Riemer Faber
Datos Biográficos
| ID | 3874838 |
|---|---|
| NOMBRE | Riemer Faber |
| NOMBRES | Riemer |
| APELLIDO | Faber |
| FIRMA | FABER R |
| AFILIACIONES | 1University of Waterloo, Department of Classical Studies, 200 University Avenue West, Waterloo ON, Canada N2L 3G1, Email: [email protected] |
| VERIFICADO | No |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAS | 8 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 2 |
| PRIMER AÑO DE PUBLICACIÓN | 1995 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 2 |
Comparing Roman Hellenisms in Italy
The story of Roman Hellenism—defined as the imitation or adoption of something Greek by those subject to or operating under Roman power—begins not with Roman incursions into the Greek mainland, but in Italy, where our most plentiful and spectacular surviving evidence is concentrated. Think of the architecture of the Roman capital, the Campanian towns of Pompeii and Herculaneum buried by Vesuvius, and the Hellenic culture of the Etruscans. Perhaps…
Celebrity, Fame, and Infamy in the Hellenistic World
This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.
Synopsis Purioris Theologiae / Synopsis of a Purer Theology
This bilingual edition of the Synopsis Purioris Theologiae (1625) provides English readers access to an influential textbook of Reformed Orthodoxy. Composed by four professors at the University of Leiden (Johannes Polyander, Andreas Rivetus, Antonius Walaeus, and Anthonius Thysius), it offers a presentation of Reformed theology as it was conceived in the first decades of the seventeenth century. From a decidedly Reformed perspective, the Christia…
"Abraham Kuyper's Commentatio" (1860)
Het Gereformeerd Piëtisme
The Woven Garment as Literary Metaphor
The Description of the Palace in Seneca Thyestes 641-82 and the Literary Unity of the Play
In the ongoing debate concerning the performability of Senecan tragedy, the plays tend to be studied as either literature or drama. One consequence of this artificial distinction is that set passages such as descriptiones loci appear to support the view that Seneca's plays were intended for public reading, as 'recitation drama'. By means of a close examination of the messenger's description of the palace of Atreus (Thyestes 641-82) in the context…
Poetics of Closure in Horace Odes 3.1
In the final stanza of Odes 3.1, Horace reverts to themes broached in the programmatic opening lines, qualifying them in light of the intervening lyric argument. By means of associations with literary aesthetics in the question cur valle permutem Sabina divitias operosiores (47-48), and by allusions to the proem of Vergil Georgics 3 and to Pindar Olympian 6.1-4 in invidendis postibus et novo sublime ritu moli aratrium (45-46), Horace develops a l…
The Description of Staphylos' Palace (Dionysiaca 18.69-86) and the Principle of Ποικιλια
Vergil's 'Sheild of Aeneas' (Aeneid 8. 617-731) and the Sheild of Heracles
What Is Pastoral
Vestis … Variata (Catullus 64. 50-51) and the Language of Poetic Description
Vergil Eclogue 3.37, Theocritus 1 and Hellenistic Ekphrasis
Vergil Eclogue 3.37, Theocritus 1 and Hellenistic Ekphrasis
Vergil's 'Sheild of Aeneas' (Aeneid 8. 617-731) and the Sheild of Heracles
The Description of the Palace in Seneca Thyestes 641-82 and the Literary Unity of the Play
In the ongoing debate concerning the performability of Senecan tragedy, the plays tend to be studied as either literature or drama. One consequence of this artificial distinction is that set passages such as descriptiones loci appear to support the view that Seneca's plays were intended for public reading, as 'recitation drama'. By means of a close examination of the messenger's description of the palace of Atreus (Thyestes 641-82) in the context…
The Description of Staphylos' Palace (Dionysiaca 18.69-86) and the Principle of Ποικιλια
Vergil Eclogue 3.37, Theocritus 1 and Hellenistic Ekphrasis
Vestis … Variata (Catullus 64. 50-51) and the Language of Poetic Description
Vergil's 'Sheild of Aeneas' (Aeneid 8. 617-731) and the Sheild of Heracles
What Is Pastoral
The Description of Staphylos' Palace (Dionysiaca 18.69-86) and the Principle of Ποικιλια
Poetics of Closure in Horace Odes 3.1
In the final stanza of Odes 3.1, Horace reverts to themes broached in the programmatic opening lines, qualifying them in light of the intervening lyric argument. By means of associations with literary aesthetics in the question cur valle permutem Sabina divitias operosiores (47-48), and by allusions to the proem of Vergil Georgics 3 and to Pindar Olympian 6.1-4 in invidendis postibus et novo sublime ritu moli aratrium (45-46), Horace develops a l…
The Description of the Palace in Seneca Thyestes 641-82 and the Literary Unity of the Play
In the ongoing debate concerning the performability of Senecan tragedy, the plays tend to be studied as either literature or drama. One consequence of this artificial distinction is that set passages such as descriptiones loci appear to support the view that Seneca's plays were intended for public reading, as 'recitation drama'. By means of a close examination of the messenger's description of the palace of Atreus (Thyestes 641-82) in the context…
The Woven Garment as Literary Metaphor
"Abraham Kuyper's Commentatio" (1860)
Het Gereformeerd Piëtisme
Synopsis Purioris Theologiae / Synopsis of a Purer Theology
This bilingual edition of the Synopsis Purioris Theologiae (1625) provides English readers access to an influential textbook of Reformed Orthodoxy. Composed by four professors at the University of Leiden (Johannes Polyander, Andreas Rivetus, Antonius Walaeus, and Anthonius Thysius), it offers a presentation of Reformed theology as it was conceived in the first decades of the seventeenth century. From a decidedly Reformed perspective, the Christia…
Celebrity, Fame, and Infamy in the Hellenistic World
This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.
Comparing Roman Hellenisms in Italy
The story of Roman Hellenism—defined as the imitation or adoption of something Greek by those subject to or operating under Roman power—begins not with Roman incursions into the Greek mainland, but in Italy, where our most plentiful and spectacular surviving evidence is concentrated. Think of the architecture of the Roman capital, the Campanian towns of Pompeii and Herculaneum buried by Vesuvius, and the Hellenic culture of the Etruscans. Perhaps…
Art (11 obras) · Classical Antiquity Studies (8 obras) · Philosophy (8 obras) · History (6 obras) · Literature (6 obras) · Linguistics (4 obras) · Philosophy (4 obras) · Classical Philosophy and Thought (3 obras) · Classics (3 obras) · History (3 obras)