Andreola Rossi
Datos Biográficos
| ID | 3874636 |
|---|---|
| NOMBRE | Andreola Rossi |
| NOMBRES | Andreola |
| APELLIDO | Rossi |
| FIRMA | ROSSI A |
| AFILIACIONES | Tufts University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 112 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2000 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 3 |
Ennius Revisited
Ab Urbe Condita
This chapter offers a reading of the shield of Aeneas that shows civil war to be disturbingly present in an artefact announced as a history of Rome's triumphs: civil war fights for space with the more uplifting narratives with which it is juxtaposed on the shield. The analysis shows the poet communicating both his sense of Rome's history of civil war and the impossibility of telling that history outright: one can only suggest, sketch, allude, ali…
Citizens of Discord
PREFACE ABOUT THE CONTRIBUTORS LIST OF FIGURES INTRODUCTION (THE EDITORS) 1. Beginnings, Endings 2. The two-headed state: How Romans explained civil war (T. P. Wiseman) 3. Word at The prequel (William W. Batstone) 4. Rome's first civil war and the fragility of republican political culture (Harriet I. Flower) 5. Civil war? What civil war? Usurpers in the Historia Augusta (Cam Grey) II. CYCLES 6. v Learning from that violent schoolmaster: Thucydide…
Livy
BOOK REVIEWS/COMPTES RENDUS 193 that are "arguably uniquely Roman" Pagan concludes that "[literary and material remains] validate the decision to focus solely on Roman gardens, in Roman literature, as products of a Roman imagination" (3). This confident assertion is recast towards the end of the work in farmore hesitant terms: "it is possible that the Romans did have a particular way of thinking about gardens and it is closely tied to the literar…
Contexts of War
Moving beyond the usual pairing of Homer and Virgil, Iliad and Aeneid, Rossi refutes the notion that Homer is the only code model for the latter. This in-depth study reveals that Virgilian battle narrative assimilates conventions of other literary genres, namely historiography and, indirectly, tragedy. Rossi demonstrates how Virgilian war narrative allows multiple and diachronic visions of reality, and hence multiple systems of signification, to …
The Fall of Troy
Remapping the Past
The Aeneid Revisited
Andromaque, je pense à vous! Ce petit fleuve, Pauvre et triste miroir où jadis resplendit L'immense majesté de vos douleurs de veuve, Ce Simoïs menteur qui par vos pleurs grandit, A fécondé soudain ma mémoire fertile, Comme je traversais le nouveau Carrousel. Le vieux Paris n'est plus (la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel) --Baudelaire, "Le Cygne" THE AENEID MAY BE DEFINED, among many other things, as the tale of…
Citizens of Discord
PREFACE ABOUT THE CONTRIBUTORS LIST OF FIGURES INTRODUCTION (THE EDITORS) 1. Beginnings, Endings 2. The two-headed state: How Romans explained civil war (T. P. Wiseman) 3. Word at The prequel (William W. Batstone) 4. Rome's first civil war and the fragility of republican political culture (Harriet I. Flower) 5. Civil war? What civil war? Usurpers in the Historia Augusta (Cam Grey) II. CYCLES 6. v Learning from that violent schoolmaster: Thucydide…
Contexts of War
Moving beyond the usual pairing of Homer and Virgil, Iliad and Aeneid, Rossi refutes the notion that Homer is the only code model for the latter. This in-depth study reveals that Virgilian battle narrative assimilates conventions of other literary genres, namely historiography and, indirectly, tragedy. Rossi demonstrates how Virgilian war narrative allows multiple and diachronic visions of reality, and hence multiple systems of signification, to …
The Aeneid Revisited
Andromaque, je pense à vous! Ce petit fleuve, Pauvre et triste miroir où jadis resplendit L'immense majesté de vos douleurs de veuve, Ce Simoïs menteur qui par vos pleurs grandit, A fécondé soudain ma mémoire fertile, Comme je traversais le nouveau Carrousel. Le vieux Paris n'est plus (la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel) --Baudelaire, "Le Cygne" THE AENEID MAY BE DEFINED, among many other things, as the tale of…
Ennius Revisited
The Aeneid Revisited
Andromaque, je pense à vous! Ce petit fleuve, Pauvre et triste miroir où jadis resplendit L'immense majesté de vos douleurs de veuve, Ce Simoïs menteur qui par vos pleurs grandit, A fécondé soudain ma mémoire fertile, Comme je traversais le nouveau Carrousel. Le vieux Paris n'est plus (la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel) --Baudelaire, "Le Cygne" THE AENEID MAY BE DEFINED, among many other things, as the tale of…
Remapping the Past
The Fall of Troy
Contexts of War
Moving beyond the usual pairing of Homer and Virgil, Iliad and Aeneid, Rossi refutes the notion that Homer is the only code model for the latter. This in-depth study reveals that Virgilian battle narrative assimilates conventions of other literary genres, namely historiography and, indirectly, tragedy. Rossi demonstrates how Virgilian war narrative allows multiple and diachronic visions of reality, and hence multiple systems of signification, to …
Livy
BOOK REVIEWS/COMPTES RENDUS 193 that are "arguably uniquely Roman" Pagan concludes that "[literary and material remains] validate the decision to focus solely on Roman gardens, in Roman literature, as products of a Roman imagination" (3). This confident assertion is recast towards the end of the work in farmore hesitant terms: "it is possible that the Romans did have a particular way of thinking about gardens and it is closely tied to the literar…
Ab Urbe Condita
This chapter offers a reading of the shield of Aeneas that shows civil war to be disturbingly present in an artefact announced as a history of Rome's triumphs: civil war fights for space with the more uplifting narratives with which it is juxtaposed on the shield. The analysis shows the poet communicating both his sense of Rome's history of civil war and the impossibility of telling that history outright: one can only suggest, sketch, allude, ali…
Citizens of Discord
PREFACE ABOUT THE CONTRIBUTORS LIST OF FIGURES INTRODUCTION (THE EDITORS) 1. Beginnings, Endings 2. The two-headed state: How Romans explained civil war (T. P. Wiseman) 3. Word at The prequel (William W. Batstone) 4. Rome's first civil war and the fragility of republican political culture (Harriet I. Flower) 5. Civil war? What civil war? Usurpers in the Historia Augusta (Cam Grey) II. CYCLES 6. v Learning from that violent schoolmaster: Thucydide…
Ennius Revisited
Art (7 obras) · Classical Antiquity Studies (7 obras) · History (7 obras) · Literature (5 obras) · Classics (3 obras) · History (3 obras) · Philosophy (3 obras) · Ancient history (2 obras) · Annals (2 obras) · Archaeology (2 obras)