Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Anna Maria Busse Berger

Datos Biográficos

ID412101
NOMBREAnna Maria Busse Berger
NOMBRESAnna Maria Busse
APELLIDOBerger
FIRMABERGER A M B
AFILIACIONESUniversity of California, Davis
ORCID0000-0002-2285-0546
VERIFICADOSí
TOTAL DE OBRAS9
TOTAL DE CITAS13
TOTAL COMO AUTOR8
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1990
AÑO MÁS RECIENTE DE PUBLICACIÓN2020
ÍNDICE H1
  • Von der Oralität zum SchriftBild

    Matteo Nanni, Kira Henkel et al.•BOOK•Von der Oralität zum SchriftBild•2020

  • Music and Instruments of the Middle Ages

    Christopher Page, Tess Knighton et al.•BOOK•Music and Instruments of the…•2020

  • Haunted Oppressors

    Open Access•Anna Maria Busse Berger•ARTICLE•Humanities•2020

    Building on Patrick Brantlinger’s description of imperial Gothic fiction as “that blend of adventure story with Gothic elements”, this article compares the narrative formula of adventure fiction to two tales of haunting produced in a colonial context: Rudyard Kipling’s “The Mark of the Beast” (1890) and Arthur Conan Doyle’s “The Brown Hand” (1899). My central argument is that these stories form an antithesis to adventure fiction: while adventure …

  • The Leipzig Mission and Bruno Gutmann

    Open Access•Anna Maria Busse Berger•ARTICLE•Prace Kulturoznawcze•2019•Referencias: 2

    Bruno Gutmann (1876–1966) was the most important German missionary/ethnographer active in East Africa in the first half of the 20th century. His stay in Tanzania spanned two periods: 1902–1920 and 1926–1938. In addition to translating the New Testament into Chagga, he wrote numerous studies of Chagga law and society. Even though Gutmann was not a trained musicologist, his views on church music in the mission field are of great importance. Why was…

  • The Cambridge History of Medieval Music

    Open Access•Peter Jeffery, Andreas Pfisterer et al.•BOOK•Cambridge History of Medieval Music•2018

    Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside …

  • Vocal Recall

    Delaney Greig, Donald Greig et al.•ARTICLE•The Musical Times•2006

  • Medieval Music and the Art of Memory

    Anna Maria Busse Berger•BOOK•Medieval Music and the Art of…•2005•Citada por: 13

    Anna Maria Busse Berger's "Medieval Music and the Art of Memory" explores the intricate relationship between musical practice and mnemonic techniques in the Middle Ages. Challenging the prevailing notion of medieval music as primarily an oral tradition, Berger argues that memory played a crucial role in composition, performance, and pedagogy. The book examines a wide range of sources, including treatises on rhetoric and memory, musical notations,…

  • Agricola [Sore], Martin

    Anna Maria Busse Berger, Anna Berger•CHAPTER•The new Grove dictionary of music…•2001

  • The Myth of diminutio per tertiam partem

    Anna Maria Busse Berger•ARTICLE•Journal of Musicology•1990

  • Medieval Music and the Art of Memory

    Anna Maria Busse Berger•BOOK•Medieval Music and the Art of…•2005•Citada por: 13

    Anna Maria Busse Berger's "Medieval Music and the Art of Memory" explores the intricate relationship between musical practice and mnemonic techniques in the Middle Ages. Challenging the prevailing notion of medieval music as primarily an oral tradition, Berger argues that memory played a crucial role in composition, performance, and pedagogy. The book examines a wide range of sources, including treatises on rhetoric and memory, musical notations,…

  • The Myth of diminutio per tertiam partem

    Anna Maria Busse Berger•ARTICLE•Journal of Musicology•1990

  • Agricola [Sore], Martin

    Anna Maria Busse Berger, Anna Berger•CHAPTER•The new Grove dictionary of music…•2001

  • Medieval Music and the Art of Memory

    Anna Maria Busse Berger•BOOK•Medieval Music and the Art of…•2005•Citada por: 13

    Anna Maria Busse Berger's "Medieval Music and the Art of Memory" explores the intricate relationship between musical practice and mnemonic techniques in the Middle Ages. Challenging the prevailing notion of medieval music as primarily an oral tradition, Berger argues that memory played a crucial role in composition, performance, and pedagogy. The book examines a wide range of sources, including treatises on rhetoric and memory, musical notations,…

  • Vocal Recall

    Delaney Greig, Donald Greig et al.•ARTICLE•The Musical Times•2006

  • The Cambridge History of Medieval Music

    Open Access•Peter Jeffery, Andreas Pfisterer et al.•BOOK•Cambridge History of Medieval Music•2018

    Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside …

  • The Leipzig Mission and Bruno Gutmann

    Open Access•Anna Maria Busse Berger•ARTICLE•Prace Kulturoznawcze•2019•Referencias: 2

    Bruno Gutmann (1876–1966) was the most important German missionary/ethnographer active in East Africa in the first half of the 20th century. His stay in Tanzania spanned two periods: 1902–1920 and 1926–1938. In addition to translating the New Testament into Chagga, he wrote numerous studies of Chagga law and society. Even though Gutmann was not a trained musicologist, his views on church music in the mission field are of great importance. Why was…

  • Von der Oralität zum SchriftBild

    Matteo Nanni, Kira Henkel et al.•BOOK•Von der Oralität zum SchriftBild•2020

  • Music and Instruments of the Middle Ages

    Christopher Page, Tess Knighton et al.•BOOK•Music and Instruments of the…•2020

  • Haunted Oppressors

    Open Access•Anna Maria Busse Berger•ARTICLE•Humanities•2020

    Building on Patrick Brantlinger’s description of imperial Gothic fiction as “that blend of adventure story with Gothic elements”, this article compares the narrative formula of adventure fiction to two tales of haunting produced in a colonial context: Rudyard Kipling’s “The Mark of the Beast” (1890) and Arthur Conan Doyle’s “The Brown Hand” (1899). My central argument is that these stories form an antithesis to adventure fiction: while adventure …

History (6 obras) · Art (5 obras) · Diverse Musicological Studies (3 obras) · Literature (3 obras) · Musical (3 obras) · Visual arts (3 obras) · Ancient history (2 obras) · Archaeology (2 obras) · Art history (2 obras) · Classics (2 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae