Martin O''Shaughnessy
Datos Biográficos
| ID | 3745708 |
|---|---|
| NOMBRE | Martin O''Shaughnessy |
| NOMBRES | Martin |
| APELLIDO | O''Shaughnessy |
| FIRMA | SHAUGHNESSY M O |
| VERIFICADO | No |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2005 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2005 |
| ÍNDICE H | 1 |
Eloquent Fragments: French Fiction Film and Globalization
I will begin this piece with two contradictory observations that I will later try to reconcile.1 The first is that neoliberal globalization is deeply resistant to representation within the framework of conventional fiction. The second is that, following its much trumpeted return to the real in the 1990s, French cinema could not avoid figuring the consequences of that same capitalist globalization. Reconciliation of this paradox will lead to the s…
French Cinema: Globalization, Representation, and Resistance
It is now twelve years since French brinkmanship pushed American negotiators and the prospects of a world trade deal to the wire, securing the exclusion of cultural products and services from the 1993 GATT agreement and the maintenance of European systems of national quotas, public subsidies, and intellectual property rights in the audiovisual sector. The intervening period has not been quiet. Although the Multilateral Agreement on Investment was…
Eloquent Fragments: French Fiction Film and Globalization
I will begin this piece with two contradictory observations that I will later try to reconcile.1 The first is that neoliberal globalization is deeply resistant to representation within the framework of conventional fiction. The second is that, following its much trumpeted return to the real in the 1990s, French cinema could not avoid figuring the consequences of that same capitalist globalization. Reconciliation of this paradox will lead to the s…
Eloquent Fragments: French Fiction Film and Globalization
I will begin this piece with two contradictory observations that I will later try to reconcile.1 The first is that neoliberal globalization is deeply resistant to representation within the framework of conventional fiction. The second is that, following its much trumpeted return to the real in the 1990s, French cinema could not avoid figuring the consequences of that same capitalist globalization. Reconciliation of this paradox will lead to the s…
French Cinema: Globalization, Representation, and Resistance
It is now twelve years since French brinkmanship pushed American negotiators and the prospects of a world trade deal to the wire, securing the exclusion of cultural products and services from the 1993 GATT agreement and the maintenance of European systems of national quotas, public subsidies, and intellectual property rights in the audiovisual sector. The intervening period has not been quiet. Although the Multilateral Agreement on Investment was…
French Historical and Cultural Studies (2 obras) · Globalization (2 obras) · Law (2 obras) · Political economy (2 obras) · Political science (2 obras) · Politics (2 obras) · Aesthetics (1 obras) · Art (1 obras) · Battle (1 obras) · Cinema and Media Studies (1 obras)