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Beth Williamson

Datos Biográficos

ID3759624
NOMBREBeth Williamson
NOMBRESBeth
APELLIDOWilliamson
FIRMAWILLIAMSON B
AFILIACIONESUniversity of Bristol
ORCID0000-0003-0978-0800
VERIFICADOSí
TOTAL DE OBRAS17
TOTAL DE CITAS34
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2004
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H3
  • Mapping Language

    Open Access•Beth Williamson, Philip Jagessar•ARTICLE•Area•2025•Citada por: 1•Referencias: 13

    Maps have long been understood as texts, encumbered with internal and socio‐contextual meanings and evoking different ways of interpreting, representing or writing space. However, the abstraction of mapping as language can obscure the important role of maps in identifying and organising languages, rendering names and scripts and (in)visibilising minority speakers. In this conversational piece, we reflect on our experience of working with and on m…

  • Jon Cannon, FSA (8 June 1962–4 May 2023)

    Beth Williamson•ARTICLE•Journal of the British…•2024

    Photo: James O. DaviesJon Cannon was born in North London, to academic parents, both sociologists. The family moved to Tavistock in Devon when he was eleven. Jon graduated in History of Art from th

  • Tiny traces

    Open Access•Beth Williamson•ARTICLE•Journal of Historical Geography•2023

    This review discusses the temporary exhibition, Tiny Traces: African & Asian Children at London's Foundling Hospital, which offers an insight into the lives of children from the African and Asian diasporas at the Foundling Hospital in Georgian London. Presenting the findings of new research undertaken in the Hospital's archive, the exhibition reveals the untold stories of fourteen African and Asian children. More broadly, the exhibition traces th…

  • Historical geographies of place naming

    Open Access•Beth Williamson•ARTICLE•Geography Compass•2023•Citada por: 20•Referencias: 47

    European colonialism sought to inscribe order and meaning on non-European landscapes through the process of place naming. Naming or renaming was fundamental to the extension of imperial control over physical and human environments. This article offers a brief overview of the ways critical place name studies has addressed these colonial practices. In particular, the paper examines the power relationships inherent in place naming, asks questions ab…

  • Academies, Schools and Écoles

    Open Access•Beth Williamson•ARTICLE•Art History•2021

  • Creative Dislocation

    Open Access•Robert Bickers, Tim Cole et al.•ARTICLE•History Workshop Journal•2021

    This article introduces an experiment in collaborative historical practice. It describes how six historians visited the East Devon village of Branscombe, with the aim of creatively engaging with the present and past of the village. This was a collaborative and collective act of what we term here 'creative dislocation'. By dislocating from our usual routines, subjects, places, methods, and styles, and adopting creative methods and constraints, we …

  • Play and Pedagogy in Art History and Material Culture

    Open Access•Beth Williamson•ARTICLE•Art History•2019

  • Colour

    Open Access•Beth Williamson•ARTICLE•The English Historical Review•2018

    This book is the catalogue for the exhibition of the same title that was staged at the Fitzwilliam Museum in Cambridge in 2016. It gives detailed and scholarly entries on each of the manuscripts exhibited (more than 150 in total) and provides fourteen thematic essays, one for each of the sections of the exhibition. Though it was useful to have copies of the catalogue available in the gallery space at the Museum (and many visitors consulted them o…

  • Making and Meaning

    Open Access•Beth Williamson•ARTICLE•Art History•2016

  • Recent Developments in British Art Education

    Beth Williamson•ARTICLE•Visual Culture in Britain•2013

    Developments inside and outside the contemporary academy and the continuing proliferation of free art schools call for serious assessment of those alternative models of art education. While acknowledging the wider global trend in free schools and the context that provides, this paper suggests that an understanding of such tendencies in Britain might more usefully be framed within the recent history of British art education, particularly since the…

  • Sensory Experience in Medieval Devotion

    Beth Williamson•ARTICLE•Speculum•2013•Citada por: 5•Referencias: 22

    Inwardness and interiority are concepts that have a multifaceted currency within many areas of medieval studies. These fields include, but are not limited to, historical studies, theology and religious studies, literary studies, and art history. Studies on inwardness, interiority, and selfhood intersect with an interest in what has often been called “popular religion” and in devotional behavior, both clerical and lay, to produce an engagement, ac…

  • Approaches to Giotto

    Open Access•Beth Williamson•ARTICLE•Art History•2011

  • Life Stories of Women Artists, 1550–1800

    Open Access•Beth Williamson•ARTICLE•The Art Book•2010

  • Ch‐ch‐ch‐changes

    Open Access•Beth Williamson•ARTICLE•The Art Book•2010

  • Site, Seeing and Salvation in Fourteenth‐century Avignon

    Open Access•Beth Williamson•ARTICLE•Art History•2007•Citada por: 1

    This article explores anew the well‐known frescoes by Simone Martini above the entrance to the Cathedral of Notre‐Dame‐des‐Doms in Avignon. A new reading is facilitated in three ways: by considering the full range of possible iconographic and stylistic sources for these frescoes; by considering the content of the lost side‐wall frescoes as well as the surviving frescoes; and by calling into question the methodologies and assumptions about influen…

  • Locating Religious Experience

    Open Access•Beth Williamson•ARTICLE•Art History•2006

  • Altarpieces, Liturgy, and Devotion

    Beth Williamson•ARTICLE•Speculum•2004•Citada por: 7•Referencias: 18

  • Historical geographies of place naming

    Open Access•Beth Williamson•ARTICLE•Geography Compass•2023•Citada por: 20•Referencias: 47

    European colonialism sought to inscribe order and meaning on non-European landscapes through the process of place naming. Naming or renaming was fundamental to the extension of imperial control over physical and human environments. This article offers a brief overview of the ways critical place name studies has addressed these colonial practices. In particular, the paper examines the power relationships inherent in place naming, asks questions ab…

  • Altarpieces, Liturgy, and Devotion

    Beth Williamson•ARTICLE•Speculum•2004•Citada por: 7•Referencias: 18

  • Sensory Experience in Medieval Devotion

    Beth Williamson•ARTICLE•Speculum•2013•Citada por: 5•Referencias: 22

    Inwardness and interiority are concepts that have a multifaceted currency within many areas of medieval studies. These fields include, but are not limited to, historical studies, theology and religious studies, literary studies, and art history. Studies on inwardness, interiority, and selfhood intersect with an interest in what has often been called “popular religion” and in devotional behavior, both clerical and lay, to produce an engagement, ac…

  • Mapping Language

    Open Access•Beth Williamson, Philip Jagessar•ARTICLE•Area•2025•Citada por: 1•Referencias: 13

    Maps have long been understood as texts, encumbered with internal and socio‐contextual meanings and evoking different ways of interpreting, representing or writing space. However, the abstraction of mapping as language can obscure the important role of maps in identifying and organising languages, rendering names and scripts and (in)visibilising minority speakers. In this conversational piece, we reflect on our experience of working with and on m…

  • Site, Seeing and Salvation in Fourteenth‐century Avignon

    Open Access•Beth Williamson•ARTICLE•Art History•2007•Citada por: 1

    This article explores anew the well‐known frescoes by Simone Martini above the entrance to the Cathedral of Notre‐Dame‐des‐Doms in Avignon. A new reading is facilitated in three ways: by considering the full range of possible iconographic and stylistic sources for these frescoes; by considering the content of the lost side‐wall frescoes as well as the surviving frescoes; and by calling into question the methodologies and assumptions about influen…

  • Altarpieces, Liturgy, and Devotion

    Beth Williamson•ARTICLE•Speculum•2004•Citada por: 7•Referencias: 18

  • Locating Religious Experience

    Open Access•Beth Williamson•ARTICLE•Art History•2006

  • Site, Seeing and Salvation in Fourteenth‐century Avignon

    Open Access•Beth Williamson•ARTICLE•Art History•2007•Citada por: 1

    This article explores anew the well‐known frescoes by Simone Martini above the entrance to the Cathedral of Notre‐Dame‐des‐Doms in Avignon. A new reading is facilitated in three ways: by considering the full range of possible iconographic and stylistic sources for these frescoes; by considering the content of the lost side‐wall frescoes as well as the surviving frescoes; and by calling into question the methodologies and assumptions about influen…

  • Life Stories of Women Artists, 1550–1800

    Open Access•Beth Williamson•ARTICLE•The Art Book•2010

  • Ch‐ch‐ch‐changes

    Open Access•Beth Williamson•ARTICLE•The Art Book•2010

  • Approaches to Giotto

    Open Access•Beth Williamson•ARTICLE•Art History•2011

  • Recent Developments in British Art Education

    Beth Williamson•ARTICLE•Visual Culture in Britain•2013

    Developments inside and outside the contemporary academy and the continuing proliferation of free art schools call for serious assessment of those alternative models of art education. While acknowledging the wider global trend in free schools and the context that provides, this paper suggests that an understanding of such tendencies in Britain might more usefully be framed within the recent history of British art education, particularly since the…

  • Sensory Experience in Medieval Devotion

    Beth Williamson•ARTICLE•Speculum•2013•Citada por: 5•Referencias: 22

    Inwardness and interiority are concepts that have a multifaceted currency within many areas of medieval studies. These fields include, but are not limited to, historical studies, theology and religious studies, literary studies, and art history. Studies on inwardness, interiority, and selfhood intersect with an interest in what has often been called “popular religion” and in devotional behavior, both clerical and lay, to produce an engagement, ac…

  • Making and Meaning

    Open Access•Beth Williamson•ARTICLE•Art History•2016

  • Colour

    Open Access•Beth Williamson•ARTICLE•The English Historical Review•2018

    This book is the catalogue for the exhibition of the same title that was staged at the Fitzwilliam Museum in Cambridge in 2016. It gives detailed and scholarly entries on each of the manuscripts exhibited (more than 150 in total) and provides fourteen thematic essays, one for each of the sections of the exhibition. Though it was useful to have copies of the catalogue available in the gallery space at the Museum (and many visitors consulted them o…

  • Play and Pedagogy in Art History and Material Culture

    Open Access•Beth Williamson•ARTICLE•Art History•2019

  • Academies, Schools and Écoles

    Open Access•Beth Williamson•ARTICLE•Art History•2021

  • Creative Dislocation

    Open Access•Robert Bickers, Tim Cole et al.•ARTICLE•History Workshop Journal•2021

    This article introduces an experiment in collaborative historical practice. It describes how six historians visited the East Devon village of Branscombe, with the aim of creatively engaging with the present and past of the village. This was a collaborative and collective act of what we term here 'creative dislocation'. By dislocating from our usual routines, subjects, places, methods, and styles, and adopting creative methods and constraints, we …

  • Tiny traces

    Open Access•Beth Williamson•ARTICLE•Journal of Historical Geography•2023

    This review discusses the temporary exhibition, Tiny Traces: African & Asian Children at London's Foundling Hospital, which offers an insight into the lives of children from the African and Asian diasporas at the Foundling Hospital in Georgian London. Presenting the findings of new research undertaken in the Hospital's archive, the exhibition reveals the untold stories of fourteen African and Asian children. More broadly, the exhibition traces th…

  • Historical geographies of place naming

    Open Access•Beth Williamson•ARTICLE•Geography Compass•2023•Citada por: 20•Referencias: 47

    European colonialism sought to inscribe order and meaning on non-European landscapes through the process of place naming. Naming or renaming was fundamental to the extension of imperial control over physical and human environments. This article offers a brief overview of the ways critical place name studies has addressed these colonial practices. In particular, the paper examines the power relationships inherent in place naming, asks questions ab…

  • Jon Cannon, FSA (8 June 1962–4 May 2023)

    Beth Williamson•ARTICLE•Journal of the British…•2024

    Photo: James O. DaviesJon Cannon was born in North London, to academic parents, both sociologists. The family moved to Tavistock in Devon when he was eleven. Jon graduated in History of Art from th

  • Mapping Language

    Open Access•Beth Williamson, Philip Jagessar•ARTICLE•Area•2025•Citada por: 1•Referencias: 13

    Maps have long been understood as texts, encumbered with internal and socio‐contextual meanings and evoking different ways of interpreting, representing or writing space. However, the abstraction of mapping as language can obscure the important role of maps in identifying and organising languages, rendering names and scripts and (in)visibilising minority speakers. In this conversational piece, we reflect on our experience of working with and on m…

Art (12 obras) · Art history (10 obras) · Computer Science (9 obras) · Visual arts (8 obras) · Citation (7 obras) · Library science (7 obras) · Sociology (6 obras) · Philosophy (5 obras) · Epistemology (4 obras) · Historical and Religious Studies of Rome (4 obras)

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