James M Salvo
Datos Biográficos
| ID | 4078777 |
|---|---|
| NOMBRE | James M Salvo |
| NOMBRES | James M |
| APELLIDO | Salvo |
| FIRMA | SALVO J M |
| AFILIACIONES | Wayne State University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2010 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 1 |
Considerations of Post-Pandemic Life
Although the duration of a pandemic has a limit, it is also a time wherein we comport ourselves toward a world where there is a pandemic. Pandemic time can be a time of panic, during which we may attempt to find solace in the comforting objectivity of the sciences. However much science is necessary, we should remember that science is not the only relevant discourse. Further, adjacent to the particulate matter that spreads airborne contagions, pan…
Openings
The work of good editing creates openings for others to express their own ideas. The world is such that—to put it in the language of game theory—we must play cooperatively in the academy. The urgency of things needing our attention and action does not leave time for us to play strategic games wherein we compete with those who would be allies in our striving toward the flourishing of all
Abstracts and Their Mysterious In-Betweens
Reorganizing our library during the pandemic, James secretly placed Jasmine’s copy of The Hundreds by his copy of Exercises in Style, the latter offering 99 different narrations of the same story. In our accidentally large archive of abstracts for which we never wrote papers, we had a collection of constrained writings, all iterations of our shared research narrative. Many of these were unsubmitted responses to calls for papers (CFPs), conference…
A Rhetoric of Preservation
Rereading Walter Benjamin’s often overlooked theme of preservation in his work, we offer an interpretation of an art installation that appeared in the winter of 2018 in The Heidelberg Project in Detroit, Michigan, USA. By interpreting this installation and Benjamin’s insights on preservation, we make recommendations on how to make readable rhetoric that might be used to positively shape digitally disseminated climate change activist media. We exa…
Slow Reading
To cite a text is to read it. A citation asserts that I've read what I cited. But more importantly, the way we cite indicates the quality of our reading. To have the right to use a text, we must fully engage with it. When our disposition seeks error, we miss the truth of the text. It's within this spirit that I engage with Jasmine Ulmer's "Writing Slow Ontology." At bottom, slow writing deserves slow reading
Autoethnographic Responses to the Political
Reflections on Occupy Wall Street
We thank the following reviewers who rendered extraordinary services to the International Review of Qualitative Research, Volume 2
Autoethnographic Responses to the Political
Slow Reading
To cite a text is to read it. A citation asserts that I've read what I cited. But more importantly, the way we cite indicates the quality of our reading. To have the right to use a text, we must fully engage with it. When our disposition seeks error, we miss the truth of the text. It's within this spirit that I engage with Jasmine Ulmer's "Writing Slow Ontology." At bottom, slow writing deserves slow reading
We thank the following reviewers who rendered extraordinary services to the International Review of Qualitative Research, Volume 2
Reflections on Occupy Wall Street
Autoethnographic Responses to the Political
Slow Reading
To cite a text is to read it. A citation asserts that I've read what I cited. But more importantly, the way we cite indicates the quality of our reading. To have the right to use a text, we must fully engage with it. When our disposition seeks error, we miss the truth of the text. It's within this spirit that I engage with Jasmine Ulmer's "Writing Slow Ontology." At bottom, slow writing deserves slow reading
A Rhetoric of Preservation
Rereading Walter Benjamin’s often overlooked theme of preservation in his work, we offer an interpretation of an art installation that appeared in the winter of 2018 in The Heidelberg Project in Detroit, Michigan, USA. By interpreting this installation and Benjamin’s insights on preservation, we make recommendations on how to make readable rhetoric that might be used to positively shape digitally disseminated climate change activist media. We exa…
Openings
The work of good editing creates openings for others to express their own ideas. The world is such that—to put it in the language of game theory—we must play cooperatively in the academy. The urgency of things needing our attention and action does not leave time for us to play strategic games wherein we compete with those who would be allies in our striving toward the flourishing of all
Abstracts and Their Mysterious In-Betweens
Reorganizing our library during the pandemic, James secretly placed Jasmine’s copy of The Hundreds by his copy of Exercises in Style, the latter offering 99 different narrations of the same story. In our accidentally large archive of abstracts for which we never wrote papers, we had a collection of constrained writings, all iterations of our shared research narrative. Many of these were unsubmitted responses to calls for papers (CFPs), conference…
Considerations of Post-Pandemic Life
Although the duration of a pandemic has a limit, it is also a time wherein we comport ourselves toward a world where there is a pandemic. Pandemic time can be a time of panic, during which we may attempt to find solace in the comforting objectivity of the sciences. However much science is necessary, we should remember that science is not the only relevant discourse. Further, adjacent to the particulate matter that spreads airborne contagions, pan…
Sociology (5 obras) · Computer Science (4 obras) · Epistemology (4 obras) · Philosophy (4 obras) · Art (3 obras) · Political science (3 obras) · Psychology (3 obras) · Aesthetics (2 obras) · Linguistics (2 obras) · Media studies (2 obras)