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Alan Chamberlain

Datos Biográficos

ID3809789
NOMBREAlan Chamberlain
NOMBRESAlan
APELLIDOChamberlain
FIRMACHAMBERLAIN A
AFILIACIONESUniversity of Nottingham
ORCID0000-0002-2122-8077
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS1
OBRAS COMO AUTOR11
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1996
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • Artificial Intelligence (AI) and contemporary performance

    Open Access•Piotr Woycicki, Alan Chamberlain et al.•ARTICLE•International Journal of…•2025

  • Experiencing the future mundane

    Open Access•Andy Crabtree, Tom Lodge et al.•ARTICLE•Human-Computer Interaction•2025

    This paper introduces a novel methodological approach for surfacing the acceptability and adoption challenges that confront future and emerging technologies from the perspective of mundane action, in which they will ultimately be embedded and used. This novel approach configures design fiction as a breaching experiment to surface taken for granted background expectancies that are fateful for acceptability and adoption. We explain the logic of thi…

  • Augmenting musical instruments with digital identities

    Open Access•Steve Benford, Glenn McGarry et al.•ARTICLE•Journal of New Music Research•2023

    We explore how augmenting musical instruments with digital identities can enhance their provenance, utility during creative practice, and personal meaning. A literature review reveals the importance of object identities in general and instrument identities in particular, how the identities of things can be digitally augmented, but also that this idea has not been widely applied to musical instruments. A first case study draws on interviews to ill…

  • Demo hour

    Open Access•Dougie Mann, Steve Benford et al.•ARTICLE•interactions•2019

    forum Share on Demo hour Authors: Dougie Mann Royal College of Art & Imperial College London Royal College of Art & Imperial College LondonView Profile , Steve Benford The University of Nottingham The University of NottinghamView Profile , Adrian Hazzard The University of Nottingham The University of NottinghamView Profile , Alan Chamberlain The University of Nottingham The University of NottinghamView Profile , Dimitri Darzentas The University o…

  • Being an Off-Gridder

    Open Access•Alan Chamberlain•ARTICLE•Symbolic Interaction•2016

  • I Seek the Nerves under Your Skin

    Joe Marshall, Alan Chamberlain et al.•ARTICLE•Leonardo•2011

    I Seek the Nerves under Your Skin is a wearable audio artwork that is experienced by people running while wearing a special jacket and headphones. This artwork encourages people to run increasingly fast, pushing themselves physically and mentally, which mirrors the intense, crescendoing performance of a poet heard on the headphones. This article discusses the challenges of designing and deploying an artwork that is experienced at high speeds

  • Riders Have Spoken

    Jonathan Foster, Steve Benford et al.•ARTICLE•International Journal of…•2010

    This article discusses the issues and challenges arising from the archiving and replay of an interactive mixed reality performance work called Rider Spoke. After a description of the work, a practice-based approach to the development of an information architecture for the archiving and replay of the work is presented. The approach includes the design of a website, a cross-disciplinary approach to the development of metadata and the development of…

  • Riders Have Spoken

    Alan Chamberlain, Duncan Rowland et al.•ARTICLE•Leonardo•2010•Referencias: 4

    In this paper we present a practical study that formed part of the larger Creator project [1]. Data, such as GPS trails, video and audio files from a pervasive-performance were used to explore multi-disciplinary understandings of such ‘ephemeral’ pieces. Video and audio content tagging was also explored as a device to aid in developing the archive for replay. It is recommended that projects involving artistic practice should make documentation an…

  • An approach to context in human-computer interaction

    Open Access•John Connolly, John H Connolly et al.•ARTICLE•Semiotica•2008•Referencias: 15

    A comprehensive framework is presented for the analysis or description of context in relation to human-computer communication, in a manner that is also consistent with the contextual analysis of interpersonal communication among humans. Following a discussion of the nature of context, a hierarchically structured framework is proposed, which distinguishes between those contextual factors that are intrinsic to the communication process and those ex…

  • A discourse-based approach to human-computer communication

    Open Access•John Connolly, John H Connolly et al.•ARTICLE•Semiotica•2006•Citada por: 1•Referencias: 3

    The term ‘dialogue’ has its origin in the study of human language, where it is regarded primarily as a form of discourse, and hence as a pragmatic-level phenomenon. However, ‘dialogue’ is nowadays also used to denote humancomputer interaction; and in this field it tends to be described in syntactic rather than in pragmatic terms. But to treat dialogue as though the term had two distinct senses is unsatisfactory and unwarranted. Instead, we show h…

  • Language Planning and Bilingual Education in Catalonia A Response

    Alan Chamberlain•ARTICLE•Journal of Multilingual and…•1996

  • A discourse-based approach to human-computer communication

    Open Access•John Connolly, John H Connolly et al.•ARTICLE•Semiotica•2006•Citada por: 1•Referencias: 3

    The term ‘dialogue’ has its origin in the study of human language, where it is regarded primarily as a form of discourse, and hence as a pragmatic-level phenomenon. However, ‘dialogue’ is nowadays also used to denote humancomputer interaction; and in this field it tends to be described in syntactic rather than in pragmatic terms. But to treat dialogue as though the term had two distinct senses is unsatisfactory and unwarranted. Instead, we show h…

  • Language Planning and Bilingual Education in Catalonia A Response

    Alan Chamberlain•ARTICLE•Journal of Multilingual and…•1996

  • A discourse-based approach to human-computer communication

    Open Access•John Connolly, John H Connolly et al.•ARTICLE•Semiotica•2006•Citada por: 1•Referencias: 3

    The term ‘dialogue’ has its origin in the study of human language, where it is regarded primarily as a form of discourse, and hence as a pragmatic-level phenomenon. However, ‘dialogue’ is nowadays also used to denote humancomputer interaction; and in this field it tends to be described in syntactic rather than in pragmatic terms. But to treat dialogue as though the term had two distinct senses is unsatisfactory and unwarranted. Instead, we show h…

  • An approach to context in human-computer interaction

    Open Access•John Connolly, John H Connolly et al.•ARTICLE•Semiotica•2008•Referencias: 15

    A comprehensive framework is presented for the analysis or description of context in relation to human-computer communication, in a manner that is also consistent with the contextual analysis of interpersonal communication among humans. Following a discussion of the nature of context, a hierarchically structured framework is proposed, which distinguishes between those contextual factors that are intrinsic to the communication process and those ex…

  • Riders Have Spoken

    Jonathan Foster, Steve Benford et al.•ARTICLE•International Journal of…•2010

    This article discusses the issues and challenges arising from the archiving and replay of an interactive mixed reality performance work called Rider Spoke. After a description of the work, a practice-based approach to the development of an information architecture for the archiving and replay of the work is presented. The approach includes the design of a website, a cross-disciplinary approach to the development of metadata and the development of…

  • Riders Have Spoken

    Alan Chamberlain, Duncan Rowland et al.•ARTICLE•Leonardo•2010•Referencias: 4

    In this paper we present a practical study that formed part of the larger Creator project [1]. Data, such as GPS trails, video and audio files from a pervasive-performance were used to explore multi-disciplinary understandings of such ‘ephemeral’ pieces. Video and audio content tagging was also explored as a device to aid in developing the archive for replay. It is recommended that projects involving artistic practice should make documentation an…

  • I Seek the Nerves under Your Skin

    Joe Marshall, Alan Chamberlain et al.•ARTICLE•Leonardo•2011

    I Seek the Nerves under Your Skin is a wearable audio artwork that is experienced by people running while wearing a special jacket and headphones. This artwork encourages people to run increasingly fast, pushing themselves physically and mentally, which mirrors the intense, crescendoing performance of a poet heard on the headphones. This article discusses the challenges of designing and deploying an artwork that is experienced at high speeds

  • Being an Off-Gridder

    Open Access•Alan Chamberlain•ARTICLE•Symbolic Interaction•2016

  • Demo hour

    Open Access•Dougie Mann, Steve Benford et al.•ARTICLE•interactions•2019

    forum Share on Demo hour Authors: Dougie Mann Royal College of Art & Imperial College London Royal College of Art & Imperial College LondonView Profile , Steve Benford The University of Nottingham The University of NottinghamView Profile , Adrian Hazzard The University of Nottingham The University of NottinghamView Profile , Alan Chamberlain The University of Nottingham The University of NottinghamView Profile , Dimitri Darzentas The University o…

  • Augmenting musical instruments with digital identities

    Open Access•Steve Benford, Glenn McGarry et al.•ARTICLE•Journal of New Music Research•2023

    We explore how augmenting musical instruments with digital identities can enhance their provenance, utility during creative practice, and personal meaning. A literature review reveals the importance of object identities in general and instrument identities in particular, how the identities of things can be digitally augmented, but also that this idea has not been widely applied to musical instruments. A first case study draws on interviews to ill…

  • Artificial Intelligence (AI) and contemporary performance

    Open Access•Piotr Woycicki, Alan Chamberlain et al.•ARTICLE•International Journal of…•2025

  • Experiencing the future mundane

    Open Access•Andy Crabtree, Tom Lodge et al.•ARTICLE•Human-Computer Interaction•2025

    This paper introduces a novel methodological approach for surfacing the acceptability and adoption challenges that confront future and emerging technologies from the perspective of mundane action, in which they will ultimately be embedded and used. This novel approach configures design fiction as a breaching experiment to surface taken for granted background expectancies that are fateful for acceptability and adoption. We explain the logic of thi…

Computer Science (9 obras) · Human–computer interaction (4 obras) · Psychology (4 obras) · Visual arts (4 obras) · Art (3 obras) · Innovative Human-Technology Interaction (3 obras) · Linguistics (3 obras) · Multimedia (3 obras) · Sociology (3 obras) · Citation (2 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae