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Hugh Craig

Datos Biográficos

ID3921145
NOMBREHugh Craig
NOMBRESHugh
APELLIDOCraig
FIRMACRAIG H
AFILIACIONESUniversity of Newcastle Australia
ORCID0000-0002-9336-1678
VERIFICADOSí
TOTAL DE OBRAS10
TOTAL DE CITAS2
TOTAL COMO AUTOR10
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2001
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • The geography of tragedy

    Open Access•Hugh Craig•ARTICLE•Digital Scholarship in the…•2025•Referencias: 19

    Allusions to places were collected from the dialogue of twenty-two early modern English tragedies and projected onto maps to detect patterns in the plays‘ geographies as a set, by authorial grouping, and by individual play. The sample was composed of eleven Shakespeare tragedies and eleven randomly selected non-Shakespeare tragedies. In the full sample set the greatest concentration of place names was in the eastern Mediterranean. Places in Italy…

  • Towards a National Data Architecture for Cultural Collections

    Open Access•Rachel Fensham, Tyne Daile Sumner et al.•ARTICLE•Digital humanities quarterly•2024

    This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…

  • The enigmatic Bartholomew Lloyd alias Frederick Dalton

    Peter Crabb, Brendan Dalton et al.•ARTICLE•History Australia•2019

    This is the third article recording our investigations of the authorship and authors of Sydney Morning Herald articles on the mid-nineteenth-century goldfields of New South Wales. Whereas the first two focused on the identification of the anonymous author and his inexplicable disappearance, this article explores the implications of our serendipitous discovery of the author’s alter ego. The man we knew as Dalton was actually Bartholomew Lloyd, who…

  • Identifying another goldfields reporter

    Brendan Dalton, Alexis Antonia et al.•ARTICLE•History Australia•2016

    In a previous article, ‘Who Wrote “A Visit to the Western Goldfields”?’, our question was left unanswered. Further stylistic analysis has confirmed that this series and two subsequent ones published in the Sydney Morning Herald in the early 1860s were by the same author. Following a strong suggestion that this mystery author may have been Frederick Dalton, writings known to be by him were incorporated into the analysis. Since the only known writi…

  • Who wrote ‘A Visit to the Western Goldfields’? Using Computers to Analyse Language in Historical Research

    Peter Crabb, Alexis Antonia et al.•ARTICLE•History Australia•2014•Citada por: 1

    Determining the authorship of unattributed writings can be a major issue for scholars. As this article demonstrates, computational stylistics provides a valuable methodology in helping to answer the question, ‘Who wrote it?’ Gold occupied much space in the newspapers of colonial Australia in the 1850s-70s. It kept many reporters very busy. Few, however, are known by name. An exception is Charles de Boos, a prolific reporter for the Melbourne Argu…

  • Authors and Characters

    JOHN BURROWS, Hugh Craig•ARTICLE•English Studies•2012•Referencias: 1

    Scholars sometimes cite the diversity of characters' speech styles as grounds for doubt about the efficacy of authorship attribution. A series of one-on-one comparisons between sets of characters from plays by five early modern English playwrights shows that while characters do vary from each other in styles of speech, authorial differentiation transcends this variation. Even when the same set of word-variables is used, and no selection or adjust…

  • Shakespeare's Foreign Worlds

    Hugh Craig•ARTICLE•The European Legacy•2012

  • What’s in a Name

    Lesley Wallace, Alexis Antonia et al.•ARTICLE•History Australia•2009

    Curtin researcher Tom Fitzgerald amassed a wealth of evidence that John Curtin wrote under the pen name ‘Vigilant’ in the early years of his editorship of the Westralian Worker. If true, the personal and literary columns penned by ‘Vigilant’ provide new insights into the inner temperament of Australia’s war time Prime Minister. Fitzgerald’s evidence for Curtin as ‘Vigilant’ is presented in this paper and the attribution is further explored by app…

  • Lucy Hutchinson and the Authorship of Two Seventeenth-Century Poems

    JOHN BURROWS, Hugh Craig•ARTICLE•The Seventeenth Century•2001•Citada por: 1•Referencias: 2

    Context of inquiryDavid Norbrook has recently offered strong evidence for attributing two seventeenth-century poems to Lucy Hutchinson.1 He has also invited the present authors to employ the methods of computational stylistics as an independent test of these attributions. The objects of this article, therefore, are to test the authorship of the two poems and to consider the significance of the outcome. Much the larger of the two is Order and Diso…

  • An Image of the Times

    Hugh Craig•ARTICLE•English Studies•2001

  • Who wrote ‘A Visit to the Western Goldfields’? Using Computers to Analyse Language in Historical Research

    Peter Crabb, Alexis Antonia et al.•ARTICLE•History Australia•2014•Citada por: 1

    Determining the authorship of unattributed writings can be a major issue for scholars. As this article demonstrates, computational stylistics provides a valuable methodology in helping to answer the question, ‘Who wrote it?’ Gold occupied much space in the newspapers of colonial Australia in the 1850s-70s. It kept many reporters very busy. Few, however, are known by name. An exception is Charles de Boos, a prolific reporter for the Melbourne Argu…

  • Lucy Hutchinson and the Authorship of Two Seventeenth-Century Poems

    JOHN BURROWS, Hugh Craig•ARTICLE•The Seventeenth Century•2001•Citada por: 1•Referencias: 2

    Context of inquiryDavid Norbrook has recently offered strong evidence for attributing two seventeenth-century poems to Lucy Hutchinson.1 He has also invited the present authors to employ the methods of computational stylistics as an independent test of these attributions. The objects of this article, therefore, are to test the authorship of the two poems and to consider the significance of the outcome. Much the larger of the two is Order and Diso…

  • Lucy Hutchinson and the Authorship of Two Seventeenth-Century Poems

    JOHN BURROWS, Hugh Craig•ARTICLE•The Seventeenth Century•2001•Citada por: 1•Referencias: 2

    Context of inquiryDavid Norbrook has recently offered strong evidence for attributing two seventeenth-century poems to Lucy Hutchinson.1 He has also invited the present authors to employ the methods of computational stylistics as an independent test of these attributions. The objects of this article, therefore, are to test the authorship of the two poems and to consider the significance of the outcome. Much the larger of the two is Order and Diso…

  • An Image of the Times

    Hugh Craig•ARTICLE•English Studies•2001

  • What’s in a Name

    Lesley Wallace, Alexis Antonia et al.•ARTICLE•History Australia•2009

    Curtin researcher Tom Fitzgerald amassed a wealth of evidence that John Curtin wrote under the pen name ‘Vigilant’ in the early years of his editorship of the Westralian Worker. If true, the personal and literary columns penned by ‘Vigilant’ provide new insights into the inner temperament of Australia’s war time Prime Minister. Fitzgerald’s evidence for Curtin as ‘Vigilant’ is presented in this paper and the attribution is further explored by app…

  • Authors and Characters

    JOHN BURROWS, Hugh Craig•ARTICLE•English Studies•2012•Referencias: 1

    Scholars sometimes cite the diversity of characters' speech styles as grounds for doubt about the efficacy of authorship attribution. A series of one-on-one comparisons between sets of characters from plays by five early modern English playwrights shows that while characters do vary from each other in styles of speech, authorial differentiation transcends this variation. Even when the same set of word-variables is used, and no selection or adjust…

  • Shakespeare's Foreign Worlds

    Hugh Craig•ARTICLE•The European Legacy•2012

  • Who wrote ‘A Visit to the Western Goldfields’? Using Computers to Analyse Language in Historical Research

    Peter Crabb, Alexis Antonia et al.•ARTICLE•History Australia•2014•Citada por: 1

    Determining the authorship of unattributed writings can be a major issue for scholars. As this article demonstrates, computational stylistics provides a valuable methodology in helping to answer the question, ‘Who wrote it?’ Gold occupied much space in the newspapers of colonial Australia in the 1850s-70s. It kept many reporters very busy. Few, however, are known by name. An exception is Charles de Boos, a prolific reporter for the Melbourne Argu…

  • Identifying another goldfields reporter

    Brendan Dalton, Alexis Antonia et al.•ARTICLE•History Australia•2016

    In a previous article, ‘Who Wrote “A Visit to the Western Goldfields”?’, our question was left unanswered. Further stylistic analysis has confirmed that this series and two subsequent ones published in the Sydney Morning Herald in the early 1860s were by the same author. Following a strong suggestion that this mystery author may have been Frederick Dalton, writings known to be by him were incorporated into the analysis. Since the only known writi…

  • The enigmatic Bartholomew Lloyd alias Frederick Dalton

    Peter Crabb, Brendan Dalton et al.•ARTICLE•History Australia•2019

    This is the third article recording our investigations of the authorship and authors of Sydney Morning Herald articles on the mid-nineteenth-century goldfields of New South Wales. Whereas the first two focused on the identification of the anonymous author and his inexplicable disappearance, this article explores the implications of our serendipitous discovery of the author’s alter ego. The man we knew as Dalton was actually Bartholomew Lloyd, who…

  • Towards a National Data Architecture for Cultural Collections

    Open Access•Rachel Fensham, Tyne Daile Sumner et al.•ARTICLE•Digital humanities quarterly•2024

    This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…

  • The geography of tragedy

    Open Access•Hugh Craig•ARTICLE•Digital Scholarship in the…•2025•Referencias: 19

    Allusions to places were collected from the dialogue of twenty-two early modern English tragedies and projected onto maps to detect patterns in the plays‘ geographies as a set, by authorial grouping, and by individual play. The sample was composed of eleven Shakespeare tragedies and eleven randomly selected non-Shakespeare tragedies. In the full sample set the greatest concentration of place names was in the eastern Mediterranean. Places in Italy…

Art (6 obras) · History (5 obras) · History (5 obras) · Sociology (5 obras) · Authorship Attribution and Profiling (4 obras) · Computer Science (4 obras) · Literature (4 obras) · Classics (3 obras) · Digital Humanities and Scholarship (3 obras) · Archaeology (2 obras)

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