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Stacey Zembrzycki

Datos Biográficos

ID4089306
NOMBREStacey Zembrzycki
NOMBRESStacey
APELLIDOZembrzycki
FIRMAZEMBRZYCKI S
AFILIACIONESPantarhei Bioscience (Netherlands)
VERIFICADONo
TOTAL DE OBRAS10
TOTAL DE CITAS17
TOTAL COMO AUTOR9
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN2010
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H3
  • Main Essay

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2026

    The rapid development and seemingly ubiquitous integration of artificial intelligence (AI) into our everyday lives places oral historians at a perilous crossroads that obligates us to establish clear lines between the humanistic principles that define our work and the colonizing impulses that drive the extractive and exploitative generation of data. AI neither values people nor the data it generates, but we do. How, then, can we resist the tenden…

  • Narrating loss in Poland 70 years after the Holocaust

    Stacey Zembrzycki•ARTICLE•Holocaust Studies•2024•Referencias: 6

    What do stories of loss sound like 70 years after the Holocaust and how are they remembered in the places where the losses themselves occurred? When Steven Hopman returned to Poland in 2010, as part of the March of the Living's (MOL) Montreal contingent of survivors tasked with educating students about the Holocaust, he grappled with how best to narrate a coherent and shareable story. This article shares his struggle to go public with the 'salvag…

  • The Sinter Plant Boys

    Stacey Zembrzycki•ARTICLE•Histoire sociale•2020

    From 1948 to 1963, the International Nickel Company of Canada (Inco) operated a sintering plant in Copper Cliff, Ontario, to produce nickel and nickel oxide from sulphur matte. Sintering created a refined dust made of nickel sulphides and other oxides, and also produced considerable sulphur dioxide. The workers who were exposed to this dust without protective equipment⎯ingesting these toxic particles⎯later developed various forms of lung, sinus, …

  • Beyond Women's Words

    Katrina Srigley, Stacey Zembrzycki et al.•BOOK•Beyond Women's Words•2018

    For women in the Western world, the quest for the autonomous self is closely bound up with the advent of feminism of the so-called second wave.1 The notion of the essentialist self, contained within the biological/reproductive body of woman, has been seen as particularly debilitating to a woman’s ability to create a unique, differentiated personhood or subjectivity that draws on her authentic experience. Women’s liberation from this framework has…

  • Slowing Down to Listen in the Digital Age

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2017•Citada por: 1

    The digital turn has had a profound impact on the practice of oral history. This article calls for a robust and critical reflection on how this turn has impacted both the process of conducting interviews and our efforts to analyze and disseminate them. Using a feminist and humanistic approach to oral history, we examine the ethical and methodological implications of databasing and indexing software, of putting our interviews on the Web, and of en…

  • Who’s Afraid of Oral History? Fifty Years of Debates and Anxiety about Ethics

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2016•Citada por: 4

    This article offers a survey of the past fifty years’ literature on oral history and ethics, arguing that oral historians’ approaches to ethics have emerged from two major fears: the fear of failing as researchers and the fear of failing our narrators and doing harm. These professional and personal fears have evolved through three distinct but overlapping phases: postwar positivism, the subjective turn, and contemporary interdisciplinarity. Confr…

  • Professionalizing Survival

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•Journal of Modern Jewish Studies•2013•Citada por: 3•Referencias: 5

    The majority of Holocaust survivors never speak publicly about their experiences, but those who do tend to find themselves at the centre of commemorative work in their communities. As Holocaust scholars, Holocaust education institutions, and members of the general public become increasingly interested in how to ethically universalize the lessons of the Holocaust, the public Holocaust survivor's role has broadened. It is no longer enough to recoun…

  • ‘When I was your age’

    Open Access•Stacey Zembrzycki, Steven High•ARTICLE•Canadian Historical Review•2012

    If Holocaust survivor testimony has been the subject of enormous public attention, the educational activism of these survivors has been largely overlooked. Recorded interviews, like public testimonies, have tended to focus on their wartime experiences and specifically the violence they endured. Consequently, little time has been spent exploring their postwar lives and the central role that many have played in Holocaust education. Taking survivors…

  • Oral History and Adult Community Education

    Stacey Zembrzycki, Erin Jessee et al.•ARTICLE•The Oral History Review•2011

    In May 2009, Concordia University’s Institute for Community Development (ICD), the Centre for Oral History and Digital Storytelling, and L’Abri en Ville, in Montreal, Canada, organized a collaborative oral history workshop. As part of the ICD’s Open University program, it aimed to give a group of adults, several of whom were coping with mental illnesses, an opportunity to learn about this craft in a setting that was free of the barriers that tend…

  • Only Human

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2010•Citada por: 9

    As oral historians, we devote a great deal of time to painstakingly designing our projects, cognizant of the fact that our research requires us to interact with human beings in often intimate ways. For this same reason, though, our careful methodology and meticulously designed projects are constantly being tested. This article is a reflection on some of the ethical and methodological challenges that the authors faced during their life story inter…

  • Only Human

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2010•Citada por: 9

    As oral historians, we devote a great deal of time to painstakingly designing our projects, cognizant of the fact that our research requires us to interact with human beings in often intimate ways. For this same reason, though, our careful methodology and meticulously designed projects are constantly being tested. This article is a reflection on some of the ethical and methodological challenges that the authors faced during their life story inter…

  • Who’s Afraid of Oral History? Fifty Years of Debates and Anxiety about Ethics

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2016•Citada por: 4

    This article offers a survey of the past fifty years’ literature on oral history and ethics, arguing that oral historians’ approaches to ethics have emerged from two major fears: the fear of failing as researchers and the fear of failing our narrators and doing harm. These professional and personal fears have evolved through three distinct but overlapping phases: postwar positivism, the subjective turn, and contemporary interdisciplinarity. Confr…

  • Professionalizing Survival

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•Journal of Modern Jewish Studies•2013•Citada por: 3•Referencias: 5

    The majority of Holocaust survivors never speak publicly about their experiences, but those who do tend to find themselves at the centre of commemorative work in their communities. As Holocaust scholars, Holocaust education institutions, and members of the general public become increasingly interested in how to ethically universalize the lessons of the Holocaust, the public Holocaust survivor's role has broadened. It is no longer enough to recoun…

  • Slowing Down to Listen in the Digital Age

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2017•Citada por: 1

    The digital turn has had a profound impact on the practice of oral history. This article calls for a robust and critical reflection on how this turn has impacted both the process of conducting interviews and our efforts to analyze and disseminate them. Using a feminist and humanistic approach to oral history, we examine the ethical and methodological implications of databasing and indexing software, of putting our interviews on the Web, and of en…

  • Only Human

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2010•Citada por: 9

    As oral historians, we devote a great deal of time to painstakingly designing our projects, cognizant of the fact that our research requires us to interact with human beings in often intimate ways. For this same reason, though, our careful methodology and meticulously designed projects are constantly being tested. This article is a reflection on some of the ethical and methodological challenges that the authors faced during their life story inter…

  • Oral History and Adult Community Education

    Stacey Zembrzycki, Erin Jessee et al.•ARTICLE•The Oral History Review•2011

    In May 2009, Concordia University’s Institute for Community Development (ICD), the Centre for Oral History and Digital Storytelling, and L’Abri en Ville, in Montreal, Canada, organized a collaborative oral history workshop. As part of the ICD’s Open University program, it aimed to give a group of adults, several of whom were coping with mental illnesses, an opportunity to learn about this craft in a setting that was free of the barriers that tend…

  • ‘When I was your age’

    Open Access•Stacey Zembrzycki, Steven High•ARTICLE•Canadian Historical Review•2012

    If Holocaust survivor testimony has been the subject of enormous public attention, the educational activism of these survivors has been largely overlooked. Recorded interviews, like public testimonies, have tended to focus on their wartime experiences and specifically the violence they endured. Consequently, little time has been spent exploring their postwar lives and the central role that many have played in Holocaust education. Taking survivors…

  • Professionalizing Survival

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•Journal of Modern Jewish Studies•2013•Citada por: 3•Referencias: 5

    The majority of Holocaust survivors never speak publicly about their experiences, but those who do tend to find themselves at the centre of commemorative work in their communities. As Holocaust scholars, Holocaust education institutions, and members of the general public become increasingly interested in how to ethically universalize the lessons of the Holocaust, the public Holocaust survivor's role has broadened. It is no longer enough to recoun…

  • Who’s Afraid of Oral History? Fifty Years of Debates and Anxiety about Ethics

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2016•Citada por: 4

    This article offers a survey of the past fifty years’ literature on oral history and ethics, arguing that oral historians’ approaches to ethics have emerged from two major fears: the fear of failing as researchers and the fear of failing our narrators and doing harm. These professional and personal fears have evolved through three distinct but overlapping phases: postwar positivism, the subjective turn, and contemporary interdisciplinarity. Confr…

  • Slowing Down to Listen in the Digital Age

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2017•Citada por: 1

    The digital turn has had a profound impact on the practice of oral history. This article calls for a robust and critical reflection on how this turn has impacted both the process of conducting interviews and our efforts to analyze and disseminate them. Using a feminist and humanistic approach to oral history, we examine the ethical and methodological implications of databasing and indexing software, of putting our interviews on the Web, and of en…

  • Beyond Women's Words

    Katrina Srigley, Stacey Zembrzycki et al.•BOOK•Beyond Women's Words•2018

    For women in the Western world, the quest for the autonomous self is closely bound up with the advent of feminism of the so-called second wave.1 The notion of the essentialist self, contained within the biological/reproductive body of woman, has been seen as particularly debilitating to a woman’s ability to create a unique, differentiated personhood or subjectivity that draws on her authentic experience. Women’s liberation from this framework has…

  • The Sinter Plant Boys

    Stacey Zembrzycki•ARTICLE•Histoire sociale•2020

    From 1948 to 1963, the International Nickel Company of Canada (Inco) operated a sintering plant in Copper Cliff, Ontario, to produce nickel and nickel oxide from sulphur matte. Sintering created a refined dust made of nickel sulphides and other oxides, and also produced considerable sulphur dioxide. The workers who were exposed to this dust without protective equipment⎯ingesting these toxic particles⎯later developed various forms of lung, sinus, …

  • Narrating loss in Poland 70 years after the Holocaust

    Stacey Zembrzycki•ARTICLE•Holocaust Studies•2024•Referencias: 6

    What do stories of loss sound like 70 years after the Holocaust and how are they remembered in the places where the losses themselves occurred? When Steven Hopman returned to Poland in 2010, as part of the March of the Living's (MOL) Montreal contingent of survivors tasked with educating students about the Holocaust, he grappled with how best to narrate a coherent and shareable story. This article shares his struggle to go public with the 'salvag…

  • Main Essay

    Anna Sheftel, Stacey Zembrzycki•ARTICLE•The Oral History Review•2026

    The rapid development and seemingly ubiquitous integration of artificial intelligence (AI) into our everyday lives places oral historians at a perilous crossroads that obligates us to establish clear lines between the humanistic principles that define our work and the colonizing impulses that drive the extractive and exploitative generation of data. AI neither values people nor the data it generates, but we do. How, then, can we resist the tenden…

Law (7 obras) · Oral History, Memory, Narrative Analysis (7 obras) · Political science (7 obras) · Sociology (6 obras) · Media studies (5 obras) · Psychology (5 obras) · Memory, Trauma, and Commemoration (4 obras) · Oral history (4 obras) · The Holocaust (4 obras) · Engineering (3 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae