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Eric Nicholson

Datos Biográficos

ID3938996
NOMBREEric Nicholson
NOMBRESEric
APELLIDONicholson
FIRMANICHOLSON E
AFILIACIONESSyracuse University Florence and New York University Florence, Florence, Italy
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS9
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1991
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H2
  • Amorous Hope, A Pastoral Play

    Eric Nicholson•ARTICLE•Sixteenth Century Journal•2026

  • Crossing Borders with Satyrs, the Irrepressible Genre-Benders of Pastoral Tragicomedy

    Eric Nicholson, Eric M Nicholson•ARTICLE•The Italianist•2020

    Although the ancient Athenian satyr-play was the model for Italian Renaissance pastoral tragicomedy, its chorus of singing and dancing satyrs was suppressed, and these same essential characters were often reduced to a solitary outsider figure representing a violent threat rather than a regenerative force for human communities. My essay asks how and why this reduction became a prevalent dramatic choice, as well as how and why the genre-bending spi…

  • Transnational Mobilities in Early Modern Theater

    Robert Henke, Eric Nicholson et al.•BOOK•Transnational Mobilities in Early…•2016•Citada por: 4

    Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…

  • Transnational Exchange in Early Modern Theater

    Eric Nicholson, Eric M Nicholson et al.•BOOK•Transnational Exchange in Early…•2016•Citada por: 5

    Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…

  • Love in the Mirror

    Open Access•Eric Nicholson, Eric M Nicholson•ARTICLE•Renaissance Quarterly•2010

    Giovan Battista Andreini. Love in the Mirror. The Other Voice in Early Modern Europe: The Toronto Series 2. Ed. and trans., Jon R. Snyder. Toronto: Iter Inc., 2009. viii + 244 pp. index. append. bibl. CAD$19.50. ISBN: 978–0–77272–051–1. - Volume 63 Issue 4

  • Sin and Fear

    Peter N Stearns, Jean Delumeau et al.•ARTICLE•The Journal of Interdisciplinary…•1992

  • Sin and Fear

    Donald A Nielsen, Jean Delumeau et al.•ARTICLE•Sociological Analysis•1991

    Journal Article Sin and Fear: The Emergence of a Western Guilt Culture, 13th–18th Centuries, by Jean Delumeau (Translated by Eric Nicholson). New York: St. Martin's Press, 1990, x + 677 pp. $39.95 Get access Donald A. Nielsen Donald A. Nielsen SUNY College, Oneonta Search for other works by this author on: Oxford Academic Google Scholar Sociology of Religion, Volume 52, Issue 2, Summer 1991, Pages 213–214, https://doi.org/10.2307/3710967 Publishe…

  • Transnational Exchange in Early Modern Theater

    Eric Nicholson, Eric M Nicholson et al.•BOOK•Transnational Exchange in Early…•2016•Citada por: 5

    Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…

  • Transnational Mobilities in Early Modern Theater

    Robert Henke, Eric Nicholson et al.•BOOK•Transnational Mobilities in Early…•2016•Citada por: 4

    Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…

  • Sin and Fear

    Donald A Nielsen, Jean Delumeau et al.•ARTICLE•Sociological Analysis•1991

    Journal Article Sin and Fear: The Emergence of a Western Guilt Culture, 13th–18th Centuries, by Jean Delumeau (Translated by Eric Nicholson). New York: St. Martin's Press, 1990, x + 677 pp. $39.95 Get access Donald A. Nielsen Donald A. Nielsen SUNY College, Oneonta Search for other works by this author on: Oxford Academic Google Scholar Sociology of Religion, Volume 52, Issue 2, Summer 1991, Pages 213–214, https://doi.org/10.2307/3710967 Publishe…

  • Sin and Fear

    Peter N Stearns, Jean Delumeau et al.•ARTICLE•The Journal of Interdisciplinary…•1992

  • Love in the Mirror

    Open Access•Eric Nicholson, Eric M Nicholson•ARTICLE•Renaissance Quarterly•2010

    Giovan Battista Andreini. Love in the Mirror. The Other Voice in Early Modern Europe: The Toronto Series 2. Ed. and trans., Jon R. Snyder. Toronto: Iter Inc., 2009. viii + 244 pp. index. append. bibl. CAD$19.50. ISBN: 978–0–77272–051–1. - Volume 63 Issue 4

  • Transnational Mobilities in Early Modern Theater

    Robert Henke, Eric Nicholson et al.•BOOK•Transnational Mobilities in Early…•2016•Citada por: 4

    Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…

  • Transnational Exchange in Early Modern Theater

    Eric Nicholson, Eric M Nicholson et al.•BOOK•Transnational Exchange in Early…•2016•Citada por: 5

    Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…

  • Crossing Borders with Satyrs, the Irrepressible Genre-Benders of Pastoral Tragicomedy

    Eric Nicholson, Eric M Nicholson•ARTICLE•The Italianist•2020

    Although the ancient Athenian satyr-play was the model for Italian Renaissance pastoral tragicomedy, its chorus of singing and dancing satyrs was suppressed, and these same essential characters were often reduced to a solitary outsider figure representing a violent threat rather than a regenerative force for human communities. My essay asks how and why this reduction became a prevalent dramatic choice, as well as how and why the genre-bending spi…

  • Amorous Hope, A Pastoral Play

    Eric Nicholson•ARTICLE•Sixteenth Century Journal•2026

Sociology (5 obras) · Art (4 obras) · History (4 obras) · Drama (2 obras) · History (2 obras) · History (2 obras) · History and criticism (2 obras) · Literature (2 obras) · Philippine History and Culture (2 obras) · Reformation and Early Modern Christianity (2 obras)

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