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Sally‐ann Murray

Datos Biográficos

ID3923001
NOMBRESally‐ann Murray
NOMBRESSally‐ann
APELLIDOMurray
FIRMAMURRAY S A
AFILIACIONESUniversity of KwaZulu-Natal
VERIFICADONo
TOTAL DE OBRAS12
TOTAL DE CITAS19
OBRAS COMO AUTOR12
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1994
AÑO MÁS RECIENTE DE PUBLICACIÓN2014
ÍNDICE H2
  • Crime takes place

    Caitlin Lisa Martin, Sally‐ann Murray•ARTICLE•Scrutiny2•2014•Citada por: 1•Referencias: 5

    Building on the early interests of scholars such as Hausladen (1995), recent academic writing on crime fiction has begun to give more credence to the significant role of place in the genre (see Schmid 2012), granting the form a sociocritical impact beyond assumed escapism. This article uses several krimi novels by Margie Orford to illustrate the genre's potential to move beyond descriptive “setting” in order to offer informed, located responses t…

  • Writing like life? ‘Life-like’ relation, femaleness and generic instability in Small moving parts

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Agenda•2014•Citada por: 1•Referencias: 1

    Small moving parts (Murray, 2009 Murray S (2009) Small moving parts, Cape Town: Kwela. [Google Scholar]) is a useful text through which to raise questions about women's writing, life writing and the re-presentation of female experience and subjectivity. The story of a white working-class Durban family of mother and two daughters, the book not only situates femaleness within a marginal white community uneasily located in apartheid, it foregrounds …

  • Lyric↔L/language

    Sally‐ann Murray•ARTICLE•Scrutiny2•2011•Referencias: 1

    Using the deliberately provocative strategies of “essaying” and “error”, which have become central to the poetry and poetics of women experimental writers such as Kathleen Fraser, Lyn Hejinian and Rachel Blau DuPlessis, this essay charts the writer's slow understanding that lyric voice and linguistic-formal experimentalism in writing by women poets form a problematic, yet productive, interrelation. Lyric, suggests Kinnahan, is at once an apparent…

  • Ivan Vladislavić and what‐what

    Sally‐ann Murray•ARTICLE•Current Writing•2009

    This essay is an experimental quodlibet on some recent Johannesburg imaginative writing. It works outwards from a creative ‘overview’ of Ivan Vladislavić's position in South African literature to a perspective on versions of citiness represented by newer, black authors such as Niq Mhlongo and Phaswane Mpe. Unable to deny the neighbourly appeal of Vladislavić's signature ‘white writing’, however, I turn to a discussion of Portrait with Keys: Johan…

  • On Ivan Vladislavić on Willem Boshoff on conceptual art

    Sally‐ann Murray•ARTICLE•Current Writing•2008

    This paper uses Ivan Vladislavić's monograph Willem Boshoff, published by David Krut in the TAXI Art Series, as a means to explore the idea of art in relation to Vladislavić's prose. I attend to the representation of art ‘in’ a number of his works, and refer to his increasing body of critical work ‘on’ art, but the emphasis is on investigating his writing ‘as’ art. To this end, I acknowledge existing critical observations concerning Vladislavić's…

  • Relationships Between Population Density and the Perceived Quality of Neighbourhood

    Open Access•Darren Walton, J Murray et al.•ARTICLE•Social Indicators Research•2008•Citada por: 13•Referencias: 26

  • Working for Water's ‘AlienBusters’

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Critical Arts•2005•Citada por: 1•Referencias: 2

    This article analyses aspects of the ‘AlienBusters’ campaign against ‘invasive aliens’, initiated in 2000 by Working for Water in an attempt to communicate to a broad South African public the urgent national responsibility for the control of invasive alien plants. The campaign was envisaged by the South African Department of Water Affairs and Forestry as a creative intervention in the government's management of environmental issues because it use…

  • En fuite, on foot, in thought

    Sally‐ann Murray•ARTICLE•Current Writing•2005•Citada por: 1•Referencias: 2

    Achille Mbembe and Sarah Nuttall (eds). 2004. Public Culture 16(3), Special Issue, "Johannesburg: The Elusive Metropolis". Durham NC: Duke University Press. The general claim of "Johannesburg: The Elusive Metropolis" is that this city is influential by virtue of a human possibility presently in formation. This human potential is reconfiguring the limitations of the apartheid spatial inheritance, the volatility of the democratic street, and the ap…

  • Ideas en route

    Sally‐ann Murray•ARTICLE•Current Writing•2002

    (2002). Ideas en route: Texts, travel, tourism. Current Writing: Text and Reception in Southern Africa: Vol. 14, No. 1, pp. 1-20

  • An academic milling around ‘the mall’

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Critical Arts•1997•Citada por: 2•Referencias: 2

  • English studies and cultural power

    Open Access•Sally‐ann Murray•ARTICLE•Journal of Literary Studies•1996

    This paper suggests that the shifts of content and practice which characterise South African English studies are attributable to certain multicultural imperatives, the least acknowledged of which is the mass media. Yet I do not perceive English and cultural studies to be synonymous. While recognising that the “literary” is a category constructed in conflictual relation to other discourses, I argue for an English studies which, unlike many cultura…

  • Tribute and attributed meaning

    Sally‐ann Murray•ARTICLE•Current Writing•1994

  • Relationships Between Population Density and the Perceived Quality of Neighbourhood

    Open Access•Darren Walton, J Murray et al.•ARTICLE•Social Indicators Research•2008•Citada por: 13•Referencias: 26

  • An academic milling around ‘the mall’

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Critical Arts•1997•Citada por: 2•Referencias: 2

  • Crime takes place

    Caitlin Lisa Martin, Sally‐ann Murray•ARTICLE•Scrutiny2•2014•Citada por: 1•Referencias: 5

    Building on the early interests of scholars such as Hausladen (1995), recent academic writing on crime fiction has begun to give more credence to the significant role of place in the genre (see Schmid 2012), granting the form a sociocritical impact beyond assumed escapism. This article uses several krimi novels by Margie Orford to illustrate the genre's potential to move beyond descriptive “setting” in order to offer informed, located responses t…

  • Writing like life? ‘Life-like’ relation, femaleness and generic instability in Small moving parts

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Agenda•2014•Citada por: 1•Referencias: 1

    Small moving parts (Murray, 2009 Murray S (2009) Small moving parts, Cape Town: Kwela. [Google Scholar]) is a useful text through which to raise questions about women's writing, life writing and the re-presentation of female experience and subjectivity. The story of a white working-class Durban family of mother and two daughters, the book not only situates femaleness within a marginal white community uneasily located in apartheid, it foregrounds …

  • Working for Water's ‘AlienBusters’

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Critical Arts•2005•Citada por: 1•Referencias: 2

    This article analyses aspects of the ‘AlienBusters’ campaign against ‘invasive aliens’, initiated in 2000 by Working for Water in an attempt to communicate to a broad South African public the urgent national responsibility for the control of invasive alien plants. The campaign was envisaged by the South African Department of Water Affairs and Forestry as a creative intervention in the government's management of environmental issues because it use…

  • En fuite, on foot, in thought

    Sally‐ann Murray•ARTICLE•Current Writing•2005•Citada por: 1•Referencias: 2

    Achille Mbembe and Sarah Nuttall (eds). 2004. Public Culture 16(3), Special Issue, "Johannesburg: The Elusive Metropolis". Durham NC: Duke University Press. The general claim of "Johannesburg: The Elusive Metropolis" is that this city is influential by virtue of a human possibility presently in formation. This human potential is reconfiguring the limitations of the apartheid spatial inheritance, the volatility of the democratic street, and the ap…

  • Tribute and attributed meaning

    Sally‐ann Murray•ARTICLE•Current Writing•1994

  • English studies and cultural power

    Open Access•Sally‐ann Murray•ARTICLE•Journal of Literary Studies•1996

    This paper suggests that the shifts of content and practice which characterise South African English studies are attributable to certain multicultural imperatives, the least acknowledged of which is the mass media. Yet I do not perceive English and cultural studies to be synonymous. While recognising that the “literary” is a category constructed in conflictual relation to other discourses, I argue for an English studies which, unlike many cultura…

  • An academic milling around ‘the mall’

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Critical Arts•1997•Citada por: 2•Referencias: 2

  • Ideas en route

    Sally‐ann Murray•ARTICLE•Current Writing•2002

    (2002). Ideas en route: Texts, travel, tourism. Current Writing: Text and Reception in Southern Africa: Vol. 14, No. 1, pp. 1-20

  • Working for Water's ‘AlienBusters’

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Critical Arts•2005•Citada por: 1•Referencias: 2

    This article analyses aspects of the ‘AlienBusters’ campaign against ‘invasive aliens’, initiated in 2000 by Working for Water in an attempt to communicate to a broad South African public the urgent national responsibility for the control of invasive alien plants. The campaign was envisaged by the South African Department of Water Affairs and Forestry as a creative intervention in the government's management of environmental issues because it use…

  • En fuite, on foot, in thought

    Sally‐ann Murray•ARTICLE•Current Writing•2005•Citada por: 1•Referencias: 2

    Achille Mbembe and Sarah Nuttall (eds). 2004. Public Culture 16(3), Special Issue, "Johannesburg: The Elusive Metropolis". Durham NC: Duke University Press. The general claim of "Johannesburg: The Elusive Metropolis" is that this city is influential by virtue of a human possibility presently in formation. This human potential is reconfiguring the limitations of the apartheid spatial inheritance, the volatility of the democratic street, and the ap…

  • On Ivan Vladislavić on Willem Boshoff on conceptual art

    Sally‐ann Murray•ARTICLE•Current Writing•2008

    This paper uses Ivan Vladislavić's monograph Willem Boshoff, published by David Krut in the TAXI Art Series, as a means to explore the idea of art in relation to Vladislavić's prose. I attend to the representation of art ‘in’ a number of his works, and refer to his increasing body of critical work ‘on’ art, but the emphasis is on investigating his writing ‘as’ art. To this end, I acknowledge existing critical observations concerning Vladislavić's…

  • Relationships Between Population Density and the Perceived Quality of Neighbourhood

    Open Access•Darren Walton, J Murray et al.•ARTICLE•Social Indicators Research•2008•Citada por: 13•Referencias: 26

  • Ivan Vladislavić and what‐what

    Sally‐ann Murray•ARTICLE•Current Writing•2009

    This essay is an experimental quodlibet on some recent Johannesburg imaginative writing. It works outwards from a creative ‘overview’ of Ivan Vladislavić's position in South African literature to a perspective on versions of citiness represented by newer, black authors such as Niq Mhlongo and Phaswane Mpe. Unable to deny the neighbourly appeal of Vladislavić's signature ‘white writing’, however, I turn to a discussion of Portrait with Keys: Johan…

  • Lyric↔L/language

    Sally‐ann Murray•ARTICLE•Scrutiny2•2011•Referencias: 1

    Using the deliberately provocative strategies of “essaying” and “error”, which have become central to the poetry and poetics of women experimental writers such as Kathleen Fraser, Lyn Hejinian and Rachel Blau DuPlessis, this essay charts the writer's slow understanding that lyric voice and linguistic-formal experimentalism in writing by women poets form a problematic, yet productive, interrelation. Lyric, suggests Kinnahan, is at once an apparent…

  • Crime takes place

    Caitlin Lisa Martin, Sally‐ann Murray•ARTICLE•Scrutiny2•2014•Citada por: 1•Referencias: 5

    Building on the early interests of scholars such as Hausladen (1995), recent academic writing on crime fiction has begun to give more credence to the significant role of place in the genre (see Schmid 2012), granting the form a sociocritical impact beyond assumed escapism. This article uses several krimi novels by Margie Orford to illustrate the genre's potential to move beyond descriptive “setting” in order to offer informed, located responses t…

  • Writing like life? ‘Life-like’ relation, femaleness and generic instability in Small moving parts

    Sally‐ann Murray, Sally-Ann Murray•ARTICLE•Agenda•2014•Citada por: 1•Referencias: 1

    Small moving parts (Murray, 2009 Murray S (2009) Small moving parts, Cape Town: Kwela. [Google Scholar]) is a useful text through which to raise questions about women's writing, life writing and the re-presentation of female experience and subjectivity. The story of a white working-class Durban family of mother and two daughters, the book not only situates femaleness within a marginal white community uneasily located in apartheid, it foregrounds …

Art (9 obras) · Literature (8 obras) · Sociology (7 obras) · Aesthetics (6 obras) · Law (6 obras) · Philosophy (6 obras) · Political science (5 obras) · Postcolonial and Cultural Literary Studies (5 obras) · History (4 obras) · Law (4 obras)

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