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Stephanie Schwartz

Datos Biográficos

ID3867006
NOMBREStephanie Schwartz
NOMBRESStephanie
APELLIDOSchwartz
FIRMASCHWARTZ S
AFILIACIONESUniversity College London
ORCID0000-0002-5911-6054
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS19
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2011
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • Refugee Return without Refoulement

    Open Access•Stephanie Schwartz•ARTICLE•International Migration Review•2025•Referencias: 43

    How do states avoid hosting refugees? Whereas scholars have documented at length the strategies that rich democracies use to avoid hosting refugees, conventional wisdom holds that states in the Global South have no choice but to host refugees. This article presents a novel typology of state strategies to evade asylum obligations, demonstrating that just as rich democracies can feign compliance with the letter of international law without upholdin…

  • Do Ethics Matter to Researchers? Introducing the Ethics References in Conflict Studies (Erics) Dataset

    Open Access•Johanna Rodehau-Noack, Stephanie Schwartz et al.•ARTICLE•Journal of Global Security Studies•2024•Citada por: 1•Referencias: 17

    Research on conflict frequently employs data collection methods that involve interaction with human subjects. Given the ethical issues raised by engagement with human subjects, recent work has called on scholars to foreground consideration of ethics at all stages of the research process, from design to post-publication. However, whether researchers, editors, and reviewers treat ethics as if they matter is a separate, empirical question. To addres…

  • A Questionnaire on Diaspora and the Modern

    Anna Arabindan-Kesson, Anna Arabindan‐kesson et al.•ARTICLE•October•2023

    The twentieth century was deeply grooved with the trodden pathways of mass migrations. These journeys were propelled by violence and historical cataclysm: pogroms and genocides; natural and unnatural famines and disasters; land dispossession, regimes of apartheid and forced labor; revolution, war, and occupation; colonization and decolonization; and the realignments that followed in their wake. The pioneering sociologist W. E. B. Du Bois may have…

  • The Physiognomy of a Nation

    Stephanie Schwartz•ARTICLE•October•2023

    This essay revisits American Photographs, one of the most important photographic books of the 1930s. Containing two portfolios by Walker Evans and an essay by Lincoln Kirstein, the 1938 publication presents readers with eighty-seven photographs printed one per double-page spread. While critical studies of the book have focused on the sequential ordering of the photographs, and on the book's filmic qualities, this essay considers the book's other …

  • Street Photography Reframed

    Open Access•Stephanie Schwartz•ARTICLE•Arts•2021

    Afraid of contagion [...]

  • Martha Rosler’s Protest

    Open Access•Stephanie Schwartz•ARTICLE•Arts•2020

    This essay reconsiders the photomontages that Martha Rosler began making in the late 1960s to protest the war in Vietnam. Typically understood as a means of protest against the spatial mechanics of domination—against the mediated production of the difference between the home front and the war front or the “here” and “there” that drives modern warfare—the photomontages, this essay argues, also engage the temporal politics of protest. The problem o…

  • Home, Again

    Stephanie Schwartz•ARTICLE•International Security•2019•Citada por: 18•Referencias: 29

    Conflict between returning refugees and nonmigrant populations is a pervasive yet frequently overlooked security issue in post-conflict societies. Although scholars have demonstrated how out-migration can regionalize, prolong, and intensify civil war, the security consequences of return migration are undertheorized. An analysis of refugee return to Burundi after the country's 1993–2005 civil war corroborates a new theory of return migration and c…

  • Revolution and After

    Stephanie Schwartz•ARTICLE•October•2016•Referencias: 8

    In 1988, the Cuban collective ABTV engaged in its first of several acts of art-historical homage. ABTV (Tanya Angulo, Juan Pablo Ballester, José Ángel Toirac, and Illeana Villazón) photocopied reproductions of Sherrie Levine's After Series, the now canonical work of postmodernism in which Levine rephotographed reproductions of selection of photographs by America's white male modernist masters. This essay takes ABTV's homage as the starting point …

  • Another Walker Evans

    Stephanie Schwartz, David Campany•ARTICLE•Photography and Culture•2014

    Prompted by the publication of David Campany's study of the magazine work produced by the American photographer Walker Evans, Stephanie Schwartz talks with the author about the questions it raises for our understanding of photographic history, of the relation between the illustrated press and museums, and between journalism, documentary, and art

  • Between Labour and Intellect

    Stephanie Schwartz•ARTICLE•Philosophy of Photography•2012

  • Chronicles

    Manuel Piña, Stephanie Schwartz•ARTICLE•Third Text•2011

    Recorded in Havana in June 2009, this conversation addresses a series of works by the Cuban artist Manuel Piña. Moving between Piña's recent video work, his earlier photographic practices and the tradition of photojournalism in Cuba, we investigate the continued and dynamic intersection between documentary work and revolutionary politics. This conversation reminds us that debates about the ‘end of Communism’ and the rise of the global art market …

  • Home, Again

    Stephanie Schwartz•ARTICLE•International Security•2019•Citada por: 18•Referencias: 29

    Conflict between returning refugees and nonmigrant populations is a pervasive yet frequently overlooked security issue in post-conflict societies. Although scholars have demonstrated how out-migration can regionalize, prolong, and intensify civil war, the security consequences of return migration are undertheorized. An analysis of refugee return to Burundi after the country's 1993–2005 civil war corroborates a new theory of return migration and c…

  • Do Ethics Matter to Researchers? Introducing the Ethics References in Conflict Studies (Erics) Dataset

    Open Access•Johanna Rodehau-Noack, Stephanie Schwartz et al.•ARTICLE•Journal of Global Security Studies•2024•Citada por: 1•Referencias: 17

    Research on conflict frequently employs data collection methods that involve interaction with human subjects. Given the ethical issues raised by engagement with human subjects, recent work has called on scholars to foreground consideration of ethics at all stages of the research process, from design to post-publication. However, whether researchers, editors, and reviewers treat ethics as if they matter is a separate, empirical question. To addres…

  • Chronicles

    Manuel Piña, Stephanie Schwartz•ARTICLE•Third Text•2011

    Recorded in Havana in June 2009, this conversation addresses a series of works by the Cuban artist Manuel Piña. Moving between Piña's recent video work, his earlier photographic practices and the tradition of photojournalism in Cuba, we investigate the continued and dynamic intersection between documentary work and revolutionary politics. This conversation reminds us that debates about the ‘end of Communism’ and the rise of the global art market …

  • Between Labour and Intellect

    Stephanie Schwartz•ARTICLE•Philosophy of Photography•2012

  • Another Walker Evans

    Stephanie Schwartz, David Campany•ARTICLE•Photography and Culture•2014

    Prompted by the publication of David Campany's study of the magazine work produced by the American photographer Walker Evans, Stephanie Schwartz talks with the author about the questions it raises for our understanding of photographic history, of the relation between the illustrated press and museums, and between journalism, documentary, and art

  • Revolution and After

    Stephanie Schwartz•ARTICLE•October•2016•Referencias: 8

    In 1988, the Cuban collective ABTV engaged in its first of several acts of art-historical homage. ABTV (Tanya Angulo, Juan Pablo Ballester, José Ángel Toirac, and Illeana Villazón) photocopied reproductions of Sherrie Levine's After Series, the now canonical work of postmodernism in which Levine rephotographed reproductions of selection of photographs by America's white male modernist masters. This essay takes ABTV's homage as the starting point …

  • Home, Again

    Stephanie Schwartz•ARTICLE•International Security•2019•Citada por: 18•Referencias: 29

    Conflict between returning refugees and nonmigrant populations is a pervasive yet frequently overlooked security issue in post-conflict societies. Although scholars have demonstrated how out-migration can regionalize, prolong, and intensify civil war, the security consequences of return migration are undertheorized. An analysis of refugee return to Burundi after the country's 1993–2005 civil war corroborates a new theory of return migration and c…

  • Martha Rosler’s Protest

    Open Access•Stephanie Schwartz•ARTICLE•Arts•2020

    This essay reconsiders the photomontages that Martha Rosler began making in the late 1960s to protest the war in Vietnam. Typically understood as a means of protest against the spatial mechanics of domination—against the mediated production of the difference between the home front and the war front or the “here” and “there” that drives modern warfare—the photomontages, this essay argues, also engage the temporal politics of protest. The problem o…

  • Street Photography Reframed

    Open Access•Stephanie Schwartz•ARTICLE•Arts•2021

    Afraid of contagion [...]

  • A Questionnaire on Diaspora and the Modern

    Anna Arabindan-Kesson, Anna Arabindan‐kesson et al.•ARTICLE•October•2023

    The twentieth century was deeply grooved with the trodden pathways of mass migrations. These journeys were propelled by violence and historical cataclysm: pogroms and genocides; natural and unnatural famines and disasters; land dispossession, regimes of apartheid and forced labor; revolution, war, and occupation; colonization and decolonization; and the realignments that followed in their wake. The pioneering sociologist W. E. B. Du Bois may have…

  • The Physiognomy of a Nation

    Stephanie Schwartz•ARTICLE•October•2023

    This essay revisits American Photographs, one of the most important photographic books of the 1930s. Containing two portfolios by Walker Evans and an essay by Lincoln Kirstein, the 1938 publication presents readers with eighty-seven photographs printed one per double-page spread. While critical studies of the book have focused on the sequential ordering of the photographs, and on the book's filmic qualities, this essay considers the book's other …

  • Do Ethics Matter to Researchers? Introducing the Ethics References in Conflict Studies (Erics) Dataset

    Open Access•Johanna Rodehau-Noack, Stephanie Schwartz et al.•ARTICLE•Journal of Global Security Studies•2024•Citada por: 1•Referencias: 17

    Research on conflict frequently employs data collection methods that involve interaction with human subjects. Given the ethical issues raised by engagement with human subjects, recent work has called on scholars to foreground consideration of ethics at all stages of the research process, from design to post-publication. However, whether researchers, editors, and reviewers treat ethics as if they matter is a separate, empirical question. To addres…

  • Refugee Return without Refoulement

    Open Access•Stephanie Schwartz•ARTICLE•International Migration Review•2025•Referencias: 43

    How do states avoid hosting refugees? Whereas scholars have documented at length the strategies that rich democracies use to avoid hosting refugees, conventional wisdom holds that states in the Global South have no choice but to host refugees. This article presents a novel typology of state strategies to evade asylum obligations, demonstrating that just as rich democracies can feign compliance with the letter of international law without upholdin…

Sociology (9 obras) · Art (8 obras) · Art history (6 obras) · Visual arts (6 obras) · Photography (5 obras) · Political science (5 obras) · Law (4 obras) · Law (4 obras) · Photography and Visual Culture (4 obras) · Computer Science (3 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae