Frank Harold Wilson
Datos Biográficos
| ID | 3964285 |
|---|---|
| NOMBRE | Frank Harold Wilson |
| NOMBRES | Frank Harold |
| APELLIDO | Wilson |
| FIRMA | WILSON F H |
| AFILIACIONES | University of Wisconsin–Milwaukee |
| VERIFICADO | No |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAS | 4 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1995 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2015 |
| ÍNDICE H | 1 |
Armstrong, Louis (1901–71)
Louis Armstrong established jazz as an improvisational music form that emphasized individual expression over technique. His individual expression included unusual energy, intensity, and zest for living. Armstrong's playing style made the trumpet a vehicle for primary musical creativity and, while he was in his prime, the trumpet moved to the forefront of developments in jazz. The growth and mainstream acceptance of jazz music parallelled Armstron…
Recent changes in the african american population within the united states and the question of the color line at the beginning of the 21st century
Race, class, and the state in contemporary sociology
Focusing on the work legacy of William Julius Wilson and the arguments of his longstanding critics, Niemonen deftly illustrates the strengths, weakness, and influence of Wilson's work. His analysis calls for a major shift in how sociology conceptualizes race relations - a shift that challenges popular assumptions and contemporary vocabularies and brings to the forefront the role of the state."--BOOK JACKET
Fortress America
For Whom Does the Bell Toll
Frank Harold Wilson, For Whom Does the Bell Toll?: Meritocracy, the Cognitive Elite, and the Continuing Significance of Race in Postindustrial America, The Journal of Negro Education, Vol. 64, No. 3, Myths and Realities: African Americans and the Measurement of Human Abilities (Summer, 1995), pp. 253-266
For Whom Does the Bell Toll
Frank Harold Wilson, For Whom Does the Bell Toll?: Meritocracy, the Cognitive Elite, and the Continuing Significance of Race in Postindustrial America, The Journal of Negro Education, Vol. 64, No. 3, Myths and Realities: African Americans and the Measurement of Human Abilities (Summer, 1995), pp. 253-266
Recent changes in the african american population within the united states and the question of the color line at the beginning of the 21st century
Fortress America
For Whom Does the Bell Toll
Frank Harold Wilson, For Whom Does the Bell Toll?: Meritocracy, the Cognitive Elite, and the Continuing Significance of Race in Postindustrial America, The Journal of Negro Education, Vol. 64, No. 3, Myths and Realities: African Americans and the Measurement of Human Abilities (Summer, 1995), pp. 253-266
Fortress America
Race, class, and the state in contemporary sociology
Focusing on the work legacy of William Julius Wilson and the arguments of his longstanding critics, Niemonen deftly illustrates the strengths, weakness, and influence of Wilson's work. His analysis calls for a major shift in how sociology conceptualizes race relations - a shift that challenges popular assumptions and contemporary vocabularies and brings to the forefront the role of the state."--BOOK JACKET
Recent changes in the african american population within the united states and the question of the color line at the beginning of the 21st century
Armstrong, Louis (1901–71)
Louis Armstrong established jazz as an improvisational music form that emphasized individual expression over technique. His individual expression included unusual energy, intensity, and zest for living. Armstrong's playing style made the trumpet a vehicle for primary musical creativity and, while he was in his prime, the trumpet moved to the forefront of developments in jazz. The growth and mainstream acceptance of jazz music parallelled Armstron…
History (3 obras) · Political science (3 obras) · Sociology (3 obras) · Geography (2 obras) · History (2 obras) · Population (2 obras) · School Choice and Performance (2 obras) · 1975 (1 obras) · 1980 (1 obras) · 20th century (1 obras)