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Sarah Beckmann

Datos Biográficos

ID3950488
NOMBRESarah Beckmann
NOMBRESSarah
APELLIDOBeckmann
FIRMABECKMANN S
AFILIACIONESUniversity of California, Los Angeles
ORCID0000-0001-9504-1638
VERIFICADOSí
TOTAL DE OBRAS4
TOTAL DE CITAS2
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2015
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H1
  • The Naked Reader

    Sarah E Beckmann, Sarah Beckmann•ARTICLE•American Journal of Archaeology•2023•Citada por: 2•Referencias: 44

    This article analyzes the naked boy who appears as a reader in the fresco cycle of the Villa of the Mysteries in Pompeii, ca. 60–40 BCE. Although this fresco and its many figures have received ample attention, few scholars have asked why the reading boy is naked. I mark the boy’s nakedness as proof of his enslavement, using iconographic and epigraphic evidence for child slaves in Roman-era Dionysiac cult. I also consider a Roman audience’s recept…

  • The Idiom of Urban Display

    Sarah Elizabeth Beckmann, Sarah Beckmann•ARTICLE•American Journal of Archaeology•2020•Referencias: 5

    This article presents an analytical study of the Late Antique sculptural relief program at the Roman villa of Chiragan (Martres-Tolosane, Haute-Garonne), which includes a series of mythological panels and a portrait in relief. Although Chiragan's reliefs have long been associated with Aphrodisian workshops, this study marks them as products of a local workshop, based on stylistic traits and recent scientific analyses of the marble. Using comparan…

  • Mirobriga

    Open Access•Sarah Beckmann•CHAPTER•The Encyclopedia of Ancient History•2016

    Mirobriga is an archaeological site in Lusitania, which preserves ruins of a Celtic oppidum reestablished as a Roman settlement in the first century ce .

  • Pax Julia (Beja)

    Open Access•Sarah Beckmann•CHAPTER•The Encyclopedia of Ancient History•2015

    Pax Julia was a Roman colony in southern Lusitania and the capital of the Conventus Pacensis under Vespasian.

  • The Naked Reader

    Sarah E Beckmann, Sarah Beckmann•ARTICLE•American Journal of Archaeology•2023•Citada por: 2•Referencias: 44

    This article analyzes the naked boy who appears as a reader in the fresco cycle of the Villa of the Mysteries in Pompeii, ca. 60–40 BCE. Although this fresco and its many figures have received ample attention, few scholars have asked why the reading boy is naked. I mark the boy’s nakedness as proof of his enslavement, using iconographic and epigraphic evidence for child slaves in Roman-era Dionysiac cult. I also consider a Roman audience’s recept…

  • Pax Julia (Beja)

    Open Access•Sarah Beckmann•CHAPTER•The Encyclopedia of Ancient History•2015

    Pax Julia was a Roman colony in southern Lusitania and the capital of the Conventus Pacensis under Vespasian.

  • Mirobriga

    Open Access•Sarah Beckmann•CHAPTER•The Encyclopedia of Ancient History•2016

    Mirobriga is an archaeological site in Lusitania, which preserves ruins of a Celtic oppidum reestablished as a Roman settlement in the first century ce .

  • The Idiom of Urban Display

    Sarah Elizabeth Beckmann, Sarah Beckmann•ARTICLE•American Journal of Archaeology•2020•Referencias: 5

    This article presents an analytical study of the Late Antique sculptural relief program at the Roman villa of Chiragan (Martres-Tolosane, Haute-Garonne), which includes a series of mythological panels and a portrait in relief. Although Chiragan's reliefs have long been associated with Aphrodisian workshops, this study marks them as products of a local workshop, based on stylistic traits and recent scientific analyses of the marble. Using comparan…

  • The Naked Reader

    Sarah E Beckmann, Sarah Beckmann•ARTICLE•American Journal of Archaeology•2023•Citada por: 2•Referencias: 44

    This article analyzes the naked boy who appears as a reader in the fresco cycle of the Villa of the Mysteries in Pompeii, ca. 60–40 BCE. Although this fresco and its many figures have received ample attention, few scholars have asked why the reading boy is naked. I mark the boy’s nakedness as proof of his enslavement, using iconographic and epigraphic evidence for child slaves in Roman-era Dionysiac cult. I also consider a Roman audience’s recept…

History (3 obras) · Ancient history (2 obras) · Ancient Mediterranean Archaeology and History (2 obras) · Art (2 obras) · Classical Antiquity Studies (2 obras) · Geology (2 obras) · Visual arts (2 obras) · Ancient and Medieval Archaeology Studies (1 obras) · Ancient Egypt and Archaeology (1 obras) · Antique (1 obras)

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