Andrew Pau
Datos Biográficos
| ID | 3861578 |
|---|---|
| NOMBRE | Andrew Pau |
| NOMBRES | Andrew |
| APELLIDO | Pau |
| FIRMA | PAU A |
| AFILIACIONES | Oberlin Conservatory of Music |
| VERIFICADO | No |
| TOTAL DE OBRAS | 1 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 1 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2015 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2015 |
| ÍNDICE H | 0 |
Sous le rythme de la chanson
The issue of "bad declamation" in French opera drew significant critical attention from composers and scholars in the long nineteenth century, with writers such as Castil-Blaze, Saint-Saëns, and d'Indy noting down perceived faults in French text setting. In this article, I examine examples of "mistreated accents" in nineteenth-century French opera, arguing that French composers from Grétry and Auber to Gounod and Bizet often used rhythm and text …
Sin obras prominentes en esta página.
Sous le rythme de la chanson
The issue of "bad declamation" in French opera drew significant critical attention from composers and scholars in the long nineteenth century, with writers such as Castil-Blaze, Saint-Saëns, and d'Indy noting down perceived faults in French text setting. In this article, I examine examples of "mistreated accents" in nineteenth-century French opera, arguing that French composers from Grétry and Auber to Gounod and Bizet often used rhythm and text …
Acoustics (1 obra) · Aesthetics (1 obra) · Art (1 obra) · Dance (1 obra) · Drama (1 obra) · Historical and Literary Studies (1 obra) · Literature (1 obra) · Musical (1 obra) · Musicology and Musical Analysis (1 obra) · Opera (1 obra)