical issue of poverty can add to understandings of music and musical cul…
Epistemologies of Applied Ethnomusicology
Research Article| September 01 2012 Epistemologies of Applied Ethnomusicology Klisala Harrison Klisala Harrison Search for other works by this author on: This Site Google Ethnomusicology (2012) 56 (3): 505–529. https://doi.org/10.5406/ethnomusicology.56.3.0505 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Se…
Indigenous music sustainability during climate change
Music, Health, and Socio-Economic Status
In socio-economically depressed urban areas, many musical programmes and projects are offered to the poor for free by community organizations, non-governmental and governmental organizations, and arts businesses, with funding from corporations, private foundations, churches, donations, governments, and concert tickets. In poor urban areas in Canada and other nation states with decaying systems of social welfare, or in non-welfare states, music ma…
Sustainability and Indigenous Aesthetics
Histories of colonial cultural erasure, unsuccessful decolonisation or postcolonialism and rapid modernisation are typically seen as the challenges to sustaining Indigenous traditional musics (Harrison, in press). The Indigenous peoples of Canada have experienced colonial assimilationist policies of government and church, including residential schools that took children away from their families and forbade song, dance and language. These policies…
Special Section on Music and Poverty
Epistemologies of Applied Ethnomusicology
Research Article| September 01 2012 Epistemologies of Applied Ethnomusicology Klisala Harrison Klisala Harrison Search for other works by this author on: This Site Google Ethnomusicology (2012) 56 (3): 505–529. https://doi.org/10.5406/ethnomusicology.56.3.0505 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Se…
Music, Health, and Socio-Economic Status
In socio-economically depressed urban areas, many musical programmes and projects are offered to the poor for free by community organizations, non-governmental and governmental organizations, and arts businesses, with funding from corporations, private foundations, churches, donations, governments, and concert tickets. In poor urban areas in Canada and other nation states with decaying systems of social welfare, or in non-welfare states, music ma…
The Relationship of Poverty to Music
Flows of money and resources receive increasing treatment in music; however, lack of money and resources is rarely discussed comprehensively. This special half-issue of the Yearbook for Traditional Music titled "Music and Poverty" aims towards formulating a nuanced understanding of music and poverty relationships. This collection of articles considers what the complex theoretical issue of poverty can add to understandings of music and musical cul…
Special Section on Music and Poverty
New Skies Above
There is sparse literature examining connections between songwriting and trauma overall, or specific connections between songwriting, trauma, the senses and place. This article presents a sense- and place-based approach to songwriting with and by asylum seekers and refugees. We facilitated a four-day songwriting workshop in Turku, Finland, that incorporated trauma-informed approaches, and whose outcomes we documented through ethnography. We respo…
Sustainability and Indigenous Aesthetics
Histories of colonial cultural erasure, unsuccessful decolonisation or postcolonialism and rapid modernisation are typically seen as the challenges to sustaining Indigenous traditional musics (Harrison, in press). The Indigenous peoples of Canada have experienced colonial assimilationist policies of government and church, including residential schools that took children away from their families and forbade song, dance and language. These policies…
Indigenous music sustainability during climate change
Sámi CD Productions as Promoting Intangible Cultural Heritage
The number of CDs starring Sámi Indigenous musicians from northern Europe peaked from 2000–2010 due to heavy funding from Norway, Finland and Sweden. Government reports argued that funding such Sámi cultural activities fulfilled the Nordic nations’ cultural heritage obligations under several international conventions, including UNSECO’s Convention for the Safeguarding of the Intangible Cultural Heritage. Analysed here as expressions of soft power…
It's Not the End, but Something Feels off
My contribution defines musical data colonialism for the first time, and then discusses potential approaches to musical data (anti-)colonialism in ethnomusicology
Sonic agencies of climate change
Sonic agencies of climate change refers to the relational fluxes of human and nonhuman agencies sounding and musicking the climate crisis. This article discusses what understandings of Indigenous onto-epistemologies of the nonhuman in commercial music can contribute to the notion and vice-versa. In Greenland, site of the rapidly melting North Polar Ice Cap, popular song lyrics in Inuit Greenlandic or Kalallissut as well as their music videos and …
Art (8 obras) · Diverse Musicological Studies (7 obras) · Political science (6 obras) · Sociology (5 obras) · Visual arts (5 obras) · History (4 obras) · Indigenous (4 obras) · Aesthetics (3 obras) · Law (3 obras) · Music History and Culture (3 obras)