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Rutherford J Gettens

Datos Biográficos

ID388282
NOMBRERutherford J Gettens
NOMBRESRutherford J
APELLIDOGettens
FIRMAGETTENS R J
AFILIACIONESSmithsonian Institution
VERIFICADONo
TOTAL DE OBRAS4
TOTAL DE CITAS16
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1962
AÑO MÁS RECIENTE DE PUBLICACIÓN1973
ÍNDICE H2
  • Two Early Chinese Bronze Weapons with Meteoritic Iron Blades

    Noel Barnard, Rutherford J Gettens et al.•ARTICLE•Journal of the American Oriental…•1973

    This paper details the examination of two early Chou Chinese bronze weapons which have remnants of iron blades. While the iron age in China began only in the late Spring and Autumn Annals period (ca. 600 B.C.) these blades date from ca. 10,000 B.C. The authors prove that the iron in these two blades is of meteoritic origin; the bronze was cast onto the iron blades. The objects are described. Radiographs, metallographs, microprobe traces, and chem…

  • The Freer Chinese Bronzes, Volume I

    Virginia C Kane, John A Pope et al.•ARTICLE•Artibus Asiae•1971

  • Orichalcum and Related Ancient Alloys

    Rutherford J Gettens•ARTICLE•American Journal of Archaeology•1965•Citada por: 2

  • Maya Blue

    Open Access•Rutherford J Gettens•ARTICLE•American Antiquity•1962•Citada por: 14•Referencias: 1

    The early peoples of Southern Mexico decorated pottery and painted pictures on walls with a stable blue pigment which is not found elsewhere in the world. Investigation of this blue was started over 30 years ago, but still the true nature of the blue color principle is unknown. Since the blue cannot be destroyed by boiling nitric acid, it does not seem to be vegetable or organic in origin. It is quite unlike azurite or natural ultramarine or othe…

  • Maya Blue

    Open Access•Rutherford J Gettens•ARTICLE•American Antiquity•1962•Citada por: 14•Referencias: 1

    The early peoples of Southern Mexico decorated pottery and painted pictures on walls with a stable blue pigment which is not found elsewhere in the world. Investigation of this blue was started over 30 years ago, but still the true nature of the blue color principle is unknown. Since the blue cannot be destroyed by boiling nitric acid, it does not seem to be vegetable or organic in origin. It is quite unlike azurite or natural ultramarine or othe…

  • Orichalcum and Related Ancient Alloys

    Rutherford J Gettens•ARTICLE•American Journal of Archaeology•1965•Citada por: 2

  • Maya Blue

    Open Access•Rutherford J Gettens•ARTICLE•American Antiquity•1962•Citada por: 14•Referencias: 1

    The early peoples of Southern Mexico decorated pottery and painted pictures on walls with a stable blue pigment which is not found elsewhere in the world. Investigation of this blue was started over 30 years ago, but still the true nature of the blue color principle is unknown. Since the blue cannot be destroyed by boiling nitric acid, it does not seem to be vegetable or organic in origin. It is quite unlike azurite or natural ultramarine or othe…

  • Orichalcum and Related Ancient Alloys

    Rutherford J Gettens•ARTICLE•American Journal of Archaeology•1965•Citada por: 2

  • The Freer Chinese Bronzes, Volume I

    Virginia C Kane, John A Pope et al.•ARTICLE•Artibus Asiae•1971

  • Two Early Chinese Bronze Weapons with Meteoritic Iron Blades

    Noel Barnard, Rutherford J Gettens et al.•ARTICLE•Journal of the American Oriental…•1973

    This paper details the examination of two early Chou Chinese bronze weapons which have remnants of iron blades. While the iron age in China began only in the late Spring and Autumn Annals period (ca. 600 B.C.) these blades date from ca. 10,000 B.C. The authors prove that the iron in these two blades is of meteoritic origin; the bronze was cast onto the iron blades. The objects are described. Radiographs, metallographs, microprobe traces, and chem…

Art (3 obras) · History (3 obras) · Metallurgy and Cultural Artifacts (3 obras) · Ancient history (2 obras) · Archaeology (2 obras) · Archaeology and ancient environmental studies (2 obras) · Cultural Heritage Materials Analysis (2 obras) · History (2 obras) · Art history (1 obras) · Bronze (1 obras)

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