Ben Curry
Datos Biográficos
| ID | 3833144 |
|---|---|
| NOMBRE | Ben Curry |
| NOMBRES | Ben |
| APELLIDO | Curry |
| FIRMA | BEN CURRY |
| AFILIACIONES | University of Kent |
| ORCID | 0000-0003-3557-7566 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 4 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2015 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
Understanding the Relationship Between Catchiness and Groove
Groove and catchiness are central properties of popular music that frequently appear together. Yet, a possible relationship has neither been postulated nor examined. In music psychology, groove is commonly understood as a pleasurable urge to move. Catchiness is often tied to the memorability of music, but it is less researched, and definitions are elusive. In this study, we conducted stimuli-guided expert interviews with popular music creators to…
Two Approaches to Tonal Space in the Music of Muddy Waters
This article posits two approaches to blues tonal space: the networked approach and the laddered approach. The first is underpinned by the cyclical potential of equal temperament and is characterised by descending chromatic motions. The second is underpinned by the harmonic series and is characterised by microtonal shaping of pitch content within the framework of a ladder that approximates an equal‐tempered major‐minor seventh chord. Having expla…
Valency-Actuality-Meaning
Peircean semiotics has retained a place in the study of music for more than 40 years. Few studies, however, have focused upon arguably the most important aspects of Peirce's thought: his contribution to logic and his development of a pragmatic approach to epistemology. This article develops a theory of Peircean semiotics in music that is rigorously derived from the key insights Peirce offered to philosophy. It focuses upon his theory of the propo…
Blues music theory and the songs of Robert Johnson
The blues is a complex and subtle musical language that warrants careful analysis and sustained debate. There are legitimate concerns with the application of music-theoretical paradigms to blues music, but we should not allow such concerns to undermine all attempts to address the blues as a serious and coherently structured music. This paper explores the notions of ladder, level and chromatic cycle as an insightful set of theoretical tools in ana…
Blues music theory and the songs of Robert Johnson
The blues is a complex and subtle musical language that warrants careful analysis and sustained debate. There are legitimate concerns with the application of music-theoretical paradigms to blues music, but we should not allow such concerns to undermine all attempts to address the blues as a serious and coherently structured music. This paper explores the notions of ladder, level and chromatic cycle as an insightful set of theoretical tools in ana…
Valency-Actuality-Meaning
Peircean semiotics has retained a place in the study of music for more than 40 years. Few studies, however, have focused upon arguably the most important aspects of Peirce's thought: his contribution to logic and his development of a pragmatic approach to epistemology. This article develops a theory of Peircean semiotics in music that is rigorously derived from the key insights Peirce offered to philosophy. It focuses upon his theory of the propo…
Blues music theory and the songs of Robert Johnson
The blues is a complex and subtle musical language that warrants careful analysis and sustained debate. There are legitimate concerns with the application of music-theoretical paradigms to blues music, but we should not allow such concerns to undermine all attempts to address the blues as a serious and coherently structured music. This paper explores the notions of ladder, level and chromatic cycle as an insightful set of theoretical tools in ana…
Two Approaches to Tonal Space in the Music of Muddy Waters
This article posits two approaches to blues tonal space: the networked approach and the laddered approach. The first is underpinned by the cyclical potential of equal temperament and is characterised by descending chromatic motions. The second is underpinned by the harmonic series and is characterised by microtonal shaping of pitch content within the framework of a ladder that approximates an equal‐tempered major‐minor seventh chord. Having expla…
Valency-Actuality-Meaning
Peircean semiotics has retained a place in the study of music for more than 40 years. Few studies, however, have focused upon arguably the most important aspects of Peirce's thought: his contribution to logic and his development of a pragmatic approach to epistemology. This article develops a theory of Peircean semiotics in music that is rigorously derived from the key insights Peirce offered to philosophy. It focuses upon his theory of the propo…
Understanding the Relationship Between Catchiness and Groove
Groove and catchiness are central properties of popular music that frequently appear together. Yet, a possible relationship has neither been postulated nor examined. In music psychology, groove is commonly understood as a pleasurable urge to move. Catchiness is often tied to the memorability of music, but it is less researched, and definitions are elusive. In this study, we conducted stimuli-guided expert interviews with popular music creators to…
Art (4 obras) · Epistemology (3 obras) · Music Technology and Sound Studies (3 obras) · Musical (3 obras) · Musicology and Musical Analysis (3 obras) · Philosophy (3 obras) · Aesthetics (2 obras) · Blues (2 obras) · Computer Science (2 obras) · Linguistics (2 obras)