Ronald Rees
Datos Biográficos
| ID | 3757933 |
|---|---|
| NOMBRE | Ronald Rees |
| NOMBRES | Ronald |
| APELLIDO | Rees |
| FIRMA | REES R |
| AFILIACIONES | University of Saskatchewan |
| VERIFICADO | No |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAS | 76 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1939 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 1993 |
| ÍNDICE H | 4 |
The History of Cartography, Vol. II, Book I
The Symbolism of Habitat
New and Naked Land
The History of Cartography, Vol. I
Closer to Home
Social Formation and Symbolic Landscape
Our Past before Us
Constable, Turner, and Views of Nature in the Nineteenth Century
Guide to British Topographical Prints
The interpretation of ordinary landscapes. Geographical essays
Historical Links between Cartography and Art
IN a footnote to her study of the Renaissance polymath, Leon Battista Alberti, Joan Gadol rebuked a historian of science and cartography for denying the existence of a reciprocal relationship between Renaissance painting and cartography.' Although the position of the historian was extreme, his denial pointed to an aspect of the history of cartography neglected by both historians and geographers. While most authors readily acknowledge a connection…
A World with a View
A Reply to J.A. Sybesma Ironside
S ilence is the correct response to an unflattering critical commentary that does not misrepresent one's views. But for a commentary that seems to have sprung from a complete misreading of the text, one can only reply loudly and at length. I will deal with the criticisms levelled by Professor Ironside in order of occurrence
Images of the Prairie
John Constable and the Art of Geography
HE similarity in the approaches to landscape taken by the geographer and the landscape painter have been acknowledged since the first half of the nineteenth century.' Both are committed to developing coherent descriptions of the surface of the earth, in that they are concerned with associations of phenomena rather than with individual features in the landscape. Ends, aesthetic in one case and scientific in the other, rather than means distinguish…
The Church in Communist China. A Protestant Appraisal
China Faces the Storm
The interpretation of ordinary landscapes. Geographical essays
Historical Links between Cartography and Art
IN a footnote to her study of the Renaissance polymath, Leon Battista Alberti, Joan Gadol rebuked a historian of science and cartography for denying the existence of a reciprocal relationship between Renaissance painting and cartography.' Although the position of the historian was extreme, his denial pointed to an aspect of the history of cartography neglected by both historians and geographers. While most authors readily acknowledge a connection…
John Constable and the Art of Geography
HE similarity in the approaches to landscape taken by the geographer and the landscape painter have been acknowledged since the first half of the nineteenth century.' Both are committed to developing coherent descriptions of the surface of the earth, in that they are concerned with associations of phenomena rather than with individual features in the landscape. Ends, aesthetic in one case and scientific in the other, rather than means distinguish…
Constable, Turner, and Views of Nature in the Nineteenth Century
Our Past before Us
Images of the Prairie
New and Naked Land
Social Formation and Symbolic Landscape
The Symbolism of Habitat
The History of Cartography, Vol. I
China Faces the Storm
The Church in Communist China. A Protestant Appraisal
Images of the Prairie
John Constable and the Art of Geography
HE similarity in the approaches to landscape taken by the geographer and the landscape painter have been acknowledged since the first half of the nineteenth century.' Both are committed to developing coherent descriptions of the surface of the earth, in that they are concerned with associations of phenomena rather than with individual features in the landscape. Ends, aesthetic in one case and scientific in the other, rather than means distinguish…
A Reply to J.A. Sybesma Ironside
S ilence is the correct response to an unflattering critical commentary that does not misrepresent one's views. But for a commentary that seems to have sprung from a complete misreading of the text, one can only reply loudly and at length. I will deal with the criticisms levelled by Professor Ironside in order of occurrence
A World with a View
The interpretation of ordinary landscapes. Geographical essays
Historical Links between Cartography and Art
IN a footnote to her study of the Renaissance polymath, Leon Battista Alberti, Joan Gadol rebuked a historian of science and cartography for denying the existence of a reciprocal relationship between Renaissance painting and cartography.' Although the position of the historian was extreme, his denial pointed to an aspect of the history of cartography neglected by both historians and geographers. While most authors readily acknowledge a connection…
Guide to British Topographical Prints
Constable, Turner, and Views of Nature in the Nineteenth Century
Our Past before Us
Social Formation and Symbolic Landscape
The History of Cartography, Vol. I
Closer to Home
New and Naked Land
The Symbolism of Habitat
The History of Cartography, Vol. II, Book I
Geography (14 obras) · History (12 obras) · History (9 obras) · Philosophy (6 obras) · Art (5 obras) · Archaeology (4 obras) · Art history (4 obras) · Cartography (4 obras) · Philosophy (4 obras) · Aesthetics (3 obras)