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Ana Cristina Mendes

Datos Biográficos

ID3947704
NOMBREAna Cristina Mendes
NOMBRESAna Cristina
APELLIDOMendes
FIRMAMENDES A C
AFILIACIONESUniversity of Lisbon
ORCID0000-0002-5150-6701
VERIFICADOSí
TOTAL DE OBRAS13
TOTAL DE CITAS19
TOTAL COMO AUTOR11
TOTAL COMO EDITOR2
PRIMER AÑO DE PUBLICACIÓN2010
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H2
  • Gendered Rage

    Lisa Lau, Ana Cristina Mendes•ARTICLE•Journal of Global Postcolonial…•2022

    This article brings the concept of anger, particularly gendered anger, to bear on a postcolonial and intersectional reading of the apparent ragelessness of working-class Indian women who act as surrogates in the international commercialgestational surrogacy (ICGS) industry in India. We explore how rage—the robust expression of the primary emotion of anger—can be silenced, how anger can be disallowed out of existence. Despite being given little in…

  • Educação em diabetes e mudanças nos hábitos de vida

    Open Access•Marta Lamounier Moura Vargas Corgozinho, Alessandra De Cássia Lovato et al.•ARTICLE•Research Society and Development•2020

    A Diabetes mellitus é uma desordem metabólica com alta prevalência na população mundial. A mais comum é a diabetes mellitus do tipo 2, quando o corpo torna-se resistente à insulina ou não produz insulina suficiente resultando em redução significativa da expectativa de vida além de aumentar a utilização dos serviços de saúde. O autocuidado com a doença é complicado pela falta de adesão ao tratamento. A educação permanente em saúde surge neste cont…

  • Romancing the other

    Open Access•Lisa Lau, Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2019•Citada por: 2•Referencias: 12

    Arundhati Roy’s second and latest novel, The Ministry of Utmost Happiness — which took her 10 years to write — is crammed full of misfits and outsiders, the flotsam and jetsam of India’s complex, stratified society. The novel is inhabited by cohorts of others: hijras, political rebels, the poor, women who will not “know their place”, and abandoned baby girls. The narrative of Roy’s latest political romance shows these others carving out new space…

  • Hospitality and Re-Orientalist Thresholds

    Lisa Lau, Ana Cristina Mendes•ARTICLE•South Asia Journal of South Asian…•2018•Citada por: 1

    In times of heightened, no-longer-linear migratory flows, when migrations oscillate and even double back on their own routes, this article interrogates the unwritten social contract of hospitality between host and guest. Taking as a case study Amit Chaudhuri’s returnee narrative, Calcutta: Two Years in the City (2013)—his personal account of relocation to India—this paper juxtaposes the mismatch between hospitalities assumed and experienced, from…

  • New Directions in Rushdie Studies

    Open Access•Ana Cristina Mendes, Charlie Wesley•ARTICLE•The Journal of Commonwealth…•2017•Citada por: 2•Referencias: 10

  • The Marketing of Postcolonial Literature

    Open Access•Ana Cristina Mendes•CHAPTER•Postcolonial Studies Meets Media…•2016

    This chapter focuses on the commercial dynamics of contemporary literary culture as they play out in recent South Asian fiction written in English by cosmopolitan authors. The focus of my analysis rests on literary texts which have emerged as sites where experiences, desires, transitions and anxieties related to the profound social and structural changes that are shaping the socio-economic landscape of the world are drawn on and negotiated. The m…

  • Post-9/11 re-orientalism

    Open Access•Lisa Lau, Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2016•Citada por: 2•Referencias: 13

    This article offers a comparative reading of the novel and film adaptation of The Reluctant Fundamentalist, looking at the ways these texts represent changing Western public perceptions towards Pakistan and vice-versa along the temporal axis 2001–2007–2012. Both novel and film are informed by the post-9/11 distrust of the Muslim other. Mohsin Hamid’s novel was begun before 9/11 and published seven years later, in 2007; Mira Nair’s film adaptation…

  • Padma or No Padma

    Open Access•Ana Cristina Mendes, Joel Kuortti•ARTICLE•The Journal of Commonwealth…•2016•Citada por: 2•Referencias: 16

    It is remarkable that what many consider as Salman Rushdie’s landmark work in fiction, Midnight’s Children, was first adapted to film only in 2012, 31 years after its publication. It was also the first of his works to be filmed. This is noteworthy given the novel’s cinematic self-awareness and the writer’s overt interest in acting and cinema, which he has reiterated over the years. Cinema, as a subject matter and a distinctive artistic language, …

  • India through re-Orientalist Lenses

    Ana Cristina Mendes, Lisa Lau•ARTICLE•Interventions•2015

    Re-Orientalism, initially defined as the perpetration of Orientalism by ‘Orientals’ (Lau 2009), is a discourse which comes out of and is inescapably informed by postcolonial and diasporic legacies. The investigation of re-Orientalism has revealed new, even radical strategies of eastern identity construction which, while not escaping Orientalism, manage to Orientalize subversively and with considerable self-awareness. This essay highlights two str…

  • Salman Rushdie and Translation

    Ana Cristina Mendes•ARTICLE•Textual Practice•2015

    Introduction: Colonial and Postcolonial Translation 1. Translation as Temptation: Gaps, Silences, Seductions 2. 'Takallouf': the Unsayable, the Untranslatable 3. Translation as Transgression: Bad Language 4. Translation and Form: the Short Story 5. Kashmir and Paradise: Translating History 6. Translating Theory: if Grimus Fails 7. Paint, Patronage, Power, and the Translator's Visibility 8. Salman Rushdie: A Split Subject In Conclusion Appendix: A…

  • Re-Orientalism and South Asian Identity Politics

    Lisa Lau, Ana Cristina Mendes•BOOK•Re-Orientalism and South Asian…•2012

  • Re-Orientalism and South Asian Identity Politics

    Lisa Lau, Ana Cristina Mendes•BOOK•Re-Orientalism and South Asian…•2012

  • Exciting Tales of Exotic Dark India

    Open Access•Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2010•Citada por: 10

    A revamped portrayal of a Dark India garnered an unparalleled visibility in 2008 with the award of the coveted Man Booker Prize for Fiction to Aravind Adiga’s debut novel The White Tiger.This article examines Adiga’s staging of a Dark India as a new-fangled object of exoticist discourses. It begins by considering The White Tiger as an ironic uncovering of the subsumption of a Dark India into the global literary marketplace at a time of a perceive…

  • Exciting Tales of Exotic Dark India

    Open Access•Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2010•Citada por: 10

    A revamped portrayal of a Dark India garnered an unparalleled visibility in 2008 with the award of the coveted Man Booker Prize for Fiction to Aravind Adiga’s debut novel The White Tiger.This article examines Adiga’s staging of a Dark India as a new-fangled object of exoticist discourses. It begins by considering The White Tiger as an ironic uncovering of the subsumption of a Dark India into the global literary marketplace at a time of a perceive…

  • Romancing the other

    Open Access•Lisa Lau, Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2019•Citada por: 2•Referencias: 12

    Arundhati Roy’s second and latest novel, The Ministry of Utmost Happiness — which took her 10 years to write — is crammed full of misfits and outsiders, the flotsam and jetsam of India’s complex, stratified society. The novel is inhabited by cohorts of others: hijras, political rebels, the poor, women who will not “know their place”, and abandoned baby girls. The narrative of Roy’s latest political romance shows these others carving out new space…

  • New Directions in Rushdie Studies

    Open Access•Ana Cristina Mendes, Charlie Wesley•ARTICLE•The Journal of Commonwealth…•2017•Citada por: 2•Referencias: 10

  • Post-9/11 re-orientalism

    Open Access•Lisa Lau, Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2016•Citada por: 2•Referencias: 13

    This article offers a comparative reading of the novel and film adaptation of The Reluctant Fundamentalist, looking at the ways these texts represent changing Western public perceptions towards Pakistan and vice-versa along the temporal axis 2001–2007–2012. Both novel and film are informed by the post-9/11 distrust of the Muslim other. Mohsin Hamid’s novel was begun before 9/11 and published seven years later, in 2007; Mira Nair’s film adaptation…

  • Padma or No Padma

    Open Access•Ana Cristina Mendes, Joel Kuortti•ARTICLE•The Journal of Commonwealth…•2016•Citada por: 2•Referencias: 16

    It is remarkable that what many consider as Salman Rushdie’s landmark work in fiction, Midnight’s Children, was first adapted to film only in 2012, 31 years after its publication. It was also the first of his works to be filmed. This is noteworthy given the novel’s cinematic self-awareness and the writer’s overt interest in acting and cinema, which he has reiterated over the years. Cinema, as a subject matter and a distinctive artistic language, …

  • Hospitality and Re-Orientalist Thresholds

    Lisa Lau, Ana Cristina Mendes•ARTICLE•South Asia Journal of South Asian…•2018•Citada por: 1

    In times of heightened, no-longer-linear migratory flows, when migrations oscillate and even double back on their own routes, this article interrogates the unwritten social contract of hospitality between host and guest. Taking as a case study Amit Chaudhuri’s returnee narrative, Calcutta: Two Years in the City (2013)—his personal account of relocation to India—this paper juxtaposes the mismatch between hospitalities assumed and experienced, from…

  • Exciting Tales of Exotic Dark India

    Open Access•Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2010•Citada por: 10

    A revamped portrayal of a Dark India garnered an unparalleled visibility in 2008 with the award of the coveted Man Booker Prize for Fiction to Aravind Adiga’s debut novel The White Tiger.This article examines Adiga’s staging of a Dark India as a new-fangled object of exoticist discourses. It begins by considering The White Tiger as an ironic uncovering of the subsumption of a Dark India into the global literary marketplace at a time of a perceive…

  • Re-Orientalism and South Asian Identity Politics

    Lisa Lau, Ana Cristina Mendes•BOOK•Re-Orientalism and South Asian…•2012

  • Re-Orientalism and South Asian Identity Politics

    Lisa Lau, Ana Cristina Mendes•BOOK•Re-Orientalism and South Asian…•2012

  • India through re-Orientalist Lenses

    Ana Cristina Mendes, Lisa Lau•ARTICLE•Interventions•2015

    Re-Orientalism, initially defined as the perpetration of Orientalism by ‘Orientals’ (Lau 2009), is a discourse which comes out of and is inescapably informed by postcolonial and diasporic legacies. The investigation of re-Orientalism has revealed new, even radical strategies of eastern identity construction which, while not escaping Orientalism, manage to Orientalize subversively and with considerable self-awareness. This essay highlights two str…

  • Salman Rushdie and Translation

    Ana Cristina Mendes•ARTICLE•Textual Practice•2015

    Introduction: Colonial and Postcolonial Translation 1. Translation as Temptation: Gaps, Silences, Seductions 2. 'Takallouf': the Unsayable, the Untranslatable 3. Translation as Transgression: Bad Language 4. Translation and Form: the Short Story 5. Kashmir and Paradise: Translating History 6. Translating Theory: if Grimus Fails 7. Paint, Patronage, Power, and the Translator's Visibility 8. Salman Rushdie: A Split Subject In Conclusion Appendix: A…

  • The Marketing of Postcolonial Literature

    Open Access•Ana Cristina Mendes•CHAPTER•Postcolonial Studies Meets Media…•2016

    This chapter focuses on the commercial dynamics of contemporary literary culture as they play out in recent South Asian fiction written in English by cosmopolitan authors. The focus of my analysis rests on literary texts which have emerged as sites where experiences, desires, transitions and anxieties related to the profound social and structural changes that are shaping the socio-economic landscape of the world are drawn on and negotiated. The m…

  • Post-9/11 re-orientalism

    Open Access•Lisa Lau, Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2016•Citada por: 2•Referencias: 13

    This article offers a comparative reading of the novel and film adaptation of The Reluctant Fundamentalist, looking at the ways these texts represent changing Western public perceptions towards Pakistan and vice-versa along the temporal axis 2001–2007–2012. Both novel and film are informed by the post-9/11 distrust of the Muslim other. Mohsin Hamid’s novel was begun before 9/11 and published seven years later, in 2007; Mira Nair’s film adaptation…

  • Padma or No Padma

    Open Access•Ana Cristina Mendes, Joel Kuortti•ARTICLE•The Journal of Commonwealth…•2016•Citada por: 2•Referencias: 16

    It is remarkable that what many consider as Salman Rushdie’s landmark work in fiction, Midnight’s Children, was first adapted to film only in 2012, 31 years after its publication. It was also the first of his works to be filmed. This is noteworthy given the novel’s cinematic self-awareness and the writer’s overt interest in acting and cinema, which he has reiterated over the years. Cinema, as a subject matter and a distinctive artistic language, …

  • New Directions in Rushdie Studies

    Open Access•Ana Cristina Mendes, Charlie Wesley•ARTICLE•The Journal of Commonwealth…•2017•Citada por: 2•Referencias: 10

  • Hospitality and Re-Orientalist Thresholds

    Lisa Lau, Ana Cristina Mendes•ARTICLE•South Asia Journal of South Asian…•2018•Citada por: 1

    In times of heightened, no-longer-linear migratory flows, when migrations oscillate and even double back on their own routes, this article interrogates the unwritten social contract of hospitality between host and guest. Taking as a case study Amit Chaudhuri’s returnee narrative, Calcutta: Two Years in the City (2013)—his personal account of relocation to India—this paper juxtaposes the mismatch between hospitalities assumed and experienced, from…

  • Romancing the other

    Open Access•Lisa Lau, Ana Cristina Mendes•ARTICLE•The Journal of Commonwealth…•2019•Citada por: 2•Referencias: 12

    Arundhati Roy’s second and latest novel, The Ministry of Utmost Happiness — which took her 10 years to write — is crammed full of misfits and outsiders, the flotsam and jetsam of India’s complex, stratified society. The novel is inhabited by cohorts of others: hijras, political rebels, the poor, women who will not “know their place”, and abandoned baby girls. The narrative of Roy’s latest political romance shows these others carving out new space…

  • Educação em diabetes e mudanças nos hábitos de vida

    Open Access•Marta Lamounier Moura Vargas Corgozinho, Alessandra De Cássia Lovato et al.•ARTICLE•Research Society and Development•2020

    A Diabetes mellitus é uma desordem metabólica com alta prevalência na população mundial. A mais comum é a diabetes mellitus do tipo 2, quando o corpo torna-se resistente à insulina ou não produz insulina suficiente resultando em redução significativa da expectativa de vida além de aumentar a utilização dos serviços de saúde. O autocuidado com a doença é complicado pela falta de adesão ao tratamento. A educação permanente em saúde surge neste cont…

  • Gendered Rage

    Lisa Lau, Ana Cristina Mendes•ARTICLE•Journal of Global Postcolonial…•2022

    This article brings the concept of anger, particularly gendered anger, to bear on a postcolonial and intersectional reading of the apparent ragelessness of working-class Indian women who act as surrogates in the international commercialgestational surrogacy (ICGS) industry in India. We explore how rage—the robust expression of the primary emotion of anger—can be silenced, how anger can be disallowed out of existence. Despite being given little in…

Art (9 obras) · Literature (9 obras) · History (7 obras) · History (5 obras) · Orientalism (4 obras) · Postcolonial and Cultural Literary Studies (4 obras) · Sociology (4 obras) · South Asian Cinema and Culture (4 obras) · Gender Studies (3 obras) · Law (3 obras)

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