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Julia Peck

Datos Biográficos

ID3989225
NOMBREJulia Peck
NOMBRESJulia
APELLIDOPeck
FIRMAPECK J
AFILIACIONESUniversity of Roehampton
ORCID0000-0001-5134-2471
VERIFICADOSí
TOTAL DE OBRAS8
TOTAL DE CITAS0
OBRAS COMO AUTOR8
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2010
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0
  • Ladino on the Internet

    Julia Peck•ARTICLE•Journal of Jewish Languages•2026

  • Children's exploration of the concepts of home and belonging

    Open Access•Fiona Maine, Benjamin Brummernhenrich et al.•ARTICLE•International Journal of…•2021

    Understanding one's sense of belonging is a central part of identity formation and self-awareness; feeling safe somewhere, with specific people is identified as a basic human need. This paper explores the ideas of children from three age groups in five different European as they discussed the concepts of ‘home’ and ‘belonging’. Findings showed that the children's ideas could be organised into six interrelated aspects: Spatiality, Materiality, Mul…

  • In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet

    Julia Peck•ARTICLE•Photography and Culture•2021•Referencias: 5

    The Prix Pictet is a photography prize focussing on sustainability. Anthropocentric in its world-view, the prize was endorsed and supported by Kofi Annan, who until 2006 was the Secretary-General of the United Nations. This article argues three points. Firstly, that the Prix Pictet’s model of sustainability is anthropocentric and produces a framework in which myriad inequalities in human relationships become representable. The prize as a symptom …

  • Vibrant Photography

    Julia Peck•ARTICLE•Photographies•2016•Referencias: 8

    Jane Bennett’s thesis in Vibrant Matter argues that we need to find ways to acknowledge and engage with the agency of all factors that create ecologies and environments, including non-human actants. This essay argues that Richard Misrach and Kate Orff’s project Petrochemical America signals some important strategies that are useful for developing visual political ecologies and understanding non-human actants, including the non-living. Although so…

  • Why it does not Have to be in Focus

    Julia Peck•ARTICLE•Visual Studies•2016

    Book review: Why it does not have to be in focus: Modern photography explained \nby Jackie Higgins \nLondon: Thames and Hudson, 2013, 224 pages \nISBN: 978-0500290958

  • Eco-aesthetics

    Julia Peck•ARTICLE•Visual Studies•2016

    Book review: Eco-aesthetics: Art, literature and architecture in a period of climate change \nby Malcolm Miles \nLondon; New Delhi; New York; Sydney: Bloomsbury, 2014, 256 pages \nISBN: 978-1-4725-2940-4

  • Pulletop and Thornthwaite

    Julia Peck•ARTICLE•Journal of Australian Studies•2012•Referencias: 1

    This article compares two different photographic accounts of working pastoral landscapes in nineteenth-century New South Wales between 1860 and the mid 1890s. Joseph and Ernest Docker's photographs of their property (c. 1860–1869) disavow details of labour and land productivity in favour of producing picturesque landscape photographs. Both Dockers were educated amateurs, producing delicate, hand-made photographs demonstrating their cultural sophi…

  • Performing Aboriginality

    Julia Peck•ARTICLE•History of Photography•2010

    This paper re-investigates notions of performed Aboriginality in relation to photographs \nmade at Lake Tyers Mission Station, Victoria, Australia, and argues that \nNicholas Caire’s photographs reveal complex Aboriginal subjectivities. The photographs, \nmade originally in 1886 and distributed to tourists, were later reproduced \nand circulated in book format in 1897. The first presentation of the photographs, \nwhilst focusing on historical Abo…

Sin obras prominentes en esta página.

  • Performing Aboriginality

    Julia Peck•ARTICLE•History of Photography•2010

    This paper re-investigates notions of performed Aboriginality in relation to photographs \nmade at Lake Tyers Mission Station, Victoria, Australia, and argues that \nNicholas Caire’s photographs reveal complex Aboriginal subjectivities. The photographs, \nmade originally in 1886 and distributed to tourists, were later reproduced \nand circulated in book format in 1897. The first presentation of the photographs, \nwhilst focusing on historical Abo…

  • Pulletop and Thornthwaite

    Julia Peck•ARTICLE•Journal of Australian Studies•2012•Referencias: 1

    This article compares two different photographic accounts of working pastoral landscapes in nineteenth-century New South Wales between 1860 and the mid 1890s. Joseph and Ernest Docker's photographs of their property (c. 1860–1869) disavow details of labour and land productivity in favour of producing picturesque landscape photographs. Both Dockers were educated amateurs, producing delicate, hand-made photographs demonstrating their cultural sophi…

  • Vibrant Photography

    Julia Peck•ARTICLE•Photographies•2016•Referencias: 8

    Jane Bennett’s thesis in Vibrant Matter argues that we need to find ways to acknowledge and engage with the agency of all factors that create ecologies and environments, including non-human actants. This essay argues that Richard Misrach and Kate Orff’s project Petrochemical America signals some important strategies that are useful for developing visual political ecologies and understanding non-human actants, including the non-living. Although so…

  • Why it does not Have to be in Focus

    Julia Peck•ARTICLE•Visual Studies•2016

    Book review: Why it does not have to be in focus: Modern photography explained \nby Jackie Higgins \nLondon: Thames and Hudson, 2013, 224 pages \nISBN: 978-0500290958

  • Eco-aesthetics

    Julia Peck•ARTICLE•Visual Studies•2016

    Book review: Eco-aesthetics: Art, literature and architecture in a period of climate change \nby Malcolm Miles \nLondon; New Delhi; New York; Sydney: Bloomsbury, 2014, 256 pages \nISBN: 978-1-4725-2940-4

  • Children's exploration of the concepts of home and belonging

    Open Access•Fiona Maine, Benjamin Brummernhenrich et al.•ARTICLE•International Journal of…•2021

    Understanding one's sense of belonging is a central part of identity formation and self-awareness; feeling safe somewhere, with specific people is identified as a basic human need. This paper explores the ideas of children from three age groups in five different European as they discussed the concepts of ‘home’ and ‘belonging’. Findings showed that the children's ideas could be organised into six interrelated aspects: Spatiality, Materiality, Mul…

  • In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet

    Julia Peck•ARTICLE•Photography and Culture•2021•Referencias: 5

    The Prix Pictet is a photography prize focussing on sustainability. Anthropocentric in its world-view, the prize was endorsed and supported by Kofi Annan, who until 2006 was the Secretary-General of the United Nations. This article argues three points. Firstly, that the Prix Pictet’s model of sustainability is anthropocentric and produces a framework in which myriad inequalities in human relationships become representable. The prize as a symptom …

  • Ladino on the Internet

    Julia Peck•ARTICLE•Journal of Jewish Languages•2026

Art (6 obras) · Aesthetics (5 obras) · Sociology (5 obras) · Visual arts (5 obras) · Geographies of human-animal interactions (4 obras) · History (3 obras) · Psychology (3 obras) · Archaeology (2 obras) · Art history (2 obras) · Australian History and Society (2 obras)

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