A M Dale
Datos Biográficos
| ID | 3874546 |
|---|---|
| NOMBRE | A M Dale |
| NOMBRES | A M |
| APELLIDO | Dale |
| FIRMA | DALE A M |
| AFILIACIONES | Concordia University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 21 |
| TOTAL DE CITAS | 53 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1937 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 2 |
Gyges and Delphi
Herodotus’ Histories begin in earnest with Lydia and the infamous tale of the fall of Candaules and the rise of the Mermnad dynasty under Gyges. Yet, for all that Gyges was evidently a transformational figure in Lydian history and, through the story of his usurpation of the throne from Candaules, came to occupy a prominent place in the received memory of the Lydian world, Herodotus tells us very little about Gyges himself or his reign. Chapters 1…
Two New Fragments of Anaxandrides in Hesychius
We can first note the obvious, that both glosses are sexual in nature: τὸ βιάζεσθαι γυναῖκας, ‘to rape women’; in τὸ παιδὶ συνεῖναι we obviously have the euphemistic use of συνεῖναι, ‘to have sex with a child’. Hesychius’ entries have the appearance of straightforward dialect glosses, yet Ambraciot never elicited much attention in ancient dialectology and glossography. Furthermore, as ancient glossography consisted mainly in culling unusual vocab…
A Feast Fit for a Eunuch
This paper reexamines Hipponax frs. 26 and 26a West, arguing that the lines describe the fortunes of a cunnilinctor, a reading which I contextualize within the sexual vocabulary of Iambus, Old Comedy, and Latin epigram. I then argue that Martial 3.77 might have been directly modeled on the Hipponax poem as herein reconstructed
A Feast Fit for a Eunuch
Posidippus on the Infamy of Doricha
Δωρίχα, ὀστέα μὲν σὰ πάλαι †κοιμήσατο δεσμῶν χαίτης† ἥ τε μύρων ἔκπνοος ἀμπεχόνη, ᾗ ποτε τὸν χαρίεντα περιστέλλουσα Χάραξον σύγχρους ὀρθρινῶν ἥψαο κισσυβίων· Σαπφῷαι δὲ μένουσι φίλης ἔτι καὶ μενέουσιν 5 ᾠδῆς αἱ λευκαὶ φθεγγόμεναι σελίδες. οὔνομα σὸν μακαριστόν, ὃ Ναύκρατις ὧδε φυλάξει ἔστ’ ἂν ἴῃ Νείλου ναῦς ἐφ’ ἁλὸς πελάγη
Galliambics by Callimachus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Euripides
Metrical Analyses of Tragic Choruses, 1. Dactylo-Epitrite
A. M. Dale
Euripides, Helen. With Introduction and Commentary
Euripides
Stichos and Stanza
In classical Greek poetry there is a familiar distinction between verse which repeats line upon line, and that which forms patterns liable to closure at intervals, in stanzas or lyric sections. This is often equated with the distinction between spoken and sung verse, but the equation is only approximate. At an earlier stage all verse had some musical accompaniment—so much can be deduced from a number of passages in Homer, and is in any case impli…
A Heroic End
Journal Article A HEROIC END Get access A. M. Dale A. M. Dale Birkbeck College Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 8, Issue 1, December 1961, Pages 47–48, https://doi.org/10.1111/j.2041-5370.1961.tb00646.x Published: 12 March 2010
Ethos and Dianoia
(1959). ETHOS AND DIANOIA: ‘CHARACTER’ AND ‘THOUGHT’ IN ARISTOTLE’S POETICS. Journal of the Australasian Universities Language and Literature Association: Vol. 11, No. 1, pp. 3-16
Alcestis
C. A. Fahlcrantz, Samlade Latinska Originaldikter och Översättningar till Latinsk Vers. Stockholm
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Metrical Units Of Greek Lyric Verse. II
Dactylo-Epitrite has established itself in a privileged position among choral lyric metres, since the greater volume of material and the greater regularity of its component units have encouraged a more careful study, and closely reasoned controversies have arisen and been resolved over its structure. Other kinds of Pindaric metre have for the most part been analysed in a hit-or-miss spirit, and arbitrary schemes have been produced of which rarely…
The Metrical Units of Greek Lyric Verse. III
I Am not proposing in this essay to treat at length and in detail of the metric of other lyric poets. In most cases questions of metre are intimately involved with questions of text, into which so many other considerations enter that in dealing with them proportion would be lost, while metrical analysis of such material would still remain largely speculative. What follows is therefore little more than a general account of the principles of compos…
The Lyric Metres of Greek Drama
The Metrical Units of Greek Lyric Verse. I
What kind of Theory of Music and Theory of Metric was taught to the young Pindar or the young Sophocles? So far are we from an answer to this question that we do not even know how far extra study was necessary, or usual, for the professional poet as compared with the ordinary educated Greek citizen. The interdependence of music and metric in lyric poetry gave complexity to the word-rhythms but kept the study of music, the subordinate partner, the…
Metrical Observations on Aesch. Pers. 922–1001
Text, interpretation and metre present a tangled problem in this threnody, and the solutions of editors differ widely. The chief function of detailed metrical study in such corrupt passages of lyric is to weight the scales in favour of—or more often against—certain methods of handling the text. The positive results of this present attempt to apply metrical criteria are necessarily modest and tentative; negatively they are, I think, sometimes deci…
The Lyric Metres of Greek Drama
The Metrical Units of Greek Lyric Verse. III
I Am not proposing in this essay to treat at length and in detail of the metric of other lyric poets. In most cases questions of metre are intimately involved with questions of text, into which so many other considerations enter that in dealing with them proportion would be lost, while metrical analysis of such material would still remain largely speculative. What follows is therefore little more than a general account of the principles of compos…
Stichos and Stanza
In classical Greek poetry there is a familiar distinction between verse which repeats line upon line, and that which forms patterns liable to closure at intervals, in stanzas or lyric sections. This is often equated with the distinction between spoken and sung verse, but the equation is only approximate. At an earlier stage all verse had some musical accompaniment—so much can be deduced from a number of passages in Homer, and is in any case impli…
Gyges and Delphi
Herodotus’ Histories begin in earnest with Lydia and the infamous tale of the fall of Candaules and the rise of the Mermnad dynasty under Gyges. Yet, for all that Gyges was evidently a transformational figure in Lydian history and, through the story of his usurpation of the throne from Candaules, came to occupy a prominent place in the received memory of the Lydian world, Herodotus tells us very little about Gyges himself or his reign. Chapters 1…
Galliambics by Callimachus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ethos and Dianoia
(1959). ETHOS AND DIANOIA: ‘CHARACTER’ AND ‘THOUGHT’ IN ARISTOTLE’S POETICS. Journal of the Australasian Universities Language and Literature Association: Vol. 11, No. 1, pp. 3-16
The Metrical Units of Greek Lyric Verse. I
What kind of Theory of Music and Theory of Metric was taught to the young Pindar or the young Sophocles? So far are we from an answer to this question that we do not even know how far extra study was necessary, or usual, for the professional poet as compared with the ordinary educated Greek citizen. The interdependence of music and metric in lyric poetry gave complexity to the word-rhythms but kept the study of music, the subordinate partner, the…
Metrical Observations on Aesch. Pers. 922–1001
Text, interpretation and metre present a tangled problem in this threnody, and the solutions of editors differ widely. The chief function of detailed metrical study in such corrupt passages of lyric is to weight the scales in favour of—or more often against—certain methods of handling the text. The positive results of this present attempt to apply metrical criteria are necessarily modest and tentative; negatively they are, I think, sometimes deci…
The Metrical Units of Greek Lyric Verse. I
What kind of Theory of Music and Theory of Metric was taught to the young Pindar or the young Sophocles? So far are we from an answer to this question that we do not even know how far extra study was necessary, or usual, for the professional poet as compared with the ordinary educated Greek citizen. The interdependence of music and metric in lyric poetry gave complexity to the word-rhythms but kept the study of music, the subordinate partner, the…
The Metrical Units Of Greek Lyric Verse. II
Dactylo-Epitrite has established itself in a privileged position among choral lyric metres, since the greater volume of material and the greater regularity of its component units have encouraged a more careful study, and closely reasoned controversies have arisen and been resolved over its structure. Other kinds of Pindaric metre have for the most part been analysed in a hit-or-miss spirit, and arbitrary schemes have been produced of which rarely…
The Metrical Units of Greek Lyric Verse. III
I Am not proposing in this essay to treat at length and in detail of the metric of other lyric poets. In most cases questions of metre are intimately involved with questions of text, into which so many other considerations enter that in dealing with them proportion would be lost, while metrical analysis of such material would still remain largely speculative. What follows is therefore little more than a general account of the principles of compos…
The Lyric Metres of Greek Drama
C. A. Fahlcrantz, Samlade Latinska Originaldikter och Översättningar till Latinsk Vers. Stockholm
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Alcestis
Ethos and Dianoia
(1959). ETHOS AND DIANOIA: ‘CHARACTER’ AND ‘THOUGHT’ IN ARISTOTLE’S POETICS. Journal of the Australasian Universities Language and Literature Association: Vol. 11, No. 1, pp. 3-16
A Heroic End
Journal Article A HEROIC END Get access A. M. Dale A. M. Dale Birkbeck College Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 8, Issue 1, December 1961, Pages 47–48, https://doi.org/10.1111/j.2041-5370.1961.tb00646.x Published: 12 March 2010
Stichos and Stanza
In classical Greek poetry there is a familiar distinction between verse which repeats line upon line, and that which forms patterns liable to closure at intervals, in stanzas or lyric sections. This is often equated with the distinction between spoken and sung verse, but the equation is only approximate. At an earlier stage all verse had some musical accompaniment—so much can be deduced from a number of passages in Homer, and is in any case impli…
Euripides, Helen. With Introduction and Commentary
Euripides
A. M. Dale
Metrical Analyses of Tragic Choruses, 1. Dactylo-Epitrite
Euripides
Galliambics by Callimachus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Posidippus on the Infamy of Doricha
Δωρίχα, ὀστέα μὲν σὰ πάλαι †κοιμήσατο δεσμῶν χαίτης† ἥ τε μύρων ἔκπνοος ἀμπεχόνη, ᾗ ποτε τὸν χαρίεντα περιστέλλουσα Χάραξον σύγχρους ὀρθρινῶν ἥψαο κισσυβίων· Σαπφῷαι δὲ μένουσι φίλης ἔτι καὶ μενέουσιν 5 ᾠδῆς αἱ λευκαὶ φθεγγόμεναι σελίδες. οὔνομα σὸν μακαριστόν, ὃ Ναύκρατις ὧδε φυλάξει ἔστ’ ἂν ἴῃ Νείλου ναῦς ἐφ’ ἁλὸς πελάγη
A Feast Fit for a Eunuch
This paper reexamines Hipponax frs. 26 and 26a West, arguing that the lines describe the fortunes of a cunnilinctor, a reading which I contextualize within the sexual vocabulary of Iambus, Old Comedy, and Latin epigram. I then argue that Martial 3.77 might have been directly modeled on the Hipponax poem as herein reconstructed
A Feast Fit for a Eunuch
Two New Fragments of Anaxandrides in Hesychius
We can first note the obvious, that both glosses are sexual in nature: τὸ βιάζεσθαι γυναῖκας, ‘to rape women’; in τὸ παιδὶ συνεῖναι we obviously have the euphemistic use of συνεῖναι, ‘to have sex with a child’. Hesychius’ entries have the appearance of straightforward dialect glosses, yet Ambraciot never elicited much attention in ancient dialectology and glossography. Furthermore, as ancient glossography consisted mainly in culling unusual vocab…
Gyges and Delphi
Herodotus’ Histories begin in earnest with Lydia and the infamous tale of the fall of Candaules and the rise of the Mermnad dynasty under Gyges. Yet, for all that Gyges was evidently a transformational figure in Lydian history and, through the story of his usurpation of the throne from Candaules, came to occupy a prominent place in the received memory of the Lydian world, Herodotus tells us very little about Gyges himself or his reign. Chapters 1…
Art (13 obras) · Classical Antiquity Studies (12 obras) · Philosophy (11 obras) · Literature (9 obras) · Linguistics (8 obras) · History (7 obras) · Philosophy (7 obras) · Poetry (6 obras) · History (5 obras) · Linguistics and language evolution (4 obras)