Daniel M Grimley
Datos Biográficos
| ID | 4118256 |
|---|---|
| NOMBRE | Daniel M Grimley |
| NOMBRES | Daniel M |
| APELLIDO | Grimley |
| FIRMA | GRIMLEY D M |
| AFILIACIONES | University of Nottingham |
| VERIFICADO | No |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAS | 1 |
| OBRAS COMO AUTOR | 8 |
| OBRAS COMO EDITOR | 11 |
| PRIMER AÑO DE PUBLICACIÓN | 2001 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 1 |
Vaughan Williams in Context
Challenging residual doubts about Vaughan Williams's role and significance within twentieth-century music and culture, this book places and explores his life and music in their broad musical, cultural, social, and political contexts. Chapters by scholars from a range of disciplines re-evaluate the composer's life and career within a world marked by both rapid change and refigured traditions. Building on scholarship that has established Vaughan Wi…
Form
Form is one of the most foundational concepts in music theory, but identifying a suitably precise and meaningful definition of the term proves challenging. This essay does not attempt to offer a singular definition, but rather seeks to explore aspects of the term’s history and origin, exemplifying its usage (and its implications for writing on music) across a broad repertoire from Machaut to Miles Davis. Form is predictive, regulative, and heuris…
Delius and the Sound of Place
Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically media…
Being Musically Attuned
How does music change the way we feel? What is the quality or nature of the relationship between listening subject, environment, and acoustic signal that determines the rate or status of such transformation, and what aspects of music’s affective agency are involved in this process? These are the underlying questions posed by Erik Wallrup’s thoughtfully reflective new study. His monograph appears at a particularly prescient moment. In recent years…
Carl Nielsen and the Idea of Modernism
A critical re-evaluation of the music of Carl Nielsen which examines its context and relationship to musical modernism. Carl Nielsen (1865-1931) remains arguably the most underrated composer of his international generation. This book offers a critical re-evaluation of Carl Nielsen's music and his rich literary and artistic contexts. Drawing extensively on contemporary writing, criticism, and the newly completed Carl Nielsen Edition , the book pre…
The Cambridge Companion to Elgar
Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and…
Tonality, Clarity, Strength’
Identifying elements of a Nordic subjectivity in the music of Carl Nielsen is a complex exercise. As Naomi Cumming has observed, we construct musical subjectivity in multiple ways, some of which we perceive as a ‘composer’s voice’. But musical identity is properly a tension between compositional process, reception, and historical context. Carl Nielsen’s piano music has been less widely acknowledged outside Denmark than his symphonies, but offers …
Organicism, Form and Structural Decay
Tarp, Svend Erik
Weis, (Carl) Flemming
Berwald, Johann Friedrich
Berwald, (Christian) August
Berwald, Astrid
Riisager, Knudåge
Berwald, Georg Johann Abraham
Berwald, Franz
Berwald, Johan Fredrik
Berwald, Christian Friedrich Georg
Høffding, (Niels) Finn
Tarp, Svend Erik
Weis, (Carl) Flemming
Berwald, Johann Friedrich
Berwald, (Christian) August
Berwald, Astrid
Riisager, Knudåge
Berwald, Georg Johann Abraham
Berwald, Franz
Berwald, Johan Fredrik
Berwald, Christian Friedrich Georg
Høffding, (Niels) Finn
Organicism, Form and Structural Decay
The Cambridge Companion to Elgar
Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and…
Tonality, Clarity, Strength’
Identifying elements of a Nordic subjectivity in the music of Carl Nielsen is a complex exercise. As Naomi Cumming has observed, we construct musical subjectivity in multiple ways, some of which we perceive as a ‘composer’s voice’. But musical identity is properly a tension between compositional process, reception, and historical context. Carl Nielsen’s piano music has been less widely acknowledged outside Denmark than his symphonies, but offers …
Carl Nielsen and the Idea of Modernism
A critical re-evaluation of the music of Carl Nielsen which examines its context and relationship to musical modernism. Carl Nielsen (1865-1931) remains arguably the most underrated composer of his international generation. This book offers a critical re-evaluation of Carl Nielsen's music and his rich literary and artistic contexts. Drawing extensively on contemporary writing, criticism, and the newly completed Carl Nielsen Edition , the book pre…
Being Musically Attuned
How does music change the way we feel? What is the quality or nature of the relationship between listening subject, environment, and acoustic signal that determines the rate or status of such transformation, and what aspects of music’s affective agency are involved in this process? These are the underlying questions posed by Erik Wallrup’s thoughtfully reflective new study. His monograph appears at a particularly prescient moment. In recent years…
Delius and the Sound of Place
Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically media…
Form
Form is one of the most foundational concepts in music theory, but identifying a suitably precise and meaningful definition of the term proves challenging. This essay does not attempt to offer a singular definition, but rather seeks to explore aspects of the term’s history and origin, exemplifying its usage (and its implications for writing on music) across a broad repertoire from Machaut to Miles Davis. Form is predictive, regulative, and heuris…
Vaughan Williams in Context
Challenging residual doubts about Vaughan Williams's role and significance within twentieth-century music and culture, this book places and explores his life and music in their broad musical, cultural, social, and political contexts. Chapters by scholars from a range of disciplines re-evaluate the composer's life and career within a world marked by both rapid change and refigured traditions. Building on scholarship that has established Vaughan Wi…
Art (9 obras) · Philosophy (9 obras) · Art history (7 obras) · Musicology and Musical Analysis (7 obras) · History (6 obras) · History and Developments in Astronomy (5 obras) · Diverse Musicological Studies (4 obras) · Epistemology (4 obras) · Musical (4 obras) · Aesthetics (3 obras)