Susan E Reid
Datos Biográficos
| ID | 3967905 |
|---|---|
| NOMBRE | Susan E Reid |
| NOMBRES | Susan E |
| APELLIDO | Reid |
| FIRMA | REID S E |
| AFILIACIONES | University of Sheffield |
| VERIFICADO | No |
| TOTAL DE OBRAS | 18 |
| TOTAL DE CITAS | 132 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 3 |
| PRIMER AÑO DE PUBLICACIÓN | 1998 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 6 |
Still Life and the Vanity of Socialist Realism
Still life occupied a position in the Socialist Realist canon so marginal that it could barely be called Socialist Realism at all. Although some artists attempted, in the Stalin era, to prove the genre's credentials at least as a component of Socialist Realist visual culture, a number of its genre characteristics rendered it ill‐suited and even antithetical to the mandatory tasks of “depicting reality in its revolutionary development” and demonst…
Makeshift Modernity. DIY, Craft and the Virtuous Homemaker in New Soviet Housing of the 1960s
In cities across the Soviet Union in the late 1950s and early 1960s, new\nhousing developments of plain five-storey apartment blocks mushroomed\nthanks to an intensive programme for mass industrialised housing\nconstruction launched by the Party-State in 1957. Modern living conditions\nwere to be created for millions, it was promised, through state planning and\ninvestment in the modernisation of construction, making maximum use of\ntechnology an…
Makeshift Modernity
This paper was published as Open Access under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Full details of this \nlicence are available at: http://creativecommons.org/licenses/ by/4.0
Pleasures in Socialism
Communist Comfort
In the Khrushchev Era Soviet Union, housing and homemaking became widely shared preoccupations both for specialist agents of the state and for individual homemakers, as standard, prefabricated apartments were erected on a mass scale. This essay examines a series of tensions and contradictions: between mobilisation and dwelling; between the chiliasm of the official ideology of communism and the process of settling and making home in these new sing…
Who Will Beat Whom?
Who Will Beat Whom? Soviet Popular Reception of the American National Exhibition in Moscow, 1959 Susan E. Reid (bio) The U.S. industrialist Norman K. Winston, special adviser to the American National Exhibition held in Moscow from 25 July to 4 September 1959, had predicted to This Week magazine earlier that year: We know the life we have is good. By the end of the summer, the millions of Russians who have seen our exhibit will know it too.... Unl…
Biotechnology and Nanotechnology
Khrushchev modern
Modernité à la Hruščev. L’espace domestique soviétique. – Les nouvelles zones urbaines en préfabriqué, qui ont fait leur apparition à la fin des années 1950 au centre des villes soviétiques et à leur périphérie par suite d’une campagne de construction intensive de logements lancée en 1957, représentaient clairement la volonté affichée du régime poststalinien d’améliorer le niveau de vie du plus grand nombre. L’ère khrouchtchévienne a fait forteme…
The Soviet Art World in the Early Thaw
The Khrushchev Kitchen
In the Soviet Union in the late 1950s, the Khrushchev regime launched an intensive campaign to build mass housing. This period, known as The Thaw, is generally regarded as one of liberalization in comparison to the preceding Stalin era. Moreover, the proposed new housing, promising separate, one-family flats to replace the communal apartments and barracks in which most urban dwellers lived, seemed to offer the possibility of a ‘private’ home life…
Women in the Khrushchev Era
This collection of essays examines women in the Khrushchev era, using both newly-accessible archival material and a re-reading of published sources. Exploring diverse subjects including housing, space
Two Russian Sculptors of the Twentieth Century
Socialist Spaces
What were Socialist Spaces? The Eastern Bloc produced distinctive spaces, some of which were fashioned from ideological templates, such as the monumental parade grounds and Red Squares where communist leaders could receive tributes, or new factory cities with towering chimneys and glittering palaces of culture. But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War? This book explores the repre…
Cold War in the Kitchen
Consumption, a key issue in the study of post-Soviet culture, was already a central concern during the Cold War. In the late 1950s and early 1960s, the Khrushchev regime staked its legitimacy at home, and its credibility abroad, on its ability to provide its population with consumer goods and a decent standard of living. Despite promising "abundance for all" as the precondition for the imminent transition to communism, the regime could not afford…
Socialist Realism in the Stalinist Terror
Masters of the Earth
The Art Market and the History of Socialist Realism
Book reviewed in this article: Cullerne Brown, Matthew, Socialist Realist Painting
All Stalin's Women
This article will examine how the representation of gender in Soviet art during the second and third Five-Year Plans articulated relationships of domination in Stalinist society. Using female characters to stand for "the people" as a whole, painting and sculpture drew on conventional gender codes and hierarchy to naturalize the subordination of society to the Stalinist state and legitimate the sacrifice of women's needs to those of industrializat…
Cold War in the Kitchen
Consumption, a key issue in the study of post-Soviet culture, was already a central concern during the Cold War. In the late 1950s and early 1960s, the Khrushchev regime staked its legitimacy at home, and its credibility abroad, on its ability to provide its population with consumer goods and a decent standard of living. Despite promising "abundance for all" as the precondition for the imminent transition to communism, the regime could not afford…
The Khrushchev Kitchen
In the Soviet Union in the late 1950s, the Khrushchev regime launched an intensive campaign to build mass housing. This period, known as The Thaw, is generally regarded as one of liberalization in comparison to the preceding Stalin era. Moreover, the proposed new housing, promising separate, one-family flats to replace the communal apartments and barracks in which most urban dwellers lived, seemed to offer the possibility of a ‘private’ home life…
All Stalin's Women
This article will examine how the representation of gender in Soviet art during the second and third Five-Year Plans articulated relationships of domination in Stalinist society. Using female characters to stand for "the people" as a whole, painting and sculpture drew on conventional gender codes and hierarchy to naturalize the subordination of society to the Stalinist state and legitimate the sacrifice of women's needs to those of industrializat…
Communist Comfort
In the Khrushchev Era Soviet Union, housing and homemaking became widely shared preoccupations both for specialist agents of the state and for individual homemakers, as standard, prefabricated apartments were erected on a mass scale. This essay examines a series of tensions and contradictions: between mobilisation and dwelling; between the chiliasm of the official ideology of communism and the process of settling and making home in these new sing…
Khrushchev modern
Modernité à la Hruščev. L’espace domestique soviétique. – Les nouvelles zones urbaines en préfabriqué, qui ont fait leur apparition à la fin des années 1950 au centre des villes soviétiques et à leur périphérie par suite d’une campagne de construction intensive de logements lancée en 1957, représentaient clairement la volonté affichée du régime poststalinien d’améliorer le niveau de vie du plus grand nombre. L’ère khrouchtchévienne a fait forteme…
Biotechnology and Nanotechnology
The Soviet Art World in the Early Thaw
Socialist Realism in the Stalinist Terror
Masters of the Earth
All Stalin's Women
This article will examine how the representation of gender in Soviet art during the second and third Five-Year Plans articulated relationships of domination in Stalinist society. Using female characters to stand for "the people" as a whole, painting and sculpture drew on conventional gender codes and hierarchy to naturalize the subordination of society to the Stalinist state and legitimate the sacrifice of women's needs to those of industrializat…
Masters of the Earth
The Art Market and the History of Socialist Realism
Book reviewed in this article: Cullerne Brown, Matthew, Socialist Realist Painting
Socialist Realism in the Stalinist Terror
Socialist Spaces
What were Socialist Spaces? The Eastern Bloc produced distinctive spaces, some of which were fashioned from ideological templates, such as the monumental parade grounds and Red Squares where communist leaders could receive tributes, or new factory cities with towering chimneys and glittering palaces of culture. But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War? This book explores the repre…
Cold War in the Kitchen
Consumption, a key issue in the study of post-Soviet culture, was already a central concern during the Cold War. In the late 1950s and early 1960s, the Khrushchev regime staked its legitimacy at home, and its credibility abroad, on its ability to provide its population with consumer goods and a decent standard of living. Despite promising "abundance for all" as the precondition for the imminent transition to communism, the regime could not afford…
Women in the Khrushchev Era
This collection of essays examines women in the Khrushchev era, using both newly-accessible archival material and a re-reading of published sources. Exploring diverse subjects including housing, space
Two Russian Sculptors of the Twentieth Century
The Khrushchev Kitchen
In the Soviet Union in the late 1950s, the Khrushchev regime launched an intensive campaign to build mass housing. This period, known as The Thaw, is generally regarded as one of liberalization in comparison to the preceding Stalin era. Moreover, the proposed new housing, promising separate, one-family flats to replace the communal apartments and barracks in which most urban dwellers lived, seemed to offer the possibility of a ‘private’ home life…
Khrushchev modern
Modernité à la Hruščev. L’espace domestique soviétique. – Les nouvelles zones urbaines en préfabriqué, qui ont fait leur apparition à la fin des années 1950 au centre des villes soviétiques et à leur périphérie par suite d’une campagne de construction intensive de logements lancée en 1957, représentaient clairement la volonté affichée du régime poststalinien d’améliorer le niveau de vie du plus grand nombre. L’ère khrouchtchévienne a fait forteme…
The Soviet Art World in the Early Thaw
Biotechnology and Nanotechnology
Who Will Beat Whom?
Who Will Beat Whom? Soviet Popular Reception of the American National Exhibition in Moscow, 1959 Susan E. Reid (bio) The U.S. industrialist Norman K. Winston, special adviser to the American National Exhibition held in Moscow from 25 July to 4 September 1959, had predicted to This Week magazine earlier that year: We know the life we have is good. By the end of the summer, the millions of Russians who have seen our exhibit will know it too.... Unl…
Communist Comfort
In the Khrushchev Era Soviet Union, housing and homemaking became widely shared preoccupations both for specialist agents of the state and for individual homemakers, as standard, prefabricated apartments were erected on a mass scale. This essay examines a series of tensions and contradictions: between mobilisation and dwelling; between the chiliasm of the official ideology of communism and the process of settling and making home in these new sing…
Pleasures in Socialism
Makeshift Modernity. DIY, Craft and the Virtuous Homemaker in New Soviet Housing of the 1960s
In cities across the Soviet Union in the late 1950s and early 1960s, new\nhousing developments of plain five-storey apartment blocks mushroomed\nthanks to an intensive programme for mass industrialised housing\nconstruction launched by the Party-State in 1957. Modern living conditions\nwere to be created for millions, it was promised, through state planning and\ninvestment in the modernisation of construction, making maximum use of\ntechnology an…
Makeshift Modernity
This paper was published as Open Access under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Full details of this \nlicence are available at: http://creativecommons.org/licenses/ by/4.0
Still Life and the Vanity of Socialist Realism
Still life occupied a position in the Socialist Realist canon so marginal that it could barely be called Socialist Realism at all. Although some artists attempted, in the Stalin era, to prove the genre's credentials at least as a component of Socialist Realist visual culture, a number of its genre characteristics rendered it ill‐suited and even antithetical to the mandatory tasks of “depicting reality in its revolutionary development” and demonst…
Political science (16 obras) · Law (12 obras) · Sociology (11 obras) · Art (10 obras) · Law (9 obras) · History (8 obras) · History (7 obras) · Communism (6 obras) · Eastern European Communism and Reforms (6 obras) · Politics (6 obras)