James Shelley
Datos Biográficos
| ID | 3788357 |
|---|---|
| NOMBRE | James Shelley |
| NOMBRES | James |
| APELLIDO | Shelley |
| FIRMA | SHELLEY J |
| AFILIACIONES | Auburn University |
| ORCID | 0000-0002-3517-5260 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAS | 37 |
| OBRAS COMO AUTOR | 12 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2003 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 3 |
The implementation and refinement of a national institute for physical activity, health and sport
Recognition of the importance and value of collaboration and involving stakeholders throughout the research process has given rise to the establishment of the Welsh Institute for Physical Activity, Health and Sport (WIPAHS). Globally, formal collaborations between researchers and stakeholders to complete research projects, remains insufficient. Therefore, the primary aim of WIPAHS is to engage in long-term, forward-thinking collaborations that ad…
What is Aesthetic Value
Are beautiful things beautiful because they are valuable, or valuable because they are beautiful? Most theories of aesthetic value assume the former. I argue for the latter. This implies that no theory of aesthetic value can explain what makes aesthetically valuable things aesthetically valuable; instead, it can only tell us which value is the aesthetic one. I propose a theory that does
Aesthetic Acquaintance
If, as Richard Wollheim says, the Acquaintance Principle is ‘a well‐entrenched principle in aesthetics,’ it would be surprising if there were not something true at which those who have asserted it have been aiming. I argue that the Acquaintance Principle cannot be true on any traditional epistemic interpretation, nor on any usability interpretation of the sort Robert Hopkins has recently suggested. I then argue for an interpretation of the princi…
I Live a Kind of Shadow Life’
Understanding of strategies to support individuals recovering from coronavirus disease 2019 (COVID-19) is limited. 'Long COVID' is a multisystem disease characterised by a range of respiratory, gastrointestinal, cardiovascular, neurological, and musculoskeletal symptoms extending beyond 12 weeks. The aim of this study was to explore individuals' experiences of recovering from COVID-19 to provide a better understanding of the acute and long-term i…
The Germans and Air Power at Dieppe
Despite the vast academic and popular interest in the Dieppe raid of 19 August 1942, there remains a curious oversight of the German side of the story. This contribution interrogates German sources in order to explore the Dieppe air battle and its consequences from the perspective of the German armed forces. The paper ultimately demonstrates that the Germans learnt much about the role of air power in coastal defence from their experiences at Diep…
Punting on the aesthetic question
The Default Theory of Aesthetic Value
The default theory of aesthetic value combines hedonism about aesthetic value with strict perceptual formalism about aesthetic value, holding the aesthetic value of an object to be the value it has in virtue of the pleasure it gives strictly in virtue of its perceptual properties. A standard theory of aesthetic value is any theory of aesthetic value that takes the default theory as its theoretical point of departure. This paper argues that standa…
De Gustibus
If you are philosophically uncurious or have no aesthetic life, Peter Kivy’s new book may not be for you. Otherwise you owe it to yourself to read it. Kivy’s question—why we argue about art—has received scant philosophical attention, yet the slightest philosophy is all you need to motivate it. Though aesthetic disputes are, as Kivy says, widespread, persistent, vigorous and often heated (x), we seem unable to account for why we engage in them. Ki…
Hume and the Value of the Beautiful
Hume is plausibly interpreted as asserting that an artwork is beautiful if and only if it pleases ideal critics. Jerrold Levinson maintains that Hume's commitment to this biconditional gives rise to a problem that occurs neither to Hume nor to his any of his interpreters—the problem of explaining why you should care what pleases ideal critics if you are not one yourself. I argue that this problem arises only if you hold an empiricist theory of ae…
Aesthetics and the World at Large
I argue, contra Noël Carroll, that there is no reason to think that an aesthetic theory of art cannot do justice to art in its relation to the extra-artistic world. My argument depends on a reinterpretation of the aesthetic theory of Francis Hutcheson, according to which Hutcheson does not hold aesthetic perception to be non-epistemic, as Peter Kivy has maintained
Hume's Principles of Taste
George Dickie argues that Hume's principles of taste have value‐laden properties as their subjects, including those properties we now refer to as ‘aesthetic’. I counter that Hume's principles have value‐neutral properties as their subjects, and so exclude those properties we now refer to as ‘aesthetic’. Dickie also argues that Hume's essay on taste provides ‘the conceptual means for recognizing the problem of the interaction of aesthetic properti…
The Problem of Non-Perceptual Art
Consider the following three propositions: (R) Artworks necessarily have aesthetic properties that are relevant to their appreciation as artworks. (S) Aesthetic properties necessarily depend, at least in part, on properties perceived by means of the five senses. (X) There exist artworks that need not be perceived by means of the five senses to be appreciated as artworks. The independent plausibility and apparent joint inconsistency of these three…
The Default Theory of Aesthetic Value
The default theory of aesthetic value combines hedonism about aesthetic value with strict perceptual formalism about aesthetic value, holding the aesthetic value of an object to be the value it has in virtue of the pleasure it gives strictly in virtue of its perceptual properties. A standard theory of aesthetic value is any theory of aesthetic value that takes the default theory as its theoretical point of departure. This paper argues that standa…
Hume and the Value of the Beautiful
Hume is plausibly interpreted as asserting that an artwork is beautiful if and only if it pleases ideal critics. Jerrold Levinson maintains that Hume's commitment to this biconditional gives rise to a problem that occurs neither to Hume nor to his any of his interpreters—the problem of explaining why you should care what pleases ideal critics if you are not one yourself. I argue that this problem arises only if you hold an empiricist theory of ae…
The Problem of Non-Perceptual Art
Consider the following three propositions: (R) Artworks necessarily have aesthetic properties that are relevant to their appreciation as artworks. (S) Aesthetic properties necessarily depend, at least in part, on properties perceived by means of the five senses. (X) There exist artworks that need not be perceived by means of the five senses to be appreciated as artworks. The independent plausibility and apparent joint inconsistency of these three…
Punting on the aesthetic question
Aesthetics and the World at Large
I argue, contra Noël Carroll, that there is no reason to think that an aesthetic theory of art cannot do justice to art in its relation to the extra-artistic world. My argument depends on a reinterpretation of the aesthetic theory of Francis Hutcheson, according to which Hutcheson does not hold aesthetic perception to be non-epistemic, as Peter Kivy has maintained
The Problem of Non-Perceptual Art
Consider the following three propositions: (R) Artworks necessarily have aesthetic properties that are relevant to their appreciation as artworks. (S) Aesthetic properties necessarily depend, at least in part, on properties perceived by means of the five senses. (X) There exist artworks that need not be perceived by means of the five senses to be appreciated as artworks. The independent plausibility and apparent joint inconsistency of these three…
Hume's Principles of Taste
George Dickie argues that Hume's principles of taste have value‐laden properties as their subjects, including those properties we now refer to as ‘aesthetic’. I counter that Hume's principles have value‐neutral properties as their subjects, and so exclude those properties we now refer to as ‘aesthetic’. Dickie also argues that Hume's essay on taste provides ‘the conceptual means for recognizing the problem of the interaction of aesthetic properti…
Aesthetics and the World at Large
I argue, contra Noël Carroll, that there is no reason to think that an aesthetic theory of art cannot do justice to art in its relation to the extra-artistic world. My argument depends on a reinterpretation of the aesthetic theory of Francis Hutcheson, according to which Hutcheson does not hold aesthetic perception to be non-epistemic, as Peter Kivy has maintained
Hume and the Value of the Beautiful
Hume is plausibly interpreted as asserting that an artwork is beautiful if and only if it pleases ideal critics. Jerrold Levinson maintains that Hume's commitment to this biconditional gives rise to a problem that occurs neither to Hume nor to his any of his interpreters—the problem of explaining why you should care what pleases ideal critics if you are not one yourself. I argue that this problem arises only if you hold an empiricist theory of ae…
De Gustibus
If you are philosophically uncurious or have no aesthetic life, Peter Kivy’s new book may not be for you. Otherwise you owe it to yourself to read it. Kivy’s question—why we argue about art—has received scant philosophical attention, yet the slightest philosophy is all you need to motivate it. Though aesthetic disputes are, as Kivy says, widespread, persistent, vigorous and often heated (x), we seem unable to account for why we engage in them. Ki…
The Default Theory of Aesthetic Value
The default theory of aesthetic value combines hedonism about aesthetic value with strict perceptual formalism about aesthetic value, holding the aesthetic value of an object to be the value it has in virtue of the pleasure it gives strictly in virtue of its perceptual properties. A standard theory of aesthetic value is any theory of aesthetic value that takes the default theory as its theoretical point of departure. This paper argues that standa…
I Live a Kind of Shadow Life’
Understanding of strategies to support individuals recovering from coronavirus disease 2019 (COVID-19) is limited. 'Long COVID' is a multisystem disease characterised by a range of respiratory, gastrointestinal, cardiovascular, neurological, and musculoskeletal symptoms extending beyond 12 weeks. The aim of this study was to explore individuals' experiences of recovering from COVID-19 to provide a better understanding of the acute and long-term i…
The Germans and Air Power at Dieppe
Despite the vast academic and popular interest in the Dieppe raid of 19 August 1942, there remains a curious oversight of the German side of the story. This contribution interrogates German sources in order to explore the Dieppe air battle and its consequences from the perspective of the German armed forces. The paper ultimately demonstrates that the Germans learnt much about the role of air power in coastal defence from their experiences at Diep…
Punting on the aesthetic question
Aesthetic Acquaintance
If, as Richard Wollheim says, the Acquaintance Principle is ‘a well‐entrenched principle in aesthetics,’ it would be surprising if there were not something true at which those who have asserted it have been aiming. I argue that the Acquaintance Principle cannot be true on any traditional epistemic interpretation, nor on any usability interpretation of the sort Robert Hopkins has recently suggested. I then argue for an interpretation of the princi…
What is Aesthetic Value
Are beautiful things beautiful because they are valuable, or valuable because they are beautiful? Most theories of aesthetic value assume the former. I argue for the latter. This implies that no theory of aesthetic value can explain what makes aesthetically valuable things aesthetically valuable; instead, it can only tell us which value is the aesthetic one. I propose a theory that does
The implementation and refinement of a national institute for physical activity, health and sport
Recognition of the importance and value of collaboration and involving stakeholders throughout the research process has given rise to the establishment of the Welsh Institute for Physical Activity, Health and Sport (WIPAHS). Globally, formal collaborations between researchers and stakeholders to complete research projects, remains insufficient. Therefore, the primary aim of WIPAHS is to engage in long-term, forward-thinking collaborations that ad…
Aesthetics (8 obras) · Epistemology (8 obras) · Philosophy (8 obras) · Philosophy (6 obras) · Psychology (5 obras) · Aesthetic Perception and Analysis (4 obras) · Art (4 obras) · Ethics, Aesthetics, and Art (4 obras) · Mathematics (4 obras) · Philosophy and Theoretical Science (4 obras)